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63The Strangers Original Motion Picture Score, by tomandandy
Horror scores are an interesting lot. They should provide an atmosphere of tenseness and a presence of looming danger, but without overdoing it and toppling over into melodrama or camp (unless that's what the...
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46CD Reviews: Pathology Original Motion Picture Score
Opening quietly and submissively with the floating "F*ck Me, Please - Meeting the Interns" the composers of the Pathology film score seek to prove that their music can rise above the rather simple, and...
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55Sleepwalking Original Motion Picture Soundtrack, music review
Every musical piece is constructed from variatons and combinations of silence and sound. Most film scores are relatively light on the former and heavy on the latter, which isn't a bad choice, especially in an...
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52Justice League: The New Frontier Soundtrack, music review
In an animated adventure film with a bevy of world-class superheroes, how do you let the score pay homage to them all without feeling crowded or overdone? Composer Kevin Manthei, who's worked extensively as a...
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61Doomsday Soundtrack, by Tyler Bates, music review
When you're thinking of the more graphic films of recent years (300, Halloween, The Devils' Rejects, Slither) chances are you're thinking of a film that composer Tyler Bates worked on. It's proof enough of...
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57Things We Lost in the Fire Soundtrack, music review
Like the film this score was created for, this soundtrack is a painstaking mix of individual thought and formulaic, sure-to-succeed delicacies. With Swedish composer Johan Soderqvist credited as the composer...
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54Superman: Doomsday Soundtrack, music review
With familiar themes of heroism and danger, Robert J. Kral's sountrack to the epic animation Superman: Doomsday hits your speakers like Doomsday himself. Over a decade after the publication of the bestselling...
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51Reservation Road Soundtrack, music review
Reading the line notes on the inside of the Reservation Road soundtrack, you get the idea that director Terry George has gone a little overboard in his praise for Mark Isham's work. "...a score that not just...
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59Bonneville Soundtrack, music review
With a host of songs invoking the elements (Donovan's "Catch the Wind," Pete Droge's "Under the Waves," Bob Sinclair's "Shining From Heaven"), the producers of the soundtrack for the new "middle-age girls gone...
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63Untraceable Soundtrack, music review
Apart from the slightly upbeat and hopefully Forrest Gump-y finale "Kill With Me," Christopher Young's score for the Diane Lane thriller Untraceable is mostly filled with looming danger coupled with rising and...
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