Dibidim - Riders (2007)
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- Dibidim's Website
- Dibidim @ MahSpux
- More Dibidim Links @ The Hype Machine
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Badminton Bay
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Moon Safari (10th Anniversary Deluxe Edition)
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Artist: Dibidim
Album: Riders
Released: January 2007
Label: Protest Recordings
Style: SynthPop
RIYL: Air
Tracklist:
- (4:42) Flagel Flygel
- (4:11) Gefeeling
- (4:26) Don't Play With the Gun
- (4:32) Sailor
- (3:50) I Woke Up
- (4:09) She Turns to Gold
- (3:59) If I Were a Cowboy
- (4:23) Lifeguard
- (4:54) Angelhorns
- (4:52) By the River
Playing Time : 43:58
Dibidim is Jeron and Jonas, two guys apparently from Badminton Bay in the UK. From what I can gather, which is very little, they're on this really rad label called Protest Recordings, which is a netlabel whose motto is exactly what I've been saying all along. I'll quote:
"Protest [Recordings] was borne out of a desire to set straight the shortcomings of the existing music industry, which has let down music lovers all over the world by placing undue emphasis on sales, and manipulating tastes by means of mass media - overpricing music whilst the artists themselves are left with potentially tiny royalties and little scope for creative expression."
Need I say more? Major labels are ruining the music industry, and stifling true creativity. You need look no further than The Mars Volta on that one. I remember the haydays of Cedric and Omar, in a band called At The Drive-In. And what are they now? They can't even release their albums on their own record label anymore. And for what? That damn, major-label check. Consider this: Is the music made inside your own space, when you had nothing better to do than express your emotions musically, the same as the music made in a studio, that you go to as a job, with the expectation of a paycheck at the end of your session?
Enter Dibidim, netlabel and all. No PFM review, no flash website, no tour. Just good beats and a myspace page. Now that's how you start a band these days. Just make some goddam music, then give it to everyone for a while. If it gets good response, you should probably cut a record. These guys needed to cut a record, this is mind-blowingly good material. Imagine, if you can, Air. The Air we remember from Moon Safari, the feeling that album gave you, then continue through the years with 10,000hz Legend and on through the discography until you come to Pocket Symphony. As an Air fan, I was a little disappointed with Pocket Symphony. It didn't have that same pop-sensibility that I remembered, nor the Brazilian influences (Azymuth in particular) that heralded them such a wide spectrum of fanship in the first place. It seemed very technical to me. Riders is a lot like what I would have expected Pocket Symphony to sound like, based on the sound of Air's previous albums, and the challenge of coming up with something enjoyable and engaging for new and old listeners ten years later. It's not exactly like any one Air album, it's just a sound that I could picture them coming up with on their own; I don't know why they didn't, but you could probably consider my question posed in the previous paragraph for some insight.
Riders starts slow, and stays that way aside from a few songs. It's nice though, because it builds a lot. You can tell that they worked on it through the winter. It just has that wintry feeling. The pace is really mellow. Most songs don't start with the hooks, you gotta wait for it. Also, it's pretty soundscapy, like lots of dream rushes (like where the drum goes whooshhhhhhhh, If I Were a Cowboy is the one I'm listening to now) and echoey space sounds, and of course it's all synth. The guys harmonize so nicely though, you wouldn't expect it from the beards. The whole album is pretty much synthy goodness and the guys' beautiful harmonies. Lifeguard sounds a lot like Kraftwerk, though. And on Angelhorns they use an Accordion, which makes me feel like I'm in Italy for some reason.
All in all, this is awesome. I'm going to be listening to it for quite a while, I'm sure.
UPDATE: I talked to Jeron via the MySpecs and he says, "we are making our second album early next year followed by a gigantic world tour with a massive psychedelic pop big band." I'm so excited! FTR, the psychedelic pop big band is NOT The Flaming Lips, despite my initial enthusiasms upon reading that.
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Comments
That is excellent insight you have just provided. Having grown up in the 80s, I was well immursed in the corporate-music formula/strategy/whatever you want to call it, long before I even knew that it existed and it effected the kinds of music I would hear etc. I'm going to have to look into that, thanks for the tip. And thanks for the kind words, I'm hoping people around here notice my hubs too. I put a lot of thought into them, usually I listen to an album for a few weeks before I hear something in it that really inspires me to write about it, so it's easy to have it very-well thought out by the time I sit down to type it all up.
Thanks again though, I'm glad you enjoy my writings. I have another blog that I use at blogger where I originally posted most of my material thus far and I liked that because I could put sample songs on there with this widget called Box.net. It's really cool, but this site doesn't support it. I'm going to make a thread about it in the suggestions area though. Hopefully we can get it soon.
Thanks, Jonno, having been there gives one an amzing advantage.
As for placing music on your hubs, have you tried checking YouTube for the music you want? I've discovered, through being a member here, that they have pretty much anything you might want to look for.
PS: I love that you're reviewing music I've never even heard of, or wouldn't have if not your reviews.
YouTube just doesn't cut it for me. I like to choose the most awesome songs from an album to put up with my review, and usually it's not the song they made a video for, or the band (like Dibidim) doesn't have any videos.
Shame. Maybe you can get Box.net. Let me know if you do. I'll be exploring.
Yeah, that's my plan exactly. I posted a topic about it in the New Features forum, if you think it could be useful for your Hubs too, you should mirror my sentiments in the thread. I'm sure if they see there's enough people that would use it, they'll put it on the site.
I will. I've got to check it out first, though.
Hey, great new pic! Who's incredibly brilliant stroke of super-genius was that?
Hey, how exactly would I be using Box.net here at HP, anyways? I'm at the site now, but am seeing why I would use it...
Oh hey, nevermind. Just saw the "free Trial" button. I don't wanna be paying for a site I probably won't be using very much.
Some very nice guy informed me that I had better pictures available for my profile. An excellent suggestion.
I don't pay for my Box.net at all, the free trial is infinite as far as I know, and I've never reached a limit on how much stuff I can upload. You can see that mine is full of songs, some of which are kind of big. You would only need to use it if you wanted to embed files onto a webpage you use. Check out my other blog and you'll see what I mean. You can put documents and stuff on it too, not just music.
www.thearkestra.blogspot.com
Ok, I'm thoroughly confused. Checked out your site - good looking page. I'm skimming down the Vampire Weekend review and see links to songs, all of which go to YouTube.
Am I missing something here?
Yeah, those are links to YouTube videos. The songs are in the Box Widget at the top left of the page. Sometimes you have to scroll down because the newer songs for newer blog entries are at the top of the list, in the Box widget I mean. That reminds me I need to write something about the songs being available for play in the Box widget. I'm sure many people miss it.
Ya, I didn't notice and was looking for songs.
Yeah, they're all in the box widget, everytime. I really like that little widget, it looks nice and it's very functional. I just wish there was a way to embed it here too..Maybe there is and I'm just not putting enough thought into it.
I've noticed I can reason things out that way, too. Just think about it long enough... Have you tried asking in the Forum if anyone knows how?











Constant Walker says:
2 years ago
Jonno, you are an excellent writer. I hope you get the following you deserve here. There are lots of musicians and music fans... just let them find you.
PS: Regarding the excellent quote by (or about?) Protest Recordings, I believe the "corporate-ization" of music began in earnest with Peter Frampton's live album "Frampton Comes Alive." I was there (18 or 19), and I remember what it was like before and after. Personally, I love the album. It's one of those rare live recordings where the magic and excitement of the show comes through. But, the album sold millions and millions... catching the attention of the dread Big Buriness.