Geoff Tate's Queensryche - "Frequency Unknown" Album Review

Queensryche - "Frequency Unknown" album cover
Queensryche - "Frequency Unknown" album cover | Source

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2 stars for Queensryche - "Frequency Unknown" CD
Geoff Tate's Queensryche, 2013
Geoff Tate's Queensryche, 2013 | Source

"Queensryche" - FREQUENCY UNKNOWN (Deadline/Cleopatra, 2013)

The implosion of Queensryche certainly ranks as one of the messiest musical divorces in recent memory. In case you haven't been keeping up with this ongoing saga, here's a brief recap of the drama surrounding these '80s rock stalwarts, and the unusual circumstances that led to the release of 2013's "Queensryche" (note the quote marks) CD, Frequency Unknown.

In mid-2012, the Seattle prog-metal band best known for the Operation: Mindcrime concept album and the early '90s hit "Silent Lucidity" suddenly announced that they'd fired lead singer Geoff Tate, saying that Tate's erratic behavior had caused unbearable working conditions within the band. While they replaced Tate with new vocalist Todd LaTorre and began moving forward with their plans to record a new studio album, Tate sued his former band mates to claim ownership of the "Queensryche" brand name. The rest of the band filed their own countersuit and a Washington State judge ruled that until the naming dispute was settled there was no legal barrier preventing Tate from assembling his own version of "Queensryche" and continuing to use the name.

Tate was soon back out on tour as "Queensryche" with a new backing band, and quickly scored a new recording contract with Deadline Records, a sub-label of L.A. based rock indie Cleopatra Records. With a variety of studio musicians and celebrity guests in tow, Tate banged out a new "Queensryche" CD - dubbed Frequency Unknown - in a matter of weeks and rushed it into stores in late April of 2013 -- a full two months ahead of the "other" Queensryche, whose first album with Todd LaTorre was slated for a late June.

In other words, Geoff Tate was successful in firing the first shot in the War of the Queensryches... but was the album any GOOD?

"Cold" from "Frequency Unknown"

Given its controversial, created-by-committee origins, it's my opinion that Frequency Unknown shouldn't be reviewed as a legitimate "Queensryche" album, as it was obviously not a "band" effort. It's a hastily-assembled collection of songs performed by a cast of hired guns, led by a guy whose sole purpose in creating the record was to give the middle finger to his old band. (I sincerely doubt it's a coincidence that the album title's initials are "F.U."!)

That said...whether you view F.U. as a rush job, a glorified Geoff Tate solo album, or a vanity piece, it still somehow manages to be more listenable than the last couple of "real" Queensryche albums. Of course, if you've ever heard 2009's American Soldier or 2011's Dedicated To Chaos, then you know that's faint praise.


The Good:

Three of the songs on Frequency Unknown are actually pretty damn good. Unfortunately, you have to slog through a lot of middling material in order to find the gems.

The album opener "Cold" starts things off on the right note, building around a nice chunky guitar riff and featuring one of the catchiest choruses on the record. Tate co-wrote this song with one-time "Rock Star: Supernova" winner Lukas Rossi, and he was smart to put this track in the leadoff position on the album. Unfortunately, by doing so he writes a check that the rest of the album can't cash.

"Slave" jumps out at the listener from the album's midsection, once again due to its infectious chorus - which salvages what would've otherwise been a strictly average, chug-a-lug hard rock song. I actually find myself humming the refrain to this song ("You're a slaaaaave to the light...) at random intervals.

The late-inning winner is the lovely "Everything." Despite the tinny-sounding canned drums that open the track, the plaintive piano and overall theatrical feel of this cinematic ballad, reminiscent of prog-metallers Savatage, rises out of a clutch of mediocre songs like a flower suddenly sprouting from a crack in a city sidewalk. This one is tied with "Cold" as my favorite song on F.U.


The Tate is not amused.
The Tate is not amused. | Source

The Bad:

Aside from the aforementioned three songs, the bulk of Frequency Unknown is fairly bland. Some members of Tate's camp had hyped F.U. as being "stupidly heavy" while it was in the works, but if fans were hoping to hear G.T. getting back some of his metal mojo they're bound to be disappointed, because the majority of the album is stuck in the same watery sounding late 90s alterna-metal rut that Queensryche's been mining endlessly since at least Hear In The Now Frontier (1997).

Tate appears to be taking lyrical pot shots at his former bandmates throughout F.U., particularly on the irritating "Dare" in which he boasts "I don't give a f**k about the threats you're throwing round... take me outta context, I'll put you down, take you out," and the passable "Fallen" ("You ain't nothin!"), which features a nice guitar solo by Dave (Y&T) Meniketti. In fact, many of the lesser songs come alive when a stunt guitar player comes in for a solo, as when Ty Tabor of King's X turns up on "In the Hands of God," or Brad Gillis of Night Ranger appears on "Life Without You" (which would be a much better song without Tate's constant, breathy-voiced pleas of "Are you ready? Are you?", which get kinda creepy after a while.) Even K.K. Downing of metal royalty Judas Priest drops in to lend his axe to the otherwise unremarkable "Running Backwards." However, even a guest solo by the great Chris (Megadeth) Poland can't save the weepy, self important "Weight of the World," in which Tate bemoans his fate of having "the weight of the world on my chest," as if we're supposed to feel sorry for him. Ugh.

"I Don't Believe in Love" (2013 re-recording)

The Ugly:

After "Weight of the World" ends the album proper, Frequency Unknown concludes with four "bonus tracks" - newly re-recorded versions of the Queensryche classics "I Don't Believe in Love," "Jet City Woman," "Empire" and "Silent Lucidity." All of the instrumental tracks on these cover versions was performed by one guy - Martin Irigoyen (who?), which would probably be more impressive if said performances weren't so sterile, lifeless and karaoke-worthy. It goes without saying, obviously, that none of the four re-treads is better than the original versions. Tate has sung these songs thousands of times over the years, which may explain why he sounds like he's merely punching a time clock. Additionally, if you play these versions back to back with the original recordings, you can hear how much range Tate has lost over the years.

So Is It Worth Buying?

Considering that it was stitched together Frankenstein-style in a rush by a large group of contributors rather than an actual "band," Frequency Unknown is still occasionally an interesting listen, even if the reason it's "interesting" is more due to its "what the f*ck?" curiosity factor than due to any musical merits.

In April 2014 the battle over the Queensryche trademark was settled, and Tate's former bandmates - with their new vocalist Todd LaTorre - were awarded the rights to continue recording and touring as Queensryche. Therefore, Frequency Unknown will be the final recording that Geoff Tate releases under the Queensryche banner. As part of the agreement, Geoff maintains the exclusive right to perform the band's Operation Mindcrime I and II in their entirety in concert, and he was allowed to continue touring as "Geoff Tate's Queensryche" till late 2014 in order to fulfill concert dates that were booked prior to the settlement. Time will tell whether or not this unique circumstance results in Frequency Unknown being re-issued under Tate's own name, or if copies of it with the "Queensryche" name become collector's items.

In mid-2014, Geoff Tate adopted "Operation Mindcrime" as the new name for his band, and they are currently working on the first album of a planned trilogy (!) for the Italian melodic-rock label Frontiers Records. Whatever band name he uses, Tate definitely needs to come up with stronger material for his next recorded outing. Morbid fan curiosity will only get you so far and with Frequency Unknown I think even Tate's most patient supporters may have reached their limit.

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Comments 16 comments

JD 3 years ago

One Rÿche to rule them all! \m/

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

Right on, JD! It's going to be verrrry interesting to see what happens when the LaTorre lineup's album drops in a couple of weeks. I'm thinkin' steel cage death match between Todd and Geoff. Winner gets to keep the band name. :)

smcgavin1 profile image

smcgavin1 3 years ago from Bowling Green, Ohio

Very nice review. What do you think of the reports of Tate admitting his screw ups (such as on That Metal Show)?

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

I'm not sure what's going on in Tate's head at this point... after his latest bout of bizarre behavior (grabbing an i-phone from a fan and throwing it into the crowd), I am starting to wonder if he knows he's going to lose the rights to use the Queensryche name eventually, so he's purposely trying to poison it, just to screw over the other guys.

FreedomMetal profile image

FreedomMetal 3 years ago from Somewhere In Time

Nice review and much kinder than what I think of the album. It is better than DTC or K&T (both basically Tate solo albums since he kept the band out of the studio during the recording of DTC), but as you mentioned, faint praise considering that those albums suck (DTC made the top of my "worst album of 2011" list)

Since The Geoff used the same songwriting/production team that he used on the Queensryche albums of the past 10 years, I didn't expect anything different. Sort of like one definition of insanity (not Insania AKA GT's Boones Farm like swill he tries to sell for 40 bucks a bottle) - doing the same thing over and over and expecting a different result.

Can't wait for the real Queensryche album to drop in a few weeks - the three tracks released so far are better than anything post-PL released by the ryche.

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

Hey Freedom! Thanks for dropping by. I agree, F.U. really is little more than a glorified Tate solo album....

Brian Marshall 3 years ago

Martín Irigoyen is the album's engineer from what I can gather.

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

Hi Brian - he's one of several engineers/producers/assorted hangers-on who had a hand in this record, apparently!!

Nagalandmusic profile image

Nagalandmusic 3 years ago from India

Disappointment is an art you cannot master knowing there isn't anything Queensryche in 'Queensryche'. The attempt at the sublime somehow appears a rude shout at the aesthetics if I gather from the influence of post-Images & Words attempt Tate's hired-hands are banking on ..

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

Hi Nagalandmusic -- it seems to me that Geoff Tate has indeed mastered the art of disappointing his fans!!

smcgavin1 profile image

smcgavin1 3 years ago from Bowling Green, Ohio

Still not as bad as Axl Rose

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

Hahaha, very true!

Randy Duckworth 3 years ago

I agree with you about this album. A couple of good tracks, but 90 percent of it is horrifying GARBAGE! It's just more of the same slop that Tate has forced Queensryche to put out for years now! I have been angry at Tate for a while though. He is very talented, but he doesn't really care about the music anymore. Performing has become his JOB instead of his passion!

FatFreddysCat profile image

FatFreddysCat 3 years ago from The Garden State Author

Indeed, Randy!! The "other" Queensryche's album smokes this one, for sure...

FatFreddysCat profile image

FatFreddysCat 2 years ago from The Garden State Author


FatFreddysCat profile image

FatFreddysCat 21 months ago from The Garden State Author


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