ArtsAutosBooksBusinessEducationEntertainmentFamilyFashionFoodGamesGenderHealthHolidaysHomeHubPagesPersonal FinancePetsPoliticsReligionSportsTechnologyTravel

How to Paint Believable Trees Step-by-Step

Updated on December 5, 2018
Robie Benve profile image

Robie is a self-taught artist who loves sharing what she's learned about art and painting in the hope that it might help other creatives.

Trees Are an Important Part of Most Landscape Paintings

When you paint a landscape, you are very likely to have one or several trees in the scene.

Though we see them every single day, and we are very familiar with their shapes and colors, painting trees convincingly is actually quite hard.

Here are some of the most common problems that can be found in painting by beginners:

  • Trees look too generic or too stylized
  • Trees look like an outlined shape that has been pasted on
  • Trees are overly busy, full of small dabs of color
  • Edges are all very soft or all very hard
  • Darker shadow areas are missing
  • Sky holes are too light and awkwardly placed
  • Trees are all similar in height and shape

Keep reading to see how to find a solution to all of those problems.

Things to Keep in Mind

Each Individual Tree Is Different

Even when the trees are all of the same species, each one has a slightly different structure, it’s almost like they all had different personalities. If you observe intently, you can find the pattern that sets each particular tree apart from the others.

Getting the shapes of the various parts of a tree correctly is essential to the believability of the scene.

The Direction of the Light Make a Difference

The best conditions for being able to render the character and volume of a tree, is painting when the light is coming in from the left or the right, forming a lot of shadows within the tree and some nice elongated cast shadows on the ground.

If the tree is lit straight on, either from behind you, the viewer, or from the top, like at noon, there isn’t much shadow to help define the light and the dark areas.

If the tree is back-lit, all you see is a dark silhouette, not many variations in tone and color.

TIP:

Try to paint trees in the early morning or late evening to take advantage of the light and shadow patterns.

What Do You Think?

Is it hard to paint believable trees?

See results

Let's Get Started

9 Steps to Painting Believable Trees

Starting with the most important feature of the tree, its contour, and ending with a few details, here are the nine steps to painting trees that are believable and that present character and dimension.

Let’s get started!

1. Draw the Trunk and Branches

Observe the tree that you are going to paint and find the elements that set it apart from the others.

The trunk and branches are essential for the structure of the tree. Observe carefully.

Are they relatively straight? Do they tend to grow upright? Or at angles? Are there big gaps between branches? Is there some kind of symmetry?

Understanding the structure of the branches can make painting the leaves easier.

Don’t forget that some of the branches are not shooting sideways, but they are coming towards you, and they may be visible if the foliage is bare. These branches may be the most difficult to render because they are foreshortened and in perspective, but comparing length and angles of the segments you can get them right.

Draw them with smooth, free-form strokes of thin paint. Avoid using brown. Observe the trunk and find a hue from the color wheel that is the closest to that color. Many times, trunks are a very dull green, red, violet, or blue. Brown is not a hue on the color wheel, but it can be a dark, dull red or orange.

Draw the trunks, some of the branches, and then the outline of the foliage.
Draw the trunks, some of the branches, and then the outline of the foliage. | Source

2. Paint the Outline of the Foliage

The outline of the tree is very important for establishing both its species and its unique character.

Don’t worry about the details, simplify as much as you can. The overall shape of the tree can be very convoluted and the single leaves and small branches can make it very intricate.

Simplify it, but make sure you keep some of the unique curves and indentations that are unique to that particular tree.

First, observe all the large shapes that make the outline of the tree, then draw them out. You may want to draw with pencil or charcoal before you start applying paint. Once you become more confident, you can draw the outline directly on thy canvas using very thin paint. I like to use a contrasting color, like red or orange.

If you don’t feel confident with this step yet, practice on paper until you are confident and then you can draw on your support.

TIP:

To be able to see simplified shapes, squint. Squinting simplifies shapes by eliminating details, softening color contrasts, and flattening forms.

3. Mix Many Greens

Vary your greens, keep them interesting, and avoid garish, fake colors, unless absolutely necessary, like on very intense highlights. Add some red or orange to your greens to dull them and make them look more natural.

Many times, a gray color, a blue, or a violet can serve as “green” in some areas, adding visual interest. Don’t be afraid to experiment with your mixing.

In general, greens will be warmer ad lighter in sunlit areas, and darker and cooler in shaded areas.

Many times, a gray color, a blue, or a violet can serve as “green” in some areas, adding visual interest.
Many times, a gray color, a blue, or a violet can serve as “green” in some areas, adding visual interest. | Source

4. Paint the Leaves in Shadow First

After the initial drawing, observe each cluster of leaves on the tree, pay attention to the shape of the masses and the different values (dark and light) within them.

You’ll notice that, if the tree is in sunlight, the bottom of each cluster is always darker and cooler in color, and the top is lighter and warmer.

The most important parts, that should be painted first, are the shapes of the shadows. Block them in with a nice dark and cool paint applied thinly. Dilute oil paint with thinner, and acrylic with a little bit of water.

5. Paint the Sunlit Areas

Well-defined areas of light and shadows help identify the shape of the tree and its volume.

Once you have the darker masses set in place, you can paint the lighter shape of the top leaves and create a sense a volume.

Keep it simple, paint the leaves as a flat shape, with a big brush.

The trunk and the branches will also have a dark and a light side. Make sure the direction, strength, and color of the light are consistent throughout the painting.

Paint the shadow areas first, then the sun-lit foliage.
Paint the shadow areas first, then the sun-lit foliage. | Source

6. Add Individual Leaves

With a smaller brush, add a few thick dabs of paint where appropriate to give the idea of individual leaves. There is no need to paint every single leaf, our brain will understand that’s bigger green shape made of small parts, and fill in the information that is not painted.

Too many dabs, and your tree risks to look overworked and amateurish.

7. Check for Hard Edges

The contour of a tree is very soft, if you paint it with hard edges it appears pasted on the landscape.

The edges of a leafy tree are made of small leaves that are facing in different directions, reflecting the light in many different ways, and even letting some of the sky showing through.

In the case of bare trees, the contour is made by many thin branches that create kind of a screen with a fuzzy perimeter and calls for very soft edges in which the color of the branches and the color of the sky intermix.

In general, you should avoid strong, sharp edges around the tree, but it's ok to have a few here and there.

8. Let the Sky Show Through

The areas between the branches where you can see the sky, often called sky holes, must be placed in relation to the shape of the tree and there are recurring patterns on how sky holes appear on trees of the same type.

Observe your tree, and include only the major sky holes, those essential to understand the structure of the tree. Minor ones can be omitted.

Sky holes act as details that attract the viewer attention. Use them to compose an attractive design, make sure they are varied in shape and color, and that the lead the eye where you want it to go.

A sky hole next to hard wood, like a big branch or trunk, will have a harder edge and a lighter color than a sky hole next to foliage. For more information about painting sky holes see my article Tips on how to paint "Sky Holes" or sky behind trees.

9. Adjust the Level of Details

Typically, the closer the tree is to the foreground, the more visible the details on the trunk, foliage, and individual branches.

Give the foreground trees depth and dimension by creating highlights, shadows, and variances in tone and color.

Trees in the distance should look less three-dimensional and show fewer details. The outline is the most important for a distant tree.

Also, let the tree stand tall and strong against the background by lightening the background to push it back.

Add the final details at the end of your painitng
Add the final details at the end of your painitng | Source

Comments

    0 of 8192 characters used
    Post Comment

    • Robie Benve profile imageAUTHOR

      Robie Benve 

      2 days ago from Ohio

      Hi Coolpapa, I love old, interesting-looking trees! There are several in my town, and recently the local administration has gone through the effort of certifying the oldest ones, so now they have a tag by them to let people know how old they are. The strong and convoluted branches are truly fascinating.

    • Robie Benve profile imageAUTHOR

      Robie Benve 

      2 days ago from Ohio

      Thank you Chitrangada, wishing you much success in your future paintings and in life.

    • Robie Benve profile imageAUTHOR

      Robie Benve 

      3 days ago from Ohio

      Thank you Poppy, I'm very happy that you find the article useful and thanks a lot for the complements on my artwork!

    • Robie Benve profile imageAUTHOR

      Robie Benve 

      5 days ago from Ohio

      Thanks a lot Liz, I appreciate your feedback. :)

    • Coolpapa profile image

      Coolpapa 

      5 days ago from Florida

      We have a 250-year-old Live Oak tree in Jacksonville that poses for painters and photographers every day. It is one of nature's finest. Thanks for a great Hub! https://tinyurl.com/yan54cjz

    • ChitrangadaSharan profile image

      Chitrangada Sharan 

      6 days ago from New Delhi, India

      This is a great article, about painting the trees.

      I enjoy painting and Nature is my most favourite subject. Your tips and suggestions are very useful and I would be implementing some of them in my next tree painting.

      Thanks for sharing!

    • poppyr profile image

      Poppy 

      7 days ago from Tokyo, Japan

      What beautiful pictures. You're really good at painting! Thank you for the tutorial, too; you explain it well and the pictures are good examples.

    • Eurofile profile image

      Liz Westwood 

      7 days ago from UK

      This is a great tutorial for painting trees.

    working

    This website uses cookies

    As a user in the EEA, your approval is needed on a few things. To provide a better website experience, hubpages.com uses cookies (and other similar technologies) and may collect, process, and share personal data. Please choose which areas of our service you consent to our doing so.

    For more information on managing or withdrawing consents and how we handle data, visit our Privacy Policy at: https://hubpages.com/privacy-policy#gdpr

    Show Details
    Necessary
    HubPages Device IDThis is used to identify particular browsers or devices when the access the service, and is used for security reasons.
    LoginThis is necessary to sign in to the HubPages Service.
    Google RecaptchaThis is used to prevent bots and spam. (Privacy Policy)
    AkismetThis is used to detect comment spam. (Privacy Policy)
    HubPages Google AnalyticsThis is used to provide data on traffic to our website, all personally identifyable data is anonymized. (Privacy Policy)
    HubPages Traffic PixelThis is used to collect data on traffic to articles and other pages on our site. Unless you are signed in to a HubPages account, all personally identifiable information is anonymized.
    Amazon Web ServicesThis is a cloud services platform that we used to host our service. (Privacy Policy)
    CloudflareThis is a cloud CDN service that we use to efficiently deliver files required for our service to operate such as javascript, cascading style sheets, images, and videos. (Privacy Policy)
    Google Hosted LibrariesJavascript software libraries such as jQuery are loaded at endpoints on the googleapis.com or gstatic.com domains, for performance and efficiency reasons. (Privacy Policy)
    Features
    Google Custom SearchThis is feature allows you to search the site. (Privacy Policy)
    Google MapsSome articles have Google Maps embedded in them. (Privacy Policy)
    Google ChartsThis is used to display charts and graphs on articles and the author center. (Privacy Policy)
    Google AdSense Host APIThis service allows you to sign up for or associate a Google AdSense account with HubPages, so that you can earn money from ads on your articles. No data is shared unless you engage with this feature. (Privacy Policy)
    Google YouTubeSome articles have YouTube videos embedded in them. (Privacy Policy)
    VimeoSome articles have Vimeo videos embedded in them. (Privacy Policy)
    PaypalThis is used for a registered author who enrolls in the HubPages Earnings program and requests to be paid via PayPal. No data is shared with Paypal unless you engage with this feature. (Privacy Policy)
    Facebook LoginYou can use this to streamline signing up for, or signing in to your Hubpages account. No data is shared with Facebook unless you engage with this feature. (Privacy Policy)
    MavenThis supports the Maven widget and search functionality. (Privacy Policy)
    Marketing
    Google AdSenseThis is an ad network. (Privacy Policy)
    Google DoubleClickGoogle provides ad serving technology and runs an ad network. (Privacy Policy)
    Index ExchangeThis is an ad network. (Privacy Policy)
    SovrnThis is an ad network. (Privacy Policy)
    Facebook AdsThis is an ad network. (Privacy Policy)
    Amazon Unified Ad MarketplaceThis is an ad network. (Privacy Policy)
    AppNexusThis is an ad network. (Privacy Policy)
    OpenxThis is an ad network. (Privacy Policy)
    Rubicon ProjectThis is an ad network. (Privacy Policy)
    TripleLiftThis is an ad network. (Privacy Policy)
    Say MediaWe partner with Say Media to deliver ad campaigns on our sites. (Privacy Policy)
    Remarketing PixelsWe may use remarketing pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to advertise the HubPages Service to people that have visited our sites.
    Conversion Tracking PixelsWe may use conversion tracking pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to identify when an advertisement has successfully resulted in the desired action, such as signing up for the HubPages Service or publishing an article on the HubPages Service.
    Statistics
    Author Google AnalyticsThis is used to provide traffic data and reports to the authors of articles on the HubPages Service. (Privacy Policy)
    ComscoreComScore is a media measurement and analytics company providing marketing data and analytics to enterprises, media and advertising agencies, and publishers. Non-consent will result in ComScore only processing obfuscated personal data. (Privacy Policy)
    Amazon Tracking PixelSome articles display amazon products as part of the Amazon Affiliate program, this pixel provides traffic statistics for those products (Privacy Policy)