A personal exchange of emotional feeling between two individuals with many layers of meaning, the kiss can be a polite obligatory greeting,  a sign of respect, or a personal expression of caring concern.

It can also express sensual love, or even  be a sign of deceitful betrayal. A kiss has many shades and levels of emotion in all of these categories  and more.

Ancient art has few depictions of the kiss.  The act is, after all, usually a private matter,  a moment of personal meaningful emotion.

Venus, the goddess of love and beauty was jealous of a princess who was worshipped by the people, because of her beauty, so naturally the goddess asked her son Cupid to make the girl fall for a horrid monster.

The story, remiscent of Beauty and the Beast and Cinderella, has its ups and downs, but Love finally prevails and everyone lives happily forever after, since Psyche  gets to be a goddess, too.

Antonio Cannova,(1757-1822) an Italian sculptor, won acclaim for his funerary and mythological sculpture. He also lent his neoclassical style to portrait sculptures including famous ones of people like Napoleon and George Washington.

 He often made copies of his successful works. There are at least two more copies of this "Kiss"which revived Psyche after one of her misfortunes.

Auguste Rodin's naturalistic style was considered quite shocking and crude at the time it was first displayed. The nude figure had long been a an admired and accepted art form. Greek gods and goddeses had long been depcted in all their naked and idealized glory.

Rennaisance sculptors and painters depicted lots of nudes. Even conservative Victorians could accept the classic works as being 'artistic". But Rodin's figures were not just nude. They were naked.

They were not allegorical, idealized concepts. They were more like your neighbors and co-workers-- but without their clothes. People were shocked and outraged.

His rendition of "the Kiss" was tender and sensitive, quite inoffensive to modern eyes, but to the contemporary audience it spoke too much of an underlying sensuality . . . sexuality, that had no apparent redeeming social value. It wasn't related to an alegorical or philosophical idea like the statue of Psyche and Cupid even though they were almost just as naked.

Constantin Brancusi, (1876-1957) was a Romanian modernist sculptor whose simplified forms defied centuries of sculptural tradition with his simple but elegant figures.

His work has the straightforward feeling of folk art which may derive from his peasant background, for even though he did recieve classical training, and excelled in that area.

His philosophy of expressing "the idea, the essense of things" drove his artistic conceptions.

He had an appreciation of primitive sculpture, was acquainted with many well known arts of his era and he also entered the workshop of Aguste Rodin, whom he admired greatly.

Ever independent, he did not stay with Rodin long, because he felt he was being too influenced too much, and wanted to grow his own style. His "The Kiss" gives us only the full frontal contact essentials.

Giotto de Bondone (1266/76--1337) painted what were startlingly realistic scenes for his time. His intuitive use of spatial perspective, and overlapping figures anticipated the Renaissance systems which gave the realistic illusion of depth to a painted work. In Giotto's work we begin to see individual facial expressions and poses-- a break from the iconic traditions of earlier religious art.

His "Kiss of Judas", representing the betrayal of Christ, is unusual in its composition because the expansive golden cloak of Judas almost covers the figure of the Savior completely, as if to hide the despicable act. The soldier in red, to the left of Jesus is so intent on the scene, that he seems not to notice a disciple cutting his ear off.

Franceso Hayez 1791-1882 was a prolific and popular Italian portait painter who also did historical and allegorical subjects. He had a particular talent for capturing the look and "feel" of rich fabrics which may have been a point in his favor to gain so many wealthy patrons who wished to have themselves portrayed wearing their finest clothing.

His kiss painting done about 1859 shows a couple stealing a moment of passion in a secluded corner of a grand building. The man, wearing a traveling cloak and cap is merely a background for the graceful female figure.
The woman wears a spectacular satin dress which practically glows from within. Every tiny fold an crease of the gown changes the light and makes the garment shimmer like a faceted jewel.

Jean-Honore Fragonard (1732-1806) This French painter worked in several styles, but was most popular for his  romantic and whimsical subjects that were popular with aristocrats of the time. 

His work appealed to those who favored the frivolous, fashionable and flirty subjects, decorated with flowers and lace. 

Soft colors of flesh and fabric spoke to the self-indulgent and pleasure-seeking upper classes in the days before the revolution and his "kissing bandit" captures the playful audacity of Rococo style.

Considered one of the founding  fathers of the impressionist movement, Paul Cezanne (1839-1906) constantly experimented with light color and movement in his paintings.

This "Kiss of the Muse" sometimes called The Dream of the Poet , is one of his early works created before he developed the  loose  and "constructive" groupings of brushstrokes which characterize his more famous works.

It has a strange and somewhat disturbing quality (perhaps because it looks as if the poet has expired)  which makes us glad he moved on from this style.

Norwegian painter Edvard Munch (1863-1944) is best known for "The Scream", but he painted several works with intense emotional overtones.

His version of "The Kiss by the Window" depicts two lovers who are so much into each other that their faces dissolve into one indestinguishable mass. The original sketch work the work shows the lovers unclothed, and he finished more than one version.

In this one they see slightly off balance, but they anchor one another in their passionate unity. Though we cannot discern their expressions, we can recognize their undeniable commitment to the moment.

Mary Stevenson Cassat (1844-1926), was an American artist who closely associated with Edgar Degas and other impressionists.

She came from a wealthy family who did not think much of her desire to become a serious artist. It was ok for women to paint pictures, but not to make a career of it.

Her teachers and fellow art students, immersed in a strict academic tradition of the time, didn't take her seriously either, simply because she was female. She decided to study on her own.

Going through a long period of trying various subjects, styles and strategies she finally attained some recognition in her later life for her work in the subject area of "mother and child".
It was a theme she approached with great sensitivity, while avoiding the overly-sweet sentimentality that is sometimes associated with the genre.

She often depicts the quiet moments such as this Maternal Kiss which reassures a beautiful child who may have experienced a childlike episode of distress.

Pablo Picasso did many cubist interpretations of "The Kiss". One of them, painted a day before his 88th birthday, was sold for 15.5 million dollars (total, with buyers premium, $17.4 million) in a 2008 Sotheby's auction in New York.

The version shown here (1969) is slightly different than the one being auctioned in the video clip below. (You can see the auctioned one in the clip).

Some people may say "a kiss is just as kiss", but this one, said to represent the artist himself and his wife Jacqueline, sold for almost seventeen and a half million . The proceeds of the sale benefited the Nasher Sulpture Center.

As subject in artistic renditions, the kiss can be tender, playful, powerful or lustful.

Every kiss has it's own story, and sends a message given and received with different levels of meaning.

Which is your favorite of these? Or do you have another favorite "kiss"?