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How to Photograph Dreams

Updated on October 14, 2015
LuisEGonzalez profile image

I enjoy photography and have been doing so professionally and independently for over 30 years.

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CC BY-ND 2.0 | Source

"Dreams are successions of images, ideas, emotions, and sensations that occur involuntarily in the mind during certain stages of sleep. The content and purpose of dreams are not definitively understood, though they have been a topic of scientific speculation and a subject of philosophical and religious interest throughout recorded history. The scientific study of dreams is called oneirology." Wikipedia

What is a dream? A dream can be a fascinating journey or a surreal ordeal.

Some dreams are light and almost magical while some can feel so real that you wake up not knowing if what you had was real or a figment of your mind.

A dream can range from normal and ordinary to overly surreal and bizarre. The majority of dreams can have many different themes, such as frightening, exciting, magical, adventurous, or sexual in their scope.

What happens in a dream is said to be outside of the person's control and which is mainly caused by your subconscious mind and perhaps other stimuli.

Photographers can transcend the limits of one's imagination and capture or better yet create scenes that capture a dream.

The scenes can be wonderful creations or terrifying ones. It all depends on the photographer's imagination and his creativity.

Doing such a project will more than likely rely heavily on the aid of a digital editing program since these scenes most always need some finishing touches to give the scenes a surreal yet believable feeling.

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CC BY-ND 2.0 | Source

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Since dreams are only had by humans, although some scientists think that some animals have them too, the project should feature a model posing as if sleeping or even being awake and surrounded by scenes or elements that would fit into a dream scenario.

How you choose to present the dreams is up to you. They can be scary or nice, simple or complex. It will be dependent on how well the photographer is able to navigate a digital program and how adept he or she is at using it.

The real trick is to combine the image of the model with other digitally added details that complete the scene. This is easily done by using the layers program in a digital program like Photoshop.

Photographing dreams gives the photographer a wide latitude in what digital elements to use; cartoons, real scenes are acceptable.

Remember that your dreams are your own and what is present in them follows no barrier or adheres to any method.

The photograph of the lady in bed surrounded by water and the photograph of the monk looking at the moon are two prime examples where one image was incorporated into another and made into a complete and pleasing final image.

These two images show a level of creativity by both photographers that used complementing elements which when combined with the main image are believable dream like scenery and fit the theme well enough.

With this said, not everything has to be digitally manipulated. There are some scenes that are simple yet effective.

The photograph of the princess, laying on her blanket and holding a pillow fits the dream theme quite well and appears to had been a rather simple set up, yet one that because of its simplicity works very well. Note the clever use of light to isolate the model and the use of a wide f-stop to throw the background out of focus.

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I have always been a proponent of using color since life is not black and white. However for this project certain scenes and composite pictures are presented better if done in a monochromatic medium like black and white or sepia.

With today's advances in digital editing you can take a color photograph and easily turn it into a monochrome in the camera or with your digital program.

This also gives the photographer another layer of freedom from which to create images that are strikingly dream like.

The photograph of the monk would probably not be as striking as it is if it had been done in color rather than in the monochromatic medium which the photographer choose to present it in.

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CC BY-ND 2.0 | Source

Being creative is key and you should pay close attention to each image and study carefully how it will look when combined with the image of the model.

A good technique is to show the final images to a group of friends or colleagues and ask them to share what they think the image represents. If they agree that the photograph looks like something from a dream then it is likely that you've accomplished your purpose.

Do not rely solely on your judgement since you as the photographer are usually more attached to your work than anyone else and will look at your own work with a bias.

Once done, you might consider submitting the photographs to photography related publications as well as other publications that may use images such as these.

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CC BY 2.0 | Source

© 2013 Luis E Gonzalez

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    • LuisEGonzalez profile imageAUTHOR

      Luis E Gonzalez 

      4 years ago from Miami, Florida

      alancaster149: No problem. My youngest (20) son's name is Alan

    • alancaster149 profile image

      Alan R Lancaster 

      4 years ago from Forest Gate, London E7, U K (ex-pat Yorkshire)

      Oh, by the way, the name is Alan (works out like this: A Lancaster, take the first four letters and you've got the first name). The Bretons brought it over when they joined the Normans in their conquest 'beano' .

    • LuisEGonzalez profile imageAUTHOR

      Luis E Gonzalez 

      4 years ago from Miami, Florida

      alancaster: lol....all of the above!

    • alancaster149 profile image

      Alan R Lancaster 

      4 years ago from Forest Gate, London E7, U K (ex-pat Yorkshire)

      OK then, Chivas Regal, Famous Grouse, Glenfiddich or Glenmorangie? Your choice... And bring some Florida sunshine with you. We might be in need.

    • LuisEGonzalez profile imageAUTHOR

      Luis E Gonzalez 

      4 years ago from Miami, Florida

      alancaster: My favorite 3 libations.....although I am more partial to whiskey!

    • alancaster149 profile image

      Alan R Lancaster 

      4 years ago from Forest Gate, London E7, U K (ex-pat Yorkshire)

      Any time Luis. Just leave a comment on one of my Hub-pages (plenty of choice) and maybe one day we'll meet up, eh?

      I'm not that fond of tea, though. Coffee, ale or whiskey, that's me.

    • LuisEGonzalez profile imageAUTHOR

      Luis E Gonzalez 

      4 years ago from Miami, Florida

      alancaster; I have to say that I have never "met" an individual like yourself. I find it amazing how much "life" knowledge and how much commonsense you display. I enjoy all of the comments posted on my hubs, but I always read yours with anticipation. I hope one day to be able to visit your lovely country and invite you to a well earned drink or tea in thanks for the simple joy that your comments bring me.

    • alancaster149 profile image

      Alan R Lancaster 

      4 years ago from Forest Gate, London E7, U K (ex-pat Yorkshire)

      Like earlier Alfred Hitchcock films, I think the less colour gives the greater effect. There are better effects you can achieve in b/w than in colour, and I'm not sure we dream in glorious Technicolor.

      I'm not sure my dreams come in Technicolor, since mostly they seem to take place in poorly lit or unlit situations, i.e, underground or night-time.

      I think my best dreams come out like an Orwo Film slide (remember that Eastern European brand?) For best dramatic effect, then, tone down the brighter colours in dream situations - unless you live in Florida and everything appears gloriously vibrant - Disney-like.

      PS: From what I remember, I'd say my dreams resemble that top picture.

    • LuisEGonzalez profile imageAUTHOR

      Luis E Gonzalez 

      4 years ago from Miami, Florida

      Genna East: Thank you. Have fun trying it

    • Genna East profile image

      Genna East 

      4 years ago from Massachusetts, USA

      What a fascinating project. Your explanation and outline of how to achieve this process is excellent. Very interesting, Luis.

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