The shadows in Romanticism

62
rate or flag this page

By caoshub

With the Century of the Lights, the shadows assume a new paper in painting: they are used as a way to study the human personality, by projecting the profile of faces in a plain surface.

However, it was also in the 18th century when the shadow is valued by its narrative qualities, mostly negative: it starts appearing the “esthetic of the sinister”, for example with Goya, William Holman Hunt, Joseph Wright of Derby, Jean-François Millet, Emile Friant between others. 


Cast Shadows - Emile Friant
Old man and old woman eating a soup - Goya
Old man and old woman eating a soup - Goya

Emile Friant’s painting, Cast Shadows, uses the simple black and with effect to bring an atmosphere of sadness, displeasure and infertility for this couple. Note the woman’s face: it has even less colour than the man’s face, it is as white as the wall… Their shadows represent their future…. their only future… 


Goya also uses the shadow and the lack of definition in his paintings to bring a negative atmosphere. The painting Old man and old woman eating a soup is a simple example of it: blurred surfaces of a rotten yellow darkened by shadows, removes all the freshness and light and life from these two carcasses, waiting for death…

Also the painting of Goya called PerroThe Dog, is one of the most amazing paintings that I have ever seen. For his loneliness, for his sadness, for his fear… such a strong simplicity! This is an abandoned dog, scared, wounded and waiting for death, the same death that came for his owner…

Perro - Goya
Perro - Goya

The shadow of death - William Holman Hunt
The shadow of death - William Holman Hunt
An experiment on a bird in an air pump â Joseph Wright of Derby
An experiment on a bird in an air pump – Joseph Wright of Derby
Man with a hoe  - Jean François Millet
Man with a hoe - Jean François Millet

William Holman Hunt’s painting, The shadow of death, represent Jesus Christ in a scene before being condemned. Without knowing he’s future, Jesus’ projected shadow seems to guess that death is waiting for Him, and death by crucifixion.

Joseph Wright of Derby’s painting, An experiment on a bird in an air pump, the shadows bring a mysterious environment around an experiment with a live bird, to which some children assist, chocked (watch the figures on the bottom right corner). It is a scene forewarning death.

Also Jean François Millet, is his painting Man with a hoe, used shadows and light to represent the unhappiness and disappointment of a man whose life is framed in a torrid desert land. The physical effort, the exhaustion, the immense heat, the lack of strength…

The Roots of Romanticism The Roots of Romanticism
Price: $11.98
List Price: $19.95
Romanticism (Icon Editions) Romanticism (Icon Editions)
Price: $5.37
List Price: $48.00
Romanticism: An Oxford Guide (Oxford Guides) Romanticism: An Oxford Guide (Oxford Guides)
Price: $35.70
List Price: $45.95
Romanticism: An Anthology (Blackwell Anthologies) Romanticism: An Anthology (Blackwell Anthologies)
Price: $39.64
List Price: $54.95

Print   —   Rate it:  up  down  flag this hub

Comments

RSS for comments on this Hub

Gypsy Willow profile image

Gypsy Willow  says:
6 months ago

Thank you for bringing shadows to my attention. I am an artist and this hub was useful to me. www.delectations.com.

caoshub profile image

caoshub  says:
6 months ago

Thank you :)

Amanda Severn profile image

Amanda Severn  says:
6 months ago

These are great. There are three here that I'd not seen before (the Friant and the Goyas.) I've always thought the Holman Hunt to be particularly striking. It's like a premonition of what's to come. The Friant is eerie and atmospheric. Great hub. I like it!

Submit a Comment

Members and Guests

Sign in or sign up and post using a hubpages account.


optional


  • No HTML is allowed in comments, but URLs will be hyperlinked
  • Comments are not for promoting your hubs or other sites

working