Ye Banks and Braes: Fingerstyle Guitar Arrangement in Tab, Notation and Audio
This is a fairly simple solo fingerstyle guitar arrangement of the Scottish folk song popularly known as Ye Banks and Braes, or even, Ye Banks and Braes o' Bonnie Doon. In fact, its real name is The Banks o' Doon, but nobody ever seems to call it by that name.
The video contains the score (standard notation and guitar tablature) line by line in time with the audio track. It was recorded in 1080 HD widescreen, so, if you intend reading and playing along with the song on your guitar, choose the highest quality of video playback to ensure the score is readable. The video quality setting control is the star shaped button at the botton right corner.
Otherwise, you can just listen to the video and follow the complete score given below it. It's exactly the same score as in the video. Magnify the screen if necessary to see the notes and staff or tab more clearly by clicking anywhere on the score. That will open the HubPages Gallery where you can see each line of the staff large and clear.
Ye Banks and Braes
The Banks o' Doon (Ye Banks and Braes)
Ye Banks and Braes PDF
Click to open a page where you can download a FREE PDF file of this score of Ye Banks and Braes for offline viewing and printing.
The song, in this arrangement, is in the key of C major. The chords are C, F, G and A minor, and the song stays mostly in the first position of the guitar with the exception of a 3rd position F major chord at bar 23. Melody notes are shown in the notation with upward pointing stems. Bass and inner harmony notes all have downward pointing stems.
Emphasise the melody a little to raise it clear of the bass and harmony. As it's originally a vocal melody, try to play it with a 'singing' style. Feel free to embellish it with grace notes, slides, hammer ons, pull offs, etc. Anything that you think is in keeping with the style is fine.
You can simplify it too if the current version is a bit out of your reach, technically. Focus on playing the melody correctly, and miss out some inner harmony notes if necessary. If you need to choose a different bass note than what's shown in the score, try to ensure it's the same as the root of the chord. The root of a chord is the note that it's named after. So if the chord is C, the root of the chord is the note C (all C notes in a C major chord are roots). The root is always the safest bass note to use as it's the most stable sounding. Other chord tones are less stable but also can be more interesting to use. Let your ears be the final judge.
If you want to delve more deeply into Scottish folk music for guitar, the book on the right by Rob McKillop is highly recommended. A few of the forty pieces in the book are in DADGAD tuning - a very 'folky' and resonant-sounding tuning, which is easy and rewarding to learn and play.
Rob is well known in Scottish folk fingerstyle circles as a great player and teacher. You can expect high quality arrangements of well-chosen Scottish folk guitar music from this book, and the accompanying CD will keep you right if you have trouble reading the tab or notation.
About the Song
The lyrics are a poem by Robert Burns, published in 1791. It tells of a young woman walking on the banks of the River Doon in Ayrshire (Burn's birthplace) and lamenting a lost love. Burns edited his already existing poem to fit the tune when he came to know of it.
Who composed the tune is uncertain and there are three current theories regarding its origin.
- It was composed by James Miller, an Edinburgh clerk, to whom it had been suggested that if he played on the black notes only of a keyboard instrument, whatever emerges is bound to sound like a Scottish folk tune. He tried it, and that was the lucky result. The reason this works (although not usually this well) is that the black keys of a keyboard instrument form a pentatonic scale, and a great deal of Scottish folk music is based on this scale.
- It was composed by Neil Gow, a famous 18th century Scottish fiddler. It appears in his 1794 publication under a different name: The Caledonian Hunt's Delight.
- It actually originated in England and gradually became 'Scottish' with the addition of some typically Scottish rhythmic effects. Once Burns' poem was added, it became hugely popular and famous throughout Europe as a typically Scottish song. Understandably, this is the least popular theory in Scotland as nobody there likes to think that one of Scotland's most famous melodies is actually English.
Make your own Fingerstyle Arrangements
You can use this style to make your own fingerstyle arrangements. Read my article here on HubPages to learn how to do it step by step. Basically it involves starting with the melody of a suitable song and then adding the chords and bass. The rhythm comes from filling in the spaces between the melody notes by arpeggiating (picking) the inner chord tones of each chord in succession. This provides a flowing rhythmic effect throughout the song.
More Folk Fingerstyle arrangements to try
Here are some more of my fingerstyle arrangements that you can try here on HubPages. They're all in the same format as this one with scores written in guitar tablature and standard notation and with audio demo track.
The Mist-Covered Mountains of Home - A Beautiful Scottish Air
Scarborough Fair - The well-known English folk song
Kimiad - A haunting melody from Brittany, the Celtic heatland of France
Brian Boru's March - A stirring Irish tribute to an ancient King
The music featured in this Hub is of unknown origin and is in the Public Domain
The lyrics are by Robert Burns (1759-1798) and are in the Public Domain
The score, arrangement, images and audio track are by chasmac
© 2014 chasmac
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