Basic Film Editing
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- 180 degree rule
Two Characters in a scene should always have the same left/right relationship to one another. (example, if a car leave from the left side of a screen, it should enter from the right.)
- Cross Cutting
Cuts directly from scene to another. In action scenes it is used to suggest the continuity of action. It can also be used to show sharp contrast of scenes.
- Cutaway
Interrupts the scene by bringing in a short scene of something similar to the scene that is happening. (example: A man waking up in the morning to get his newspaper might show cutaways of the newspaper boy, school buses or birds chirping)
- Dissolve
Where a new scene fades into a previous scene. Can be used to imply a great deal of time passing.
- Insert
Similar to the cutaway shot except it only shows a part of the master shot of a scene such as a close-up of the face of a character.
- Master Shot
The whole segment filmed showing every character from that scene.
- Point of View Shot
Shows what a character is looking at in the 1st person view of the character, through his/her eyes.
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- Sequence Shot (Long Take)
A very long shot of several minutes, used to tell a narrative or add drama. A dolly will be used in the case of a moving sequence shot.
- Shot Reverse Shot
A scene that shows a character looking at somebody. Then the next scene showing that person looking back at the first character.
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Film editors need extensive academic and professional experience. Standard coursework should include filmographies, basic editing, and commercial editing. Some aspiring editors may take directorial courses and direct plays or films; this training typ - Movies and Film: Fade In: A Brief History of Editing — Infoplease.com
Early on the cuts were made in the camera, so that the cameraman would simply stop cranking at the exact end of a shot, and begin cranking again when it was moved somewhere else, or when something else was put in front of it. This kind of editing cou - Course:Practical narrative film editing - Wikiversity
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