Photography: Composition--Making the Picture Before the Picture

Watch the Background

"A Tree Grows In Brooklyn" -- no, wait!  Out of her head!  That's gotta hurt!
"A Tree Grows In Brooklyn" -- no, wait! Out of her head! That's gotta hurt!
Ah, that's more like it--move in close, change angle of yourself and/or subject.
Ah, that's more like it--move in close, change angle of yourself and/or subject. | Source

Learn To See Like the Camera

Photographic composition is the first and most important step in taking a good picture, or the difference between a merely 'good' picture and an extraordinary one. The reason for this is the emotional bias our brains place upon the scene before us. What happens is this: the built-in editor inside our brains carefully 'pre-edits' and blinds us to any undesirable elements that appear before us. We may see a gorgeous sunset over a nearby mountaintop, grab the camera and snap away. When we have the photos processed, or upload them, we may be very disappointed in the end result.

What we saw as a beautiful scenic shot, was not based upon careful analysis. What we end up with is a shot of the sunset, alright, but not the clean, beautiful scene we thought we were getting.

In the foreground are ugly distractions such as utility poles and power lines, traffic, assorted buildings and trees. They act as visual 'stoppers' and prevent the eye from looking further into the photo. That glorious sunset has been reduced to a mere background element, and the viewer is looking at the foreground, trying to figure out what the intended subject was.

This is a photo taken by a girlfriend with my box camera, when we were kids. ...  Did I mention, "watch the background?!"
This is a photo taken by a girlfriend with my box camera, when we were kids. ... Did I mention, "watch the background?!"

The camera has no such built-in editor: it captures exactly everything that is present within its frame of view. It does not mentally edit out the foreground distractions. So, to get that really great shot, we must learn to look at the scene before us as the camera does. Notice the sunset, yes, but then shift your focus to what is immediately in front of you. Pay attention to power lines, railroad tracks, buildings, trees, or anything else you don't want included.

Conversely, you can be focusing on your intended subject as a foreground shot, and mentally block out background that you don't want. This is where we end up with people having trees, traffic lights, and what-not appearing to be growing from the top of their heads.

Yes, you can crop it out in a photo-editing program, but that makes a lot of extra work and takes an inordinate amount of time. Unless you are a real expert with a program like PhotoShop, trying to edit out things like power lines is darned near impossible. Even for an expert, it's pretty much more trouble than its worth. Cropping the image results in a less-than-ideal format; the aspect ratio (width-to-height proportion) will look and feel "off."

Distance Matters

Wide Shot--what is the picture really supposed to be?  An illustration of your living room?  Baby incidenally in the shot?
Wide Shot--what is the picture really supposed to be? An illustration of your living room? Baby incidenally in the shot?
Ah--more like it--close up of cute baby sleeping.  No distractions.
Ah--more like it--close up of cute baby sleeping. No distractions.
The kids seem to be 'just there.'
The kids seem to be 'just there.'
Much better!
Much better! | Source

Move In Close!

Another composition error many people make is in taking a photo from too far away. Sometimes, this cannot be helped, but if that is the case, make use of the telephoto, or 'zoom' setting on the camera.

Actually moving closer, when possible, is always preferable. Why? Because most people are not using a tripod for casual photos, and the least bit of camera shake, even from your own breathing, is magnified by the telephoto/zoom function.

As you can see from the examples at right, if you are shooting from across the room or across the yard, the subject is reduced to an unimportant part of the overall photo. Clearly, in the second example in each set of the two girls, the photographer has moved in tight to eliminate as much irrelevant background as possible, and has posed the one girl squatting down next to her younger sister, so they occupy the same plane, and the shot can be composed more tightly.

Lighting

No matter how little light your camera claims it needs in order to create an image, it is the quality of that image that should concern you. In very low-light situations, you may get a photo of whomever you are intending, but will you be able to see who it is? Will their face be in such deep shadow that it is virtually indistinguishable? This is desirable only for news shows in which the interview subject has requested not to have their identity revealed. For any other purpose, you need to see faces clearly.

If the lighting is dim, in shadow, or otherwise questionable, use the camera's flash! Most cameras today have a flash override that tells the flash to go off, even if the automatic sensor is fooled by the surrounding light into thinking that flash is not needed. The symbol is usually a lightning bolt, or a small image of the flash source on the camera.

On a bright sunny day, a person standing in the shadow of a tree can still look dimly lit. Use the flash, in this case referred to as "fill flash" to eliminate the shadows under the tree. (See examples above right. Even though the principle being illustrated there is one of angles, you can also clearly see my granddaughter's face, because the flash killed the under-tree shadows.)

I remember the 'bad old days,' when outdoor subjects were always placed, squinting, facing the sun, because the light "had to be" behind the photographer. While you don't want to shoot right into the sun, as this will create a silhouette, you can shoot toward bright light, and by use of fill-flash, eliminate that silhouette effect and have a pleasing photo because your subject will not be making a horrible face because the sun is in their eyes. And, their eyes will be visible, not hidden behind sunglasses, either.

Modern cameras also usually have a 'red-eye reduction' feature, which pulses the flash to avoid that 'evil-eye' look. It also helps fools subjects who tend to shut their eyes ahead of the flash burst. The eye is fooled into thinking it has already happened, and you are more likely to get an open-eyed subject. This red-eye reduction feature is especially useful when taking photos of pets. The bright bursts cause the pupil of the eye to contract, so there is less interior surface of the eye to reflect back the flash.

Capturing the Pet's Personality

Soot
Soot
Soot napping in jeans
Soot napping in jeans

Fixing Lighting Issues in Photoshop

Original photo
Original photo
Photo run through Photoshop, using only "adjust auto-levels" function
Photo run through Photoshop, using only "adjust auto-levels" function
Same photo, after 'auto-levels' also run through manual 'adjust levels' function.
Same photo, after 'auto-levels' also run through manual 'adjust levels' function.
Final adjustment using the 'brightness and contrast'  function.
Final adjustment using the 'brightness and contrast' function. | Source

Pets

The best way to capture precious photos or your precious pets (or your kids!) is at their level. Compare the shots at right. The first one clearly shows a black cat. But you can see nothing of her actual looks, or trace of her personality. The second shot is a close-up taken at her level.

Additionally, however, that second photo was cropped to show just the one kitty, and not any of the surrounding area, or other cats in the picture, so it also serves to illustrate my point about cropping and ending up with awkward shapes or sizes.

Since pets do not always cooperate with our desires for taking their pictures, we have to be ready to grab any moment that presents itself. Sometimes, the shot is of a sleeping pet, and the light is not great, but you don't want to use flash and wake them up, thereby spoiling the pose. This is where a photo-editing program helps to some extent.

Notice the second set of photos of this same cat. She is already black, which is of no help at all in dim light. Next, she was nearly asleep, and I did not want to disturb her. (We all know what light sleepers cats are!) These are four different options of the same photo. The first is unedited, as it was uploaded from the camera. The second, third and fourth been 'doctored' to varying degrees in Photoshop.

Almond blossom photos by Liz Elias, 2-4-2011
Almond blossom photos by Liz Elias, 2-4-2011

Scenic Subjects

The same principles apply when shooting scenery, whether large scale landscapes or up-close images of flowers.

As you can see from the photos at right, all taken of the exact same thing on the same day and within a few moments of each other, there are vast differences in the photos. Which one do you like best?

Shot #1: Your reaction might well be, "What almond blossom?" The background is a tangle of still-bare branches, bits of house and sky, with a chunk of carport roof and pole in the way.

Shot #2: Taken from about 5 feet away, on telephoto setting, as there were too many things in the way to get closer. The background distractions have been eliminated, but even at maximum telephoto setting for this camera, the flower is still pretty small.

Shot #3: Taken looking west, right into the sun. More unfortunate background and bad back-lighting render this a silhouette of tangled branches and part of a roof. Even though, standing there looking in person, I could plainly see the pretty flower.

Shot #4: Now we're talking! For this shot, I had to stand on a step-stool, set the camera on the macro setting, and bend the branch around to the best angle for the effect I was after.

Yes, being a photographer sometimes involves awkward positions, extra equipment or accessories, and lots of patience. The end results will be well worth the effort! As with anything, you get out of it what you put in.

Practice Makes....

Well, perhaps practice doesn't quite make perfect--after all, we're only human, and anyone looking for perfection is probably on the wrong planet.

Nonetheless, don't let that stop you from constant practice. Make a habit of taking your camera with you, and learn to pre-edit in your mind. Get down on your hands and knees for that flower shot; lie on your belly to capture your pet; go across the street or down the block, out from behind the utility wires for that great shot of the clouds over the mountain.

And, despite increasing technology, to get a truly great picture requires an actual camera, not a built-in camera function within a cell phone. Those are intended only for quick on-the-fly snapshots to grab bits of an unfolding scene as it happens. But, if you carry your real camera with you, it can serve the same purpose, and your image quality will be better to boot.

You are never too young to learn.  In fact, getting a child even a fairly young one, an inexpensive camera--even one of the disposable types will work--is a great way to start them off on the path to great pictures down the road.

Go forth and photograph--everything!

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Comments 11 comments

Fossillady profile image

Fossillady 5 years ago from Saugatuck Michigan

You demonstrated the basics how to compose a good photograph with great examples and humor too! Great hub Lizzy! Darling grandchildren!


DzyMsLizzy profile image

DzyMsLizzy 5 years ago from Oakley, CA Author

Thanks so much, Fossillady! Always good to see you out and about!

Yes, I do enjoy my granddaughters..they live near enough to enjoy and not so near as to tire me out. ;-)


Eiddwen profile image

Eiddwen 5 years ago from Wales

A very useful hub that I am bookmarking for easy future reference.

thank for sharing this well presented and well informed hub.

Take care

Eidddwen.


Jamie Brock profile image

Jamie Brock 5 years ago from Texas

Thanks for the awesome photography tips! Lots of good stuff here... I've bookmarked and voted up and useful :)


DzyMsLizzy profile image

DzyMsLizzy 5 years ago from Oakley, CA Author

@Eiddwen--Thank you so much! I'm glad you found this to be useful information.

@Jamie Brock--Thank you very much, indeed! Much appreciated.


wheelinallover profile image

wheelinallover 5 years ago from Central United States

I love taking pictures. Everything you said in this article makes sense to me because I use them all. Well you won't catch me on a ladder but for those shots you can find other ways.

It didn't take me long to realize the camera sees things differently than my brain sees them. I also don't like that sometimes there are things I can see that the camera doesn't.

Guess its time to get a little more practice. Great hub voted up and awesome.


DzyMsLizzy profile image

DzyMsLizzy 5 years ago from Oakley, CA Author

Greetings, wheelingallover,

Thank you so much for stopping by and your comments. I am pleased you found the article worhtwhile, and I thank you for the votes! Photography is such a fun hobby, isn't it!


sgbrown profile image

sgbrown 4 years ago from Southern Oklahoma

Great hub DzyMsLizzy! Lots of good information and I love showing the differences with pictures. Very good job! Voted up and useful! :)


DzyMsLizzy profile image

DzyMsLizzy 4 years ago from Oakley, CA Author

Hello, sgbrown--

Thank you very much for the nice compliment and the votes! I'm very glad you enjoyed the article.


Millionaire Tips profile image

Millionaire Tips 4 years ago from USA

I love taking photographs, and you've provided great pointers on making sure that they are picture worthy! Watching the composition does take some patience, but it the results are worth the effort. Voted up.


DzyMsLizzy profile image

DzyMsLizzy 4 years ago from Oakley, CA Author

Hello, Millionaire Tips,

I'm very pleased you found the article worthwhile; it's nice to meet a fellow photographer. I appreciate your comment. Thanks much for the vote, too!

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