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Most Important Artists In Hip Hop

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By T_Augustus


The 5 Most Important Groups In Hip Hop History Are:

I love lists, and of them I like hip hop and sports lists best. Reading other people’s lists often generates enough passion in me to inspire a topic of discussion. I saw a list of hip hop songs that neglected some of the most important songs in hip hop history, so I thought I’d drop a list to educate some of the new school hip hop fans, while giving my fellow “old skoolers” a chance to reflect. The beauty of lists is that they are always up for debate. Your feedback is more than welcome, in fact it is encouraged. This is, in my opinion, the 5 most important artists in hip hop history – based on how their contribution changed “the game”.


The Geto Boys The Geto Boys
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Damn It Feels Good To Be A Gangsta (Explicit) Damn It Feels Good To Be A Gangsta (Explicit)
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5. Geto Boys

Originally they spelled the “Ghetto” correctly, and dropped a single called “Be Down”. It didn’t take off, but it got a little air play by underground hip hop radio stations in parts of the country outside of New York. At that time, if it wasn’t out of New York it got very little love anywhere, and absolutely NO love in New York. The original Ghetto Boys consisted of the following members: Prince Jonny C, Sire Jukebox; DJ Reddy Red; and Little Billy, the dancer who later came to be known as Bushwick Bill. Geto Boys changed their spelling after the original group broke up and was re-invented with DJ Reddy Red, Bushwick Bill taking on a bigger role along with the addition of two of Houston’s more popular solo artists, Scarface and Willy D. Their self-titled CD featuring songs like “Read These Nikes” and “Trigga Happy N**ga”, introduced a different level of gangster rap, with cannibalistic lyrics and a ruthless street attitude. They make the list because that soulful funk known as the “Dirty South” sound began with the national acceptance of the Geto Boys. They really broke the coastal walls down with the huge hit “My Mind’s Playing Tricks On Me”, and hip hop was never the same after the Geto Boys “dropped them Bs” on us.


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Follow the Leader Follow the Leader
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4. Eric B & Rakim

Rakim, the god, the microphone fiend, the R, the 18th letter, one of the most gifted emcees of all times. Eric B was the DJ, but really just along for the ride – this crew was all about Rakim. Rakim came with a style altogether different than anything we had heard before. His first hit “My Melody” took time for us to catch on to because he was the first rapper that wasn’t hollering at us, and we had to get used to that smooth, calm tone. Once we got past that, we couldn’t get enough of those lyrics – the guy was making words rhyme with phrases. Ending sentences at the start of the following bar, dropping pauses and taking breaths within the flow, and just teaching everyone in the game that it was okay to let the track breathe…in fact, it was downright better! Their first CD “Paid In Full” is a classic and belongs in every hip hop fan’s collection. The video to the hip hop classic “I Ain’t No Joke” features a then unknown dancing man that later became a hip hop and reality TV legend in his own right…none other than Flava Flav. The term “pump up the volume” became the unforgettable hook to a dance classic by a group called Mars, but if you’ve never heard the title track Paid In Full…you have not been properly introduced to hip hop. After Rakim’s smooth new style caught on, it changed the game forever…hip hop was never the same after Eric B & Rakim went “rolling with Rush”.


3. Sugarhill Gang

They HAD to be on the list right? They only dropped “Rapper’s Delight”, the first commercially successful rap song in history. They put rap on the map – period. What else needs to be said? Wonder Mike, Big Bank Hank, and Master Gee changed music forever…not just hip hop - music! The hip hop era began with the hip hop the hibby to the hibby the hip hip a hop and you don’t stop the rockin to the bang bang boogie said up jump the boogie to the rhythm of the boogedy beat!


NWA: The best of N.W.A - The Strength Of Street Knowledge (CD/DVD) NWA: The best of N.W.A - The Strength Of Street Knowledge (CD/DVD)
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Straight Outta Compton Straight Outta Compton
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2. NWA

NWA, an acronym for N**gas With Attitudes, brought about a genre within the genre of hip hop – it’s called “gangsta rap”. While Boogie Down Production (BDP) is credited with hip hop’s first true gangsta rap CD, it was NWA that put it all up in your mouth! They taught you how to be a gangsta. They taught you how gangstas walked, talked, dressed, partied, how they felt about police and women, what kind of guns they carry – everything you needed to know about being a gangsta. They put you in the mind of an LA gang member when the majority of America thought Los Angeles was just about Hollywood, glamour, and bright lights. They put Compton, CA on the map! Because of NWA, I now know not to go to LA flexing my bright red jump suit like its cool. They glorified the gangsta, the dope man, the pimp, and every other plague of the community, and it sold against all odds! They challenged the system, brought a whole new sound (thanks to the master music maker Dr. Dre), and gave the West Coast sound an identity that took over the game for a while. They told the East Coast – “you started it, but we’re here now, respect us or else!” The NWA tree spawned several artists, both former members of the group and protégé of it’s membership including, but not limited to: Ice Cube, Dr. Dre, EZ E, Bone Thugs & Harmony, Snoop Dogg, The D.O.C., Death Row Records – we’re talking legends of the game, names that carry weight like Nate Dogg and Suge Knight, all have ties to the NWA family tree. Hip hop was never the same after NWA said “f**k the police”.


Run-D.M.C. - Greatest Hits Run-D.M.C. - Greatest Hits
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Ultimate Run Dmc (with Bonus DVD) Ultimate Run Dmc (with Bonus DVD)
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1. Run-DMC

Was there any doubt? Run-DMC pretty much dominated an era of music. This is the group that posted hip hop's first Gold CD, first Platinum CD, and first multi-Platinum CD. Aside from that, they headlined hip hop music's first major tour, received hip hop's first Grammy nomination. Although they never actually won a Grammy, they are the reason it was decided to give hip hop it's own category - it was deemed unfair at the time to put Run-DMC up against New Edition and the like, they were simply incomparable. Thank Run-DMC for all the hip hop Grammies, because they set the standard – they told the rest of the music world that hip hop was here to stay, it is a genre all its own, and you need to recognize it! They taught the world how rappers dress, walk, and talk. They introduced the world to "the DJ" as a replacement for "the Band", and are now the only rap group inducted into the prestigious Rock-N-Roll Hall of Fame. They came out of the gate as trend setters with their first single "It’s Like That", that featured a style of rap that no one had dropped before. To top it off, they B-Sided that with "Sucker MCs" which is a flow that laid out the blueprint of how the legend was born - all the while introducing another style that no one had dropped before. After Run-DMC, it was evident that hip hop was here to stay - they gave it an identity all its own. They changed music forever. Hip hop has never been the same since Run-DMC and Jam Master Jay, the Kings of Rock, stepped on stage at Live-Aid in the white and black shell toe Adidas.


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E 1999 Eternal E 1999 Eternal
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Honorable Mentions

  • Outkast – they put ATL on the map. They told us all that this was a Dirty South thing, and not just a Houston, TX thing. They united southern rappers and impacted hip hop forever with their cleverness, gutsy styles, and that Southernplayalisticcadillacfunky music.
  • Nelly/Bone Thugs & Harmony – they almost created a sound for the Midwest. Nelly even gave it a name “Midwest Swang”. We were buying into it too. All of us Midwest folks wanted an identity all our own, we wanted a sound that could be identified as “ours”. That sing-rap, with the funk of the west, soul of the south, and complicated lyric stylings of the east seemed to collaborate beautifully as a staple of the Midwest sound…but no. It was just something that worked for them. Detroit and Chicago were too gangsta for that MW Swang “thang”. It never caught on as something everyone in the Midwest could identify as “this is how we roll” - so that’s why the impact they had didn’t quite measure up to the groups that made this list.
  • 2 Live Crew – they introduced us to the “Miami Bass”, that big round bass that can only come out of the Roland 808 drum machine. It was weird because Roland had made the 909 and discontinued the 808, so there was a mad scramble in the industry to get your hands on that outdated 808 drum so you can have that Miami Bass in your song. What made them important though was the censorship issue that Luke took to task. They came with the raunchiest party songs in the history of the game, and man they used to make a party go crazy. Tipper Gore, then VP Al Gore’s wife, took Luke on in a court battle over censorship and lost. So the freedom of speech that is enjoyed to the extent it is in hip hop, is largely thanks to the man that took the bullet with a real good vest on – Luther Campbell aka Luke Skyywalker – founding father of the 2 Live Crew.
  • Salt N Pepa– probably belongs on this list because they put female rappers on the map BIG TIME! I’m not sure what else there is to say about it, there was just no respect for female rappers until they came along – they changed all that!

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William R. Wilson profile image

William R. Wilson  says:
2 months ago

Outkast!

Agreed on NWA, who had a tremendous impact on the business. I haven't had the pleasure of listening to a lot of Eric B. though, I'll have to check that out.

A couple personal faves: KRS-1, The Roots, and Saul Williams - although Saul Williams is more spoken word and less hip hop.

T_Augustus profile image

T_Augustus  says:
2 months ago

Saul Williams is more spoken word, but Saul is fantastic!!! Props to you for knowing about Saul. He's one of my favorite spoken word artists. Thanks for the feedback.

T_Augustus profile image

T_Augustus  says:
2 months ago

Eric B. & Rakim had 2 solid CDs, their 1st "Paid In Full" is a must have. The second one "Follow The Leader" is a worthy pick up, features one of Rakim's classic flows "Microphone Fiend", but overall it doesn't live up to the classic status of "Paid In Full". After this they pretty much fell off the map, but their impact lingered. They had a few flash hits like "Mahogany" and "Let The Rhythm Hit'em" - a title track to a later CD , but nothing that came close to living up to their early work.

KRS-1 is a fav and came close to making the list. He was originally a member of the group that got a mention in my NWA story "Boogie Down Productions (BDP)". BDP was made up of KRS-1 and DJ Scott LaRock, but Scott LaRock was shot and killed in Brooklyn, and KRS-1 was thrust into the role of a solo artist - though he still claimed BDP for another 2 or 3 CDs after Scott's death.

I love The Roots, hip hops best "band". I may have done them a disservice by not giving them an honorable mention.

C.J. Wright  says:
2 months ago

2 Live Crew! "i'm a parta this jus like you..." Thats from my bad days! Hadn't heard that name in forever! Luke put out some nasty stuff!LOL No Snoop?

T_Augustus profile image

T_Augustus  says:
2 months ago

In hindsight CJ, Snoop does deserve honorable mention. Snoop and 2Pac really did play a major role in making New York respect hip hop from other parts of the country.

C.J. Wright  says:
2 months ago

Snoop has mass appeal with out being commercialized....my opinion. Never was a big fan of 2Pac, however he definitely gave the genre some mystique.

Check you mail, sent a Hub request for you.

T_Augustus profile image

T_Augustus  says:
2 months ago

CJ, I'll check the mail. I think you and I live on the same island regarding 2Pac. This list isn't really about appeal though, it's more about impact on the growth of hip hop. Thanks again for the comments.

acanderson24 profile image

acanderson24  says:
6 weeks ago

Man you took it back.....Some other mentionables are groups who impacted with a few hits that hit us real hard: Whodini,

Soul-Sonic-Force and UGK. NWA is the Poster Pic for gangsta rap!

T_Augustus profile image

T_Augustus  says:
5 weeks ago

Thanks for the comment acanderson, and you're right about those 3, and they are certainly mentionable. My homie saw this list Monday night and was pissed that I left Public Enemy off. Like you said "NWA is the Poster Pic for gangsta rap!", and that's what I went for in this list...groups that not only made an impact with hits or content, but groups that changed the game.

Latone Heart  says:
5 weeks ago

I cannot believe PUBLIC ENEMY isn't on the list or mentioned honorably! I don't believe there was a more important rap group sonically or socially

T_Augustus profile image

T_Augustus  says:
5 weeks ago

Believe it. Right above your comment, I address why they aren't. Of course you're not the first person to mention P.E., and I did consider them, however in this particular list I am measuring their importance by impact on the future of hip-hop. Regarding content or message sent by hip hop artists, or even impact on an era of hip hop, Public Enemy would have a far better case to be in the top 5. But how many "black talk" rappers are in the game today? That impact didn't sustain, unfortunately, and therefore didn't have the long-term impact on hip hop like the artists that did make the list. In my opinion, the game was not changed forever due to P.E.'s contribution.

Nelly & Bone Thugs would be removed, if anyone, because their styles hasn't had the expected impact, or long-lasting effect, either. I only included them, and combined them, because they came closer than anyone else to establishing a "Midwest sound". However, in fairness, they are actually in the same category as P.E. It was an attempt that failed to have the long-term effect.

LaTone Heart  says:
5 weeks ago

"I am measuring their importance by impact on the future of hip-hop"

This is where I have a problem as I said sonically or socially, before Public Enemy's Yo Bum Rush the Show 1987 hip-hop music production was limited to a basic sample a drum beat and maybe a bassline. The Bomb Squad, who were as much a part of PE as Chuck or Flavor, changed hip-hop forever and still have a major impact on producers like Timbaland, Dr Dre, Just Blaze, Swizz Beatz,The Neptunes, 9th Wonder, GZA and Kanye West. Hip-Hop is now a producer dominated art form, and that all started with P.E. The Bomb squad who consisted of Hank Shocklee, Keith Shocklee, Carl Ryder, Eric "Vietnam" Sadler, and Gary G-Wiz are legendary for their dense, distinct, innovative production style, often utilizing dozens of samples on just one track (an art that is now know as chopping up a sample). They are also known for their ability to incorporate harsh, unmelodic sounds and samples into their songs, generally enhancing them. Classic tracks on Ice Cube's AmeriKKKa's Most Wanted, The Great Adventures of Slick Rick, Run-DMC's Down With The King, and BBD's Poison to name a few were produced by the legendary production team.

As for the "Black Nationalist" "Pro-Black" angle P.E. was responsible for a MEGA shift in social hip-hop awareness that almost killed the likes of LL Cool J among others. A period between 88-92 rappers had to "Kick Science" rock an African medallion or you wouldn't get signed or video airplay. Groups like Poor Righteous Teachers, Paris, X-clan, Queen Latifah, Brand Nubians, De La Soul, A tribe called Quest, Gangstarr, 2pac, even KRS-One (once criminal minded became a scholar) owe their careers partly to the doors P.E. opened.

Sadly this movement was revolutionary, positive and easily knocked out by the commercial friendly negative overtones of the Chronic/Platinum era of hip-hop that followed.

Artist like Dead Prez, Mos Def, and Saul Williams continue in the footsteps of P.E. in 2009

T_Augustus profile image

T_Augustus  says:
5 weeks ago

I partially agree. I agree they had extremely heavy influence on an era of hip-hop, but today I feel their influence is a thing of the past. From a production stand point - maybe there's some truth to that, but this is not the most important producers of all times. That would be a different list.

Most of the artists you named that PE influenced died with that era, and of the 3 artists you named that continue today, only Mos Def has a broad appeal. Queen Latifah's sustaining success has had more to do with movies than music, and 2Pac's influence can be justifiably accredited to NWA as much as, if not more than PE. He's remembered more for the "THUG LIFE" & gangsta rap, than he is for his more conscious and uplifting songs.

If this were a list of groups that influenced an era of hip-hop, by all means they would be number 3 on my list behind NWA & Run-DMC. The difference is hip hop is still riding on the grid of the blueprint laid by Run DMC, still bragging about guns and gangsta shit like NWA, still rapping to the beat established by Sugarhill, still letting the track breathe and not always hollering like Rakim showed them, and the south is still on the map behind Geto Boys lead. To me...that's the difference.

I'm as big a fan of PE as anyone, but when I listen to music today I don't hear the lasting effect of their influence lingering on. Frankly, I wish I did. I think they trumpeted the most important era of hip hop throughout it's colorful journey. Did they deserve an honorable mention for that alone? Actually, I think they just got one.

undagroundjoe profile image

undagroundjoe  says:
5 weeks ago

Thats a nice mural on the page. True hip hop artists portrayed. I could do without Ja rule though....

T_Augustus profile image

T_Augustus  says:
3 weeks ago

Thanks Undagroundjoe! LOL yeah, Ja is not a real popular guy in the true hip-hop circles.

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