Drawing with your eye instead of your mind
70Belly Dancer in Orange by Fayme Harper
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Tips on learning to draw.
Most people at some time or another wish they could draw. Some give up after a few failed attempts. Some never even try, figuring you either have an innate talent or you don't. Everyone understands that for most skills, you need training and practice and in due time you can master them. For some reason, people think drawing doesn't fall into that category, and it does.
What does it mean to draw with your eye and not with your mind? Our mind distorts things. For example, our mind tells us that our eyes are at the top of the oval called our face. Beginning artists will often put the eyes way too high. That's because our mind is fascinated with eyes and gives them way more importance that the forehead or the hair line. In truth (go ahead and measure) our eyes are about in the middle of our face. Beginners also tend to make the eyes way too big for the same reason. Try drawing a face without the eyes, and add the eyes last and you'll see what I mean.
Be aware of negative space. If you are drawing a person standing in a field, the person is the positive space, and the area around them is the negative space. If you draw the negative space first, what's left will look more like the person than if you drew the person first. In other words, if you get the negative space right, everything else will fall into place.
Drawing is based on keen observation. You need a working knowledge of linear perspective, aerial perspective, human and animal anatomy, botany, and the tools of the trade to become an accomplished artist.
For those that say, "I can't even draw a straight line," I hand them a ruler. Work smart, not hard.
Here are some ideas for drawing practice:
Gesture drawings: These are quick sketches done while 'people watching' to just get the action down fast. Work quickly and try to capture people walking, running, reading, diving, playing golf, etc. It is hard to draw well this way, so don't over critique yourself.
Give yourself from 3 to 5 minutes for each drawing.
Continuous Line Drawing: Take a blank sheet of paper. Put your pencil or pen in one spot. Look at what you are drawing. Keep your eyes on the object, not on the paper, and start drawing. Creep your eyes around the object like an ant walking over a statue and draw as you go, making your drawing one continuous line.
Mirror Drawing: Take a drawing you did that you are pleased with and redraw it's mirror image.
Upside Down Drawing: Do the same thing again, with the original upside down.
Overcome white paper syndrome. That's when you stare at a piece of pristine white paper and become afraid to mess it up. Try drawing with a white Prismacolor pencil on dark paper. Or use oil pastels on dark paper. Then instead of the paper always being the highlight, it becomes the mid-tone and you can add the highlights with light colors and the shadows with dark colors.
Take a sketchbook with you wherever you go. Or keep a diary and sketch journal. Some journals have lined pages on one side for writing, with blank pages on the other side for drawing.
Try different mediums. There are watercolor pencils that look just like plain colored pencils, but when dampened turn into watercolor type effects. Try 100% graphite pencils. They have no wood, just a tube of graphite and a delicious thick line. Try oil pastels. Try charcoal pencils (use a fixative to keep smearing to a minimum). Try thick and thin pens, Sharpie markers, dip pens, quill pens. Keep track of what you liked and what you didn't like.
Most pencil erasers suck. Get yourself a fresh kneaded eraser. These look like little gray or colored squares. Give it a pinch. A fresh one will be a bit squishy. If it's hard, it sat in the art store too long.
Use the eraser to erase mistakes, but also use it as a highlighter to add a gleam to an eye or a shine to a dull overworked part of the drawing.
Drawing is one of those things where the more you do it, the better you will get. Books are nice but can't replace actual regular and frequent practice. And if you quit drawing when you were 7, you will draw just like your 7 year old self drew. You don't automatically get better with age. You get better with effort, recognizing your mistakes, and correcting them.
Never give up. The rewards at the end are great.
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thanks for the info I will try some of them tonight!
Hello,
Thanks for the helpful information and advice. Love the drawings as well! Keep up the great work.
Hi Moonmaide, great post - nice work. I've got a Hub about Drawing on the right side of your brain - you may find it interesting - Have a peek.
You keep popping up on my radar and this morning, as I was reading some of your jokes, I yelled out loud, "This is one of the most interesting people I've ever met!" Most of the really neat people I meet are in the obituaries (I feel a hub coming on) so how nice to find one whose blood is still coursing through her veins and whose brain is magnificently full of surprises.
Thanks for your hubs - this and the Learn to Sew hubs make me believe there is still hope for me to try my hand at overturning past failures and, for that, I can't thank you enough.
Hello. MoonMaiden,
I really appreicate this article. The pertinent information was relative and 1-2-3 applicable. your drawings are expressive, intense, and lyrical. I enjoy your work. You're my next fan. I love art so much, too.
When I sift through irrelevant, cruel and strange comments on things I've poured my heart into, it's so uplifting to get comments like the ones Paula Andrea and Mindfield just posted. Thank you both for making my day.
Great hub - really enjoyed reading it. thanks. I especially like the 'white paper syndrome' part, I think many artists have faced this at some point - a little like writers block I think!
I like your points, they're good for people when they start out and are the people that sort of...decided to be an artist rather tahn discpvered they were. I've never had white paper syndrome, but, now I wanna brewak out the black and grey construction paper. And...as for it being a skill, and practicing and yadda yadda, half true...i mean, I know loads of people that got good through practice and trial and error. My mom, for example, but I just was, never worked for it, i think it bugs my mom a bit. Her and i being on the same level and I not working for it.
Miss MM, interesting point. But I have noticed that when children are born into an artistic family, they learn so much before they are even old enough to go to school. A lot of subliminal learning is happening right from the get go.
Also, many have an innate ability. Or perhaps more patience for learning. Drawing can be tedious, and an impatient person may not sit still long enough to ever get the hang of it.















jimmythejock says:
3 years ago
great advice moonmaiden thanks... jimmy