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Bollywood songs in the raag Malgunji of Hindustani Classical music
How does a woman react when she is waiting desperately to meet her lover after a long time? Her hunger for love is musically depicted by the Hindustani classical raag Malgunji. It is a popular raag of the late night (madhyaratri) that throws light into the emotion of a woman waiting for reunion with her lover. This raagMalgunji combines both the elements of raag Rageshri and raag Bageshri. Some Bollywood songs have acquired the traits of this raag with the required notes in the relevant positions.
Nain so nain
1. Nain so nain
Even if this soul-stirring song is in raag Malgunji, major portion of it has the tinge of raag Bageshri. It may be because the song is highlighted in the higher octaves more. Also, realization of love is portrayed rather than separation. But the music composition is extremely commendable by the classical maestro Sri Vasant Desai for its mellow and rhythm that harmonize with the lyrics and dance steps. ‘Nain so nain’ song is vocalized in the mellifluous voices of Lata Mangeshkar and Hemant Kumar for the musically super hit Bollywood film ‘Jhanak Jhanak Paayal Baaje’.
Balamwa bolo na
2. Balamwa bolo na
The beginning humming gives the scent of raag Malgunji in this hearty song. This song portrays a dance plot based on the theme of a girl welcoming her lover. The girl’s emotions and expressions during this period are featured through this raag Malgunji. This song is a typical example of this raag as the mix of Rageshri and Bageshri go proportionate. Here too, the song is embellished with the divine voice of Lata Mangeshkar for the Bollywood film ‘Picnic’ composed by the music director S. Mohinder.
Naa jiya laage na
3. Naa jiya laage na
The setting of this song is apt for the raag Malgunji. How the woman feels when she is parted with her husband is revealed here. The meaningful lyric for the situation is accorded by the popular Bengali musician Sri Salil Choudhari who has ornamented the song with several ascents and descents chronologically for the Bollywood film ‘Anand’ in raag Malgunji.
Jivan se bhari theri aankhen
4. Jivan se bhari theri aankhen
Another resonance of raag Malgunji can be heard in this Bollywood song ‘Jivan se bhari theri aankhen….’ This song from the Bollywood film Safar explicates the beauty of the girl whom the hero is in love. Sung by the great singer Kishor Kumar under the music direction of Sri Kalyanji Anandji, the touch of raag Malgunji in this song makes it pleasing to hear.
Unko yeh shikayat hai ke hum
5. Unko yeh shikayat
The feelings of separation of a woman from her boyfriend of college days is expressed in this melodious song ‘unko yeh shikayat hai….’. The pain is inherent throughout the song which is a best example of raag Malgunji. The song captures the attention of her old boyfriend who comes that way and enters inside for reunion. Under the music direction of Madan Mohan, this heart-wrenching song in raag Malgunji has the female voice of Lataji in the Bollywood film ‘Adalat’.
The song ‘ghar aaja ghir aaye’ from the Bollywood film Chote Nawab by Lataji is another dulcet set in the raag Malgunji.
Does these Bollywood songs have a touch of raag Malgunji?
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