Gilbert and George
Provocative, eccentric, sensational, attention-seeking, perverse, disturbing, confronting...these are just some of the adjectives fascinating British-based collaborative artists Gibert Proesch and George Passmore provoke. As they said themselves, 'we are the weirdest people we've ever met".
They look innocuous enough - as tame as a picnic by a hiccuping brook and as British as Twinings tea-bags (though Gibert is in fact Italian-born). However, they are light years away from ordinary.
The pair met in the 1960s at St. Martins Art School in London and their first performance piece together was in Amsterdam 1969. Standing on a table, they sang and danced their way through the
old Flanagan and Allen song Underneath the Arches, sometimes for hours at a stretch, which must have required great discipline. The act was attention getting and intriguing and they were subsequently invited to perform it all over the world.
Part of the punch of their work comes from the contrast between their crisp and impeccable conservative British appearance and the unexpected outrageousness of their art. At least, unexpected until you know who they are. The pair are subversive in art but they are political conservatives and take great umbrage when people assume they must also be liberal in politics. They are great admirers of Margaret Thatcher, believing she did "a lot for art"...and the Prince of Wales..."a gentleman".
Despite being loathed by some prominent art critics, such as Robert Hughes, Gilbert and George are highly successful and very bankable.
To make art you don't need objects. You just make yourself the object and then you are more complex than another sculpture could be. A piece of metal can only have a surface but we can have an inner soul that is a much more complex structure.
Much of Gibert and George's canvas work is too out there for the puritannical demands of the Google auto-filter...dealing as they do with nudity, excrement, sperm, confronting rear ends and other unsavoury delights, so I'm unable to show much here. A google search will reveal most of it. This writer enjoys some of their work but the giant turds are sometimes just a little too much for me. I'm not ready for that kind of honesty.The philosopher Montaigne said "nothing which is human is foreign to us" and Gilbert and George seem to work off that principle.
In truth they are just as interesting as characters as they are as artists, maybe more so...their lives could be described as the ultimate performance art piece and indeed, they are often described as 'living scuptures'. Germaine Greer, who seems to pop up whenever I research a hub and am in need of a criticial comment, has attacked their work quite enthusiastically and notably said that the only way they could complete their body of work satisfactorily was to "die in unison".
they laugh alike
they walk alike
at times they even talk alike
(Patty Duke Show)
As a (now married) couple Gilbert and George seem almost supernaturally, and enviably compatible, as they are extremely close, in taste, thought and opinion..often finishing each others sentences. In fact, it's almost impossible to imagine them existing as individuals.
They are self-sufficient, preferring never to visit other people's houses, though they will occasionally entertain at home.
Their lives revolve around a carefully designed, regimented time-table that borders on Compulsive Obsessive Disorder -they rise at a certain time, eat at a certain time, and their nightly dinner is always at the same restaurant. They also dress immaculately and are fastidious - according to Gilbert, "we cannot work at all if there is even a minuscule spot of mess".
Jack Freak is the theme name of a major series of pictures the pair exhibited in 2009 to much acclaim from some quarters, horror from others. ..but mainly acclaim. Writer and cultural commentator Micheal Bracewell described them as "among the most iconic, philosophically astute and visually violent works that Gilbert & George have ever created", while art critic Jonathon admiringly accused them of being 'climactic, claustrophobic, frightening'.
The pictures are set in London's East End, which has been home to Gilbert and George for over forty years. Many of them are cluttered with the symboilic detritus of contempory urban life - in the form of graffiti, street signs, flags, maps, brickwork and the occasional piece of greenery. Other significant motifs in the series include the union jack, inverted religious iconography and the insertion of their own images.
Gilbert and Gorge have mounted more art exhibitions around the world than any other lining artist. Their egalitarian motto is Art for All.
We don't have anything to say except with our pictures
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