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How To Draw the Head and Face

Updated on July 20, 2014

Take a Crack At Drawing Faces

It's widely considered difficult to draw the human head, especially when considering they normally don't stay still. The skull is a bony mass, full of intricately woven muscles that all work in concert to contort themselves into all manner of appearance. There's twists, turns, angles and expressions that can all change the entire dynamic of the head to the viewer.

So, I began this comprehensive guide. It includes head-turns, facial expressions and other variations, such as head sizes, shapes and head tilts, all mixed together. As a bonus, I've also added a section on phonemes, which is a drawing style to demonstrate the mouth for lip-syncing words in animation.

It's a lot to take on in one sitting, but if you take your time, you can handle it. And if you do a good job, there'll be cake at the end.

Photo Credit: All images in this article were drawn by me, unless otherwise expressed.

Head Sketches
Head Sketches

Get Started With Heads

Tackling the male and female head shapes can be a tough place to start. It's good to have some reference. To the right is an example of two heads. Both should look similar to eggs set upon their thinner sides. This is the basic head shape.

The one on the left is an example of a man's head, while the one on the right, is an example of a woman's head. Neither are fleshed out, or at all accurate. They are just examples of starting points to give a reference point on drawing heads.

Below are two articles that can shed some more light on this.

How To Draw a Man's Face In 9-Steps

How To Draw a Woman's Face In 9-Steps

Here's What You're Going To Need - It's all in the right tools

Pro Art 3078  18-Piece Sketch/Draw Pencil Set
Pro Art 3078 18-Piece Sketch/Draw Pencil Set

This is a great set with a light grouping of sketching pencils, as well as some darker over-shadowing pencils to give your drawing a little extra kick. The price is nice, too.

 
Canson Artist Series Universal Paper Sketch Pad, for Pencil and Charcoal, Micro-Perforated, Side Wire Bound, 65 Pound, 9 x 12 Inch, 100 Sheets
Canson Artist Series Universal Paper Sketch Pad, for Pencil and Charcoal, Micro-Perforated, Side Wire Bound, 65 Pound, 9 x 12 Inch, 100 Sheets

Have sketchbook, will travel, right? This is a must have for any promising artist, and Canson books are made of strong bristol board, so they can stand up to any pencils or erasers.

 
Kum AS2, Two Hole Automatic Long Point Pencil Sharpener, Mfg Part Number 1053021 ( extra lids not included )
Kum AS2, Two Hole Automatic Long Point Pencil Sharpener, Mfg Part Number 1053021 ( extra lids not included )

This is a powerful pencil sharpener that I just bought on the recommendation of another artist. It's a two hole sharpener that shaves down any pencil tip into a weapon. It's small, easy to handle, and so far, always sharpens great for me.

 
Female Head
Female Head

How To Get Heads Turning

Turning a head is a simple process of laying down guidelines, and sticking with the turn. Then make sure the head shapes get handle properly. It's enough to stick with basic shapes like triangles, circles and squares, but more importantly, keep them in line with the facial features.

This one's all about the guidelines. Get a good sense for how each one lines up, and draw each head, and face, along the guidelines.

Time required: Any time at all

Difficulty: medium

Cost: Nothing

Tools:

  • pencil
  • paper
  • sharpener
  • eraser

Instructions:

1. Drawing any face, especially one that will be turned, begins with laying down some guidelines. Some things change in the turn, but to get it right, most things will stay the same. So, lay down some guidelines, and get the head shapes to start with.

In the turn, it's important to understand that the skull is a circle, that's flattened at the temples. Feel your own temples to get an understanding of this. Draw a smaller circle for this to demonstrate that the head isn't a complete circle.

2. Lay out the facial features next, keeping with the guidelines. Add the eyes, eyebrows, nose, mouth and ears.

Of all the features, make sure the ears accurately demonstrate the turn. The chin should also do this.

In the front view, the chin just breaks from the cheeks in a flat pattern. In the 3/4-view, it begins to angle out of sight on one side, and begin the display of the cheek depth on the other. And in profile, it becomes a shape that juts from the mouth, and up into the cheek.

3. Finally, finish off the facial features, soften some of the edges, and erase any lines that are unnecessary.

4. The female face begins much the same way as the male. Start with the guidelines. Then, draw the heads, but make sure they are more petite, and prepare for more curves and less straight jagged lines.

5. Just like before, begin to lay down the facial features, staying with the guidelines. One thing of note, is in the 3/4-view, the closer eyebrow begins to stretch, while the other begins to disappear. This will continue in the profile.

The eye in the profile, is only the outside of the eye, and the point that is near the nose disappears entirely. This can take some work to get right, but always give the eye a curve, in profile, so that it isn't just a ball pointing forward, it's an eye wrapping the side of the head.

6. And, finally, clean up the lines. Make sure the contours of the face are appropriate for each of the views. In front view, the head should be kind of an egg-shape. In the 3/4-view, the brow and cheek bones should jut out a bit, demonstrating an eye-socket cavity, and a tapered chin. In profile, there's always a dip just before the nose, and the lips will jut out in women.

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How to Draw the Head from Any Angle - Tutorial On Drawing the Head Using Andrew Loomis' Techniques

This is a drawing lesson from Stan Prokopenko. Click the link to find more of his tutorials.

Some Of the Best Books For Drawing Heads and Faces - These were written by the pros

Drawing the Head and Hands
Drawing the Head and Hands

Andrew Loomis set the bar for drawing the human figure, as well as the head. This is his book.

 
Drawing the Head and Figure: A How-To Handbook That Makes Drawing Easy
Drawing the Head and Figure: A How-To Handbook That Makes Drawing Easy

After Andrew Loomis, Jack Hamm is the expert on drawing the human form, as well as tackling the head.

 
Drawing on the Right Side of the Brain: The Definitive, 4th Edition
Drawing on the Right Side of the Brain: The Definitive, 4th Edition

If you want to draw well, Betty Edward's book is the place to start. Get the right side of your brain pumping, and enjoy.

 

How To Draw Facial Expressions - Facial Expressions

Facial Expressions
Facial Expressions

Make sure to get the guidelines in place. Facial expressions are drawn mainly in the eyes, eyebrows and mouth. Get the line up first, before trying anything. Also, any time the mouth is open, the chin drops.

Drawing Facial Variations - It's all in the angles and shapes

Facial Variations
Facial Variations

Once you've nailed down a certain amount of head turns, facial features and all the rest that goes with it, it's time to add some new variations to the mix. This is when it's time to turn a head, and make it angry or happy or sad. Try turning on to the 3/4-view, and then tilting it upwards on its axis. Next try changing the shape of the head to more of a ball, then a triangle, then a square. Next, try to do something with the hair. Hair always follows gravity, and bends and flops to wild degrees, so enjoy that.

Anyway, at this point, it's time for the real fun. Don't be afraid to try anything and everything. How about a top view with the nose hiding the mouth, or what about a 3/4-view from the back. Get creative, and have fun.

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Animation Phonemes
Animation Phonemes

About Animation Phonemes

Or, how to get the mouth moving

In the animation world, it's become a common practice to try and simplify the facial features, and expressions that are demonstrated while mouthing words. Animators, over time, have toiled in front of mirrors demonstrating sounds to get just the right expressions. Preston Blair, a Disney animator, refined the process, and came up with his own version, called his Phonemes Series.

The Phonemes Series, is a series of just ten expressions, each one assigned sounds. They include A and I, O, E, U, L, W and Q, M and B and P, F and V, others that include the remaining sounds called ETC, and finally the rest expression. This series has been adopted by almost all animators as the defacto standard.

Animators will link these expressions together, to make an animation appear to be speaking sentences, using lip-syncing.

Animated Dialog Example Using Phonemes

This is a brief animation I did myself, using the techniques I've learned. It's very basic, and was only created as a test to demonstrate the usage of Preston Blair's Phonemes series.

Animation From the Words of Pros - Get these books, of you want to hear how the pros have done it for years

Cartoon Animation (Collector's Series)
Cartoon Animation (Collector's Series)

Preston Blair is basically the father of modern animation techniques. This book is his piece on how to make pencil lines move by diving right into using the flow of lines, rather than just pictures.

 
The Animator's Survival Kit: A Manual of Methods, Principles and Formulas for Classical, Computer, Games, Stop Motion and Internet Animators
The Animator's Survival Kit: A Manual of Methods, Principles and Formulas for Classical, Computer, Games, Stop Motion and Internet Animators

Richard Williams, a Disney animator for 50-years, continues Preston Blair's teachings, and creates the guide that all animators today keep close at hand. This book is widely considered the textbook of animation at this point.

 
The Animator's Eye: Adding Life to Animation with Timing, Layout, Design, Color and Sound
The Animator's Eye: Adding Life to Animation with Timing, Layout, Design, Color and Sound

This is a modern take on a great deal of Preston Blair's animation ideas. This book takes everything Preston Blair taught the world about animation, and translates it to modern methods, using the right techniques, software and the like.

 

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What Did You Think? Did I Miss Anything.

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    • boneworld profile image
      Author

      Jackson Thom 4 years ago from West of Left South Lucky

      @Klaartje Loose: Glad to hear it! I'd love to hear how she likes it. I have a few more of these coming down the pipeline. One on hands and feet, and hopefully one on the basic human form.

      Hopefully your tween will find this a good jumping off point for some more advanced stuff.

    • Klaartje Loose profile image

      Klaartje Loose 4 years ago

      I have a tween here at home that will be thrilled with these guidelines!

    • boneworld profile image
      Author

      Jackson Thom 4 years ago from West of Left South Lucky

      @SusanDeppner: Thank you, Susan! I specifically tried to stay away from the basic how-to kind of thing for this, because I was going for more of a resource that covered as much as possible. I'll probably update it now and again.

      I wanted it to be something to be bookmarked for reference. Come here, find what you need, and get back to drawing.

    • SusanDeppner profile image

      Susan Deppner 4 years ago from Arkansas USA

      Wow. I didn't draw along with this, but it looks like you covered the topic very, very well. So interesting, as usual!

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