How To Rap Better Than Anyone
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LESSON 1 - Allegory & Alliteration
ALLEGORY
An explained metaphor. (i.e: “Your sic wit it, BECAUSE the crowd’s screamin/”. The word “because” explains why “your sic wit it.”)
ALLITERATION
Repetition of the same sounds or types of sounds at the beginning of words. (i.e; “spit, sit, slit, some split sure cents/”. Note that “cents” does not begin with a “s” but still sounds the same.)
LESSON 3 - Apologue & Assonance
APOLOGUE
Based on a fable. Where you compare inanimate or animate creatures and compare them to people using fables or stories. (i.e: “Stayed steady like the tortoise, now ahead of the hare/” / Story of the tortoise and the hare.)
ASSONANCE
Repeating similar or identical vowel sounds, but contains changes in the consonants that are intervening. (i.e; “silly bill, killed Nifty Bill at Six fifty/”)
LESSON 5 - Callback & Colloquialism
CALLBACK
Callbacks are a rhyme at the beginning of the first bar that eventually rhymes with words at the end of the second bar.COLLOQUIALISMQuote, slang, or verbal expression used. (i.e; “ride the beat”, “get down”, “get head”)Watch Rap Tutorial Videos on YouTube.com/RapManual
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LESSON 7 - Hendiadys & Homonym
HENDIADYS
Using two or more nouns describing something instead of using one. (i.e; She has boobs like a porn star, voice like Mariah/ But she has a forehead that’s bigger than Tyra’s/”. This hendiadys uses three, comparing to a pornstar, Mariah Carey and Tyra Banks.)HOMONYMA word that is spelled the same, but means something different. (i.e; “tell and tale”, “whale and wale”, “sight and site”.)LESSON 9 - Inners & Kenning
INNERS
An inner is just a word that rhymes but not at the end of the bar. (i.e; “Chokin up VETS like a kamikaze fighter/in SETS. Take BETS on whos hot spitfire is lighter/”. “Vets”, “Sets” and “Bets” are the inners.)
KENNING
A name given to something for what it is essentially used for, or what it does. (i.e; “My records touch the DJ, soundwaves hit the back/needle like a drug and you’re addicted like crack/”. The DJ needle on the record player becomes a drug needle.)
LESSON 11 - Metaphor & Metonymy
METAPHOR
Saying one thing is another. (i.e; “She’s like a sickness/” compares her to being a sickness.)METONYMYComparing something to what it does. (i.e; “I talk much smack/” where you actually talk much “words”, but the sound of the words you talk make a smack sound so you substitute “words” with “smack” because that is what the words do.)LESSON 13 - PERSONIFICATION & PROVERB
PERSONIFICATION
Making an inanimate object act in a human way. (i.e; “This song hits, the snares be clappin/” . Snares don’t actually clap, but here they are compared to the human function of clapping. The song doesn’t actually hit, but here, the song is compared to humans fighting/punching.)
PROVERB
Repeating an old sayin. (i.e; “What goes up must come down/”)
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LESSON 15 - Simile & Slant Rhyme
LESSON 17 - Synonym & Bars & Hooks
SYNONYM
A word with the same meaning as another word. (i.e; “cold/freezing”, “cut/slice” “money/currency”, “dead/diseased”.)
BARS AND HOOKS
A bar is the time it takes to count to 4 on rhythm in any song, this is because the time on any rap song is in the 4/4 time format. A usual verse in a commercial song is 16 bars, sometimes 8, and on freestyles nobody counts. To count bars simply count to 4 in rhythm on any song and add one after each succession. In a normal rap song you should be able to count to 64 on beat, remember after each 4 is a new bar. Hence 64 divided by 4 is 16.
A hook is the chorus part of a song that comes immediately after the verse or bridge and is usually 4 to 8 bars and above after the breakdown part of the song and sometimes may fade out.
The breakdown is after the first two choruses and is sometimes continues by another verse. Sometimes the instrumental music may change slightly and an extra verse or chorus may compliment it.
The Bridge is like an extra chorus that can be used anywhere.
Basic song structure:
intro
verse
chorus
verse2(*1)
chorus
breakdown(*2)
chorus
chorus
outro
*1 = there may be more than 2 verse or choruses
*2 = a breakdown/instrumental sequence varies in bars and in some songs do not exist.
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LESSON 19 - Freestyling & Increasing Speed
FREESTYLING
First, I suggest you listen to other great freestyle rappers like Cassidy, Eminem, Jin, Hell Rell, Jay-Z or Fabolous to get a feel of how an expert does it. Practice freestyling anywhere and everywhere to get yourself accustomed to freestyling on the spot. Even if you think you sound stupid just keep doing it. As an exercise, get a friend (or you could do this by yourself) and point at random objects in a room and freestyle on it, T.V., refrigerator, phone, then rhyme as much words as you can. At this point it does not matter if it makes sense. Pausing after a word causes it to have more power, especially if a word is rhymed with the paused wor on the next bas. Also watch T.V. and take notes on daily things that are occuring. USing famous people or events is HIGHLY effective when you need that strong punchline to close your last bar.
Then start taking on subjects you have strong opinion to and start freestyling about that, this will develop you to have substance. Keep practicing, once this is mastered continue to the next step. Now you can freestyle battle. Battle with friends or if you can find someone who is really good, battle him. After each battle most freestylers will automatically tell you what they felt you’ve lacked, so you will improve. I’m not saying a great boxer becomes great by losing street matches, but it would unquestionably make him more humble. Eventually, after your weaknesses are spotted and improved (staying on topic, picking something about your opponent and mocking it) you should be very lethal.
Freestyling consists of disses, metaphors and punchline patterns.
- A diss is basically attacking someones appearance, personality, lifestyle, history, family, obvious weaknesses.
- A metaphor is comparing your enemy to something animate or inanimate to insult them.
- A punchline is the bar that can take the diss or metaphor and puts it in a single bar.
INCREASING SPEED
Can mean many things where you copy and repeat with words, schemes or technical use. It also means using a quotation and not giving immediate credit to the author or creator.
LESSON 21 - TYPES OF RAPPERS
TYPES OF RAPPERS
There are several different types of rappers. The main types are the following:- glamour- hustler- conscience- pure lyricist- storyteller- tongue twister- political- religiousA "glamour" rapper's lyrics mainly brag about materialistic things such as cars jewelry, women, money and houses.A "hustler" rapper's lyrics will be mainly about selling things such as drugs, cds, or even tamales.A "conscience" rapper is sometimes referred to as a "backpacker" rapper and they rap about things ranging from elevating the mind, drugs, social issues, family and various issues."Pure Lyricist" rappers focus on the technical side of rap, sometimes using long complicated words and schemes and rarely care about topics beyond self glorification and put downs of others."Storyteller" rappers make songs where they tell a part or whole of a story. Most of the time these songs involve a well put together plot and some use of technical skill such as metaphors, multis and punchlines."Tongue Twister" rappers have the ability to rap in atleast 8/4 bar form, double or faster the speed of normal rappers."Political" rappers are similar to conscience rappers, but they do not stress niches of lifestyles of individuals and are more general to people in political power, laws, social issues and for the improvement of humanity, they also may be simply for anti-establishment."Religious" rappers talk about personal and non-personal experiences past and present with their god.Note: A "conscience" a rapper usually will refuse to rap about hustler mentality and are sometimes insulted by the content of a glamour rapper. Each of these types are furthermore separated into regional, state, city, neighborhood, street divisions. No rapper is usually in only one category, most rappers are a mix, though there are extreme cases. Also, the instrumental music of each category is vastly diverse.http://www.YouTube.com/RapManual
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This was very good thank you.
Research into this: Exceptional! Together with explanations and references. But I suggest that some; not all (the fridge one is a goodie) of these examples should be improved as they can be confusing.
Kia Ora from New Zealand
I used to be a rapper/producer/beat-maker/b-boy/and a D.J.one of the things you left out is this,you have to read a lot the best rappers are big time readers,rap is nothing more than a poem set to beats,you have to rap about the lifestyle that you know about/or something you are experiencing,are have experienced,thats where the power comes in at the power is the connection with your fans because people can tell when you are fake.there is a vibe that comes out of the music that will touch people because they have either been threw what you are talking about are they are going threw it and can relate to you.you can't just rap about something because that subject is number one on the charts you have to rap from the heart,you have to put your gut into it.you have to come from the soul.example,RUN DMC can't be N.W.A. Will Smith can't be ICE-Cube these are all very succesful and ground breaking entertainers but they are true to themselves and so they each have their own fan base,they have their own niche.understand what I'm saying?you have to be original,you have to set the trends and not follow the trends.
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15 months ago
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