Louise Nevelson Sculpture in Houston: Frozen Laces – One
This abstract black painted Cor-ten steel sculpture by Louise Nevelson is a standout! It provides quite an artistic statement situated among the sleek modern buildings surrounding this public art installation in downtown Houston, Texas.
The sculpture is titled FROZEN LACES – ONE and was created between the years 1979 to 1980. Louise Nevelson was known for her monochromatic puzzle-like sculptures, and this is certainly a good example.
FROZEN LACES – ONE is at 1400 Smith Street, Houston, Texas 77002 near the pretty Bob and Vivian Smith Fountain.
Background of Louise Nevelson
1899 was the year of this artist's birth, and she worked well into her 80s. Her fame as a female sculptor took off in the 1950s.
Born with the name of Leah Barliawsky in Kyiv, Ukraine, to a Jewish family, her father moved the family to the United States to avoid Russian persecution. Those were turbulent days in her life. By 1905 her family had moved to Maine.
Upon graduating from high school, Leah married Charles Nevelson and changed her first name to Louise. She bore their son in 1922. Motherhood, and marriage, for that matter, did not suit her. She left her husband after eleven years.
By 1932 Louise had moved to Germany to study cubism but returned to the United States because the Nazis had closed down the school. In New York, she studied all types of art, including painting, printing, and sculpting. Expressionism was her chosen style.
After her work was shown at the Museum of Modern Art in the 1950s, her fortunes increased. Collectors and other museums now wished to have her creations. She was becoming well-known and more and more people appreciated her art. She could rely upon a steady income from sales of her art.
Louise Nevelson was able to live quite a glamorous lifestyle and did so for some time. She wore distinctive hairstyles, heavy makeup, and expensive gowns. In later years, she chose to live very simply without the need for an accumulation of possessions.
In the video below is a synopsis of the life of Louise Nevelson.
Women at that time were supposed to look pretty and throw little handkerchiefs around... well, I couldn't play that role.— Louise Nevelson
Nevelson's Chosen Art Mediums and Color
The majority of her first works of art came from found objects. Boxes, various pieces of wood, and even discarded toilet seats might make it into her cubist designs.
Black is the color that Louise Nevelson chose to utilize for most of her sculptures. She let the design of the piece speak for itself. The objects in her sculptures became unified without the distraction of pigments.
I fell in love with black; it contained all color. It wasn't a negation of color... Black is the most aristocratic color of all... You can be quiet, and it contains the whole thing.— Louise Nevelson
Medium of Steel
As Louise Nevelson became successful, she could afford to pay for higher-priced mediums like steel. At that point, she worked side by side with men in a foundry. She wanted to oversee her designs welded into shape.
Most sculptors back in those days were men, so she served as a groundbreaker in that role.
In my studio I'm as happy as a cow in her stall. That's the only place where everything is all right.— Louise Nevelson
Below is one giant art sculpture of Louise Nevelson's titled "Mrs. N's Palace."
When looking at this piece of sculptural art, you can see that every angle of her sculpture looks different, and of course, the Houston downtown city background varys as well.
We are fortunate to have so many public art sculptures in Houston, Texas. This one by Louise Nevelson is just one of many ones gracing our downtown streets.
Different Views of Frozen Laces - One Sculpture From All AnglesClick thumbnail to view full-size
If you wish to see more art pieces by this artist, including an installation into a gallery, be sure to watch the video below.
What do you think of this Frozen Laces - One sculpture by Louise Nevelson?
This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.
© 2020 Peggy Woods