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Gojira – Godzilla

Updated on July 10, 2020
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Godzilla, 1954Godzilla's atomic breath.Teizo Toshimitsu sculpting a Godzilla prototype design.On the set of Godzilla Raids Again, the first Godzilla sequel. Godzilla's star on the Hollywood Walk of Fame.Japanese poster of the Americanized version of the original Godzilla.Italian poster of a 1977 re[-release.
Godzilla, 1954
Godzilla, 1954 | Source
Godzilla's atomic breath.
Godzilla's atomic breath. | Source
Teizo Toshimitsu sculpting a Godzilla prototype design.
Teizo Toshimitsu sculpting a Godzilla prototype design. | Source
On the set of Godzilla Raids Again, the first Godzilla sequel.
On the set of Godzilla Raids Again, the first Godzilla sequel. | Source
Godzilla's star on the Hollywood Walk of Fame.
Godzilla's star on the Hollywood Walk of Fame. | Source
Japanese poster of the Americanized version of the original Godzilla.
Japanese poster of the Americanized version of the original Godzilla. | Source
Italian poster of a 1977 re[-release.
Italian poster of a 1977 re[-release. | Source


In 1954 Toho Studios released two movies. The simultaneous production almost forced Toho Kabushiki Kaisha into bankruptcy.[i] The Both movies became classics. Both movies had American versions of them made. One movie is Seven Samurai. The other movie is Gojira. The American version, released in 1956, is Godzilla: King of the Monsters!.

Giant monster films have been around since the 1925 film The Lost World. Gojira and the 1956 American version Godzilla: King of the Monsters! Involved some clever film making. Gojira cost about $175,000 to make and was a box office success.[ii] It was nominated for the Japanese Academy Award for Best Picture but lost to Seven Samurai. Gojira won the Japanese Academy Award for Best Visual Effects.[iii]

Gojira had mixed reviews in Japan. Toho released a sequel Godzilla Raids Again in 1955. It had an $800,000 budget and was more favorably reviewed by critics. It wasn’t as big a box office success as the original. At the time the Japanese believed science fiction movies should be for mass entertainment. It was considered “weird” for the genre to have serious themes.[iv]

New York Times Film critic Crowther Bosley began his review of Godzilla: King of the Monsters!; “As though there are not enough monsters coming from Hollywood, an organization that calls itself Jewell Enterprises has had to import??? from Japan.”[v] At the time Japan was known for producing low quality merchandise. Not even bad reviews could stop Godzilla. It was Godzilla that started the Kaiju genre. Godzilla vs. Kong is due for release in 2021.[vi]

This article contains spoilers. The Gojira which is shown today is a remastered version. There are no known copies of the originals. Please check your attic, basement, or wherever long forgetting items may be found.

[i] International Movie Database,, last accessed 7/10/2020.

[ii] International Movie Database,, last accessed 7/5/2020.

[iii] International Movie Database,, last accessed 7/10/2020

[iv] International Movie Database,, last accessed 7/6/2020.

[v] New York Times, Screen: Horror Import; ‘Godzilla’ a Japanese Film, Is at State, by Bosley Crowther, April 28, 1956,, last accessed 7/2/2020.

[vi], Godzilla vs. Kong: Trailer, Release Date, Plot and News to Know (So Far), by Hector Valvrede, April 12, 2020,, last accessed 7/2/2020.

Inspirations and Innovations

Gojira was a coined contraction for a gorilla-whale (gorira-kujira). Screenwriter Shigeru Kayama originally envisioned a monster that was a cross between a gorilla and a whale. The 1953 film, with animation effects by Ray Harryhausen, The Beast from 20,000 Fathoms inspired producer Tomoyuki Tanaka to have the monster be a dinosaur.[i] Tanaka decided stop motion animation was not practical. Stop motion is a painstaking animation method. It would take a day to make about ½ second worth of filming. In 1954 there wasn’t anyone in Japan who had the skills to make credible stop action scenes. As an alternative Tanaka decided to use a man in a monster suit.[ii]

An actor in a monster suit involved creating a suit and making a miniature city for the character to destroy. The monster suit has its share of technical difficulties. The first Godzilla suit was 6 ½ feet (2 meters) tall and weighed more than 200 pounds (90 Kilograms).[iii] This suit was too heavy and inflexible for the actors, who played Godzilla. They made a lighter suit that had more flexibility. Some of the movie scenes that just show Godzilla’s feet are from the initial Godzilla suit. Even the lighter suit was difficult for the actors. The actors would sweat profusely inside the suit and sometimes passed out. The actors who performed as Godzilla were; Ryosaku Takasugi, Jiro Suzuki, Hauro Nkajima who also played a power station worker, and Katsumi Tezuka who also played a newspaper editor.[iv]

Godzilla has a distinctive roar. The sound department wasn’t happy with animal sounds. Akira Ifukube got a contrabass, and rubbed a coarse resin-coated leather glove up and down the strings. He reverberated the recorded sound. This gave Godzilla its famous roar. Ifukube beat a kettle drum with a knotted rope to produce the sound of Godzilla’s footsteps.[v]

At 6:45 a.m. on March 1, 1954 the Japanese tuna fishing vessel Daigo Fukuryu Maru (Lucky Dragon 5) was 90 miles (145 kilometers) from the Bikini Atoll. The United States detonated the first Hydrogen Bomb. As with the first atomic bomb test the nuclear scientists underestimated the possible yield.[vi] The expected yield was 4-6 megatons (16 – 25 petajoules). The actual yield was over 15 megatons (62 petajoules). The Daigo Fukuryu Maru was downwind from the blast. The mariners saw the blast, and the explosion rocked the boat. The crew continued fishing until about 10 a.m. when coral dust rained down on them. The process of pulling in the nets took several hours. When the crew returned to Japan they were admitted to hospitals in Tokyo. The U.S. Atomic Energy Commission (AEC) denied the mariners had radiation poisoning. AiKichi Kuboyama, the ship’s radio operator, died from radiation poisoning on September 23, 1954. The U.S. government eventually paid his widow $2,500 in restitution.[vii] This incident, which fueled Japan’s anti-nuclear movement, was the inspiration for Gojira’s opening scene.

Gojira had a limited release in the United States. It was believed an American audience needed an American actor in the starring role. Terry O. Morse directed a cast of American actors in six days of filming. The Morse scenes were edited into the original film. The resulting film was Godzilla: King of the Monsters! In some cases, an American double of the Japanese actor was shown from behind. Godzilla: King of the Monsters! was mostly narrated in flashback. There was some voice dubbing of the Japanese movie. The dubbing was often faithful to the original but there were some variations.

[i] International Movie Database,, last accessed 7/10/2020.

[ii] International Movie Database,, last accessed 7/10/2020.

[iii] International Movie Database,, last accessed 7/10/2020.

[iv] International Movie Database,, last accessed 7/10/2020.

[v] International Movie Database,, last accessed 7/10/2020.

[vi] Nuclear scientists estimated the yield of the first atomic bombs would be 1/10 to ½ of their actual yield. The Last Act: The Atomic Bomb and the End of World War II, An exhibition label script for the National Air and Space Museum, © 1994 Smithsonian Institution, EG:200, October 26, 1994, P.43.

[vii] The Lucky Dragon Incident and the Bikini Atoll Nuclear Test by Kallie Szczepanski, updated April 5, 2019,, last accessed 7/5/2020.

Movies and Variations

Gojira opens with sailors on a boat seeing a flash of light. There is bubbling in the water. There is pandemonium on the ship’s deck. The ship sends out an SOS but is soon engulfed in flames. Soon after another ship is sunk in a similar manner. A fishing boat finds 3 survivors but the finish boat is also sunk.

Godzilla: King of the Monsters! is told mostly in flashback. The movie opens with a devastated Tokyo. Reporter Steve Martin (Raymond Burr) narrates the scene, and the rest of the movie. Steve Martin claims the Tokyo population was 6 million. In the mid-1950s the Tokyo population was over 11 million.[i] The movie flashes back to Steve Martin on a flight to Tokyo to visit Dr. Serizawa (Akihiko Hirata), a famed scientist. While Steve Martin is flying, a merchant ship is destroyed by fire. When Steve Martin is in customs he is taken aside and is told they were asking all the passengers on the flight if they saw anything. Seven more ships meet a similar fate.

There was an incident on an island during a heavy storm. The islanders believed it was a work of a legendary monster they call “Godzilla”.[ii] In Godzilla: King of the Monsters! Steve Martin and a Japanese Coast Guard officer spend the night on the island in a pup tent.

A delegation from the Island travels to Tokyo to testify about what happened. The Diet Committee decides to send a scientific team, headed by Dr. Kyohei Yamane (Takashi Shimura), to the island. Dr. Yamane’s daughter Emiko (Momoko Kôchi) and Hideto Ogata (Akira Takarada) were also on the expedition.[iii] Godzilla: King of the Monsters! immediately mentions a love triangle between Emiko, Hideto, and Dr. Daisuke Serizawa. On the island the team immediately found a giant footprint and a trilobite. Godzilla soon made an appearance. Godzilla soon made an appearance. The team and villagers ran up a hill to see Godzilla. Godzilla emerged from the top of the hill and the team and villagers ran down the hill. The villagers ran up the hill and saw Godzilla’s footprints and tail print in the sand below.

The team returned to Tokyo to report their findings. The photograph of Godzilla was an obvious drawing. The Dr. Yamane gave the briefing. He theorized the monster was a missing link between the sea animals and the land animals. Dinosaurs were thought to have been extinct for 2 million years. In the real world the dinosaurs were extinct for more than 65 million years. Trilobites became extinct much earlier than that. While dinosaurs did not drag their tails that was not known in the 1950s. Gojira put Godzilla’s size at 150 feet (45 meters). Godzilla: King of the Monsters! put Godzilla’s size at 400 feet (120 meters). Godzilla, and other giant monster movies, probably disappointed many children who were unimpressed when they saw skeletons of real dinosaurs in museums. In 1986 scientists discovered an Argentinosaurus that was 120 feet (37 meters) long.[iv]

Gojira put more emphasis on H-Bomb tests being the likely cause for Godzilla coming out of an underground cavern. In Gojira a woman (Shizuko Higashi) was outspoken about the need to tell the truth. Godzilla: King of the Monsters! didn’t have the woman’s exchange with Parliamentarian Oyama (Seijirô Onda).

The Diet decides to kill Godzilla. Emiko goes to Dr. Daisuke Serizawa to tell him their marriage is off. Dr. Serizawa shows Emiko something horrifying and swears her to secrecy. She doesn’t get around to telling Dr. Serizawa about their marriage. Gojira mentions Dr. Serizawa losing an eye in the war. It also mentions him conversing with German scientists. Godzilla: King of the Monsters! doesn’t mention this.

The Japanese Maritime Self-Defense Force drops depth charges to destroy Godzilla. In Gojira Dr. Yamane is angry about the decision to destroy Godzilla. When Hideto Ogata respectfully disagrees with Dr. Yamane, Dr. Yamane orders Hideto out of the house and stomps out of the room. In Godzilla: King of the Monsters! Dr. Yamane believes Godzilla should be kept alive and studied but his mood is somber.

In Godzilla: King of the Monsters! a scene on a boat is described as a celebration of Godzilla’s demise. In Gojira it seems a typical nightlife scene in Tokyo Bay. Godzilla comes out of the bay and causes some damage. The damage included the destruction of a passenger train and the trainyard. This appearance was a preliminary for the main event.

The Japanese prepare for Godzilla’s next appearance. There is an evacuation. The Japanese construct a series of electrical towers around Tokyo Bay as their main line of defense. In Gojira the barrier was said to have 50,000 volts. In Godzilla: King of the Monsters! the barrier was said to contain 300,000 volts. The voltage was increased in the American version to make the barrier a more credible threat.[v] One of the advantages of the electrical barrier construction is it gives the impression human ingenuity would prevail. Godzilla already caused damage comparable to King Kong and the Rhedosaurus.[vi]

Steve Martin is in an office building with a tape recorder when Godzilla emerges from Tokyo Bay. Steve Martin narrates. The electrical barrier is a minor nuisance and Godzilla melts some towers with its flaming breath. Godzilla proceeds to burn and crush its way through Tokyo. A group of reporters are on a tower. Camera flash bulbs attract Godzilla. A reporter on the tower, reports his imminent demise and says farewell to the audience. Steve Martin signs off as Godzilla is about to crush the office building.

There are scenes of a hospital overflowing with injured. Emiko is a volunteer at the hospital. The devastation convinces Emiko she has to break her promise to Dr. Serizawa. A flashback shows what horrified Emiko. Dr. Serizawa discovered a method of removing all oxygen from the water. This immediately kills and decomposes all life. In Godzilla: King of the Monsters! a double for Emiko has her back to the camera. Steve Martin tells Emiko she has to convince Dr. Serizawa to use his invention to destroy Godzilla.

Emiko and Hideto confront Dr. Serizawa about the “oxygen destroyer”. Hideto and Dr. Serizawa have a fist fight. In Godzilla: King of the Monsters! Hideto tells Dr Serizawa; “You have your fear which might become reality, and you have Godzilla, which is a reality.” Dr. Serizawa decides he will use his oxygen destroyer but must insure it will never be used again. Dr. Serizawa destroys all his notes.

Hideto and Dr. Serizawa dive into Tokyo Bay where Dr. Serizawa activates the oxygen destroyer. The oxygen destroyer kills Godzilla. Dr. Serizawa wishes Emiko and Hideto a happy life together then cuts his lifeline.

Godzilla: King of the Monsters! puts its emphasis on the love triangle as a motive for Dr. Serizawa’s suicide. Gojira seems to put more emphasis on Dr. Serizawa’s concern he could somehow be made to reveal the secrets of the oxygen destroyer.

Godzilla: King of the Monsters! has a monster destroyed all clear type ending. Dr. Yamane speaks the last line in Gojira; “I can’t believe that Godzilla was the only surviving member of its species. But if we continue conducting nuclear tests, it’s possible that another Godzilla might appear somewhere in the world again.”

[i],, last accessed 7/8/2020.

[ii] While it’s transliterated into the Roman Alphabet as “Gojira” the pronunciation is closest to “Godzilla”.

[iii] Akira Takarada was born in Chongjin, Korea.

[iv], The 20 Biggest Dinosaurs and Prehistoric Reptiles,,tail%20and%20may%20have%20weighed%20nearly%20100%20tons, last accessed 7/9/2020..

[v] International Movie Database,, last accessed 7/9/2020.

[vi] The Rhedosaurus was The Beast from 20,000 fathoms.

You have your fear which might become reality, and you have Godzilla, which is a reality.-Hideto Ogata-

Should an extreme action be decided on the current problem or future repercussions?

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This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.

© 2020 Robert Sacchi


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    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      2 days ago

      Thank you for reading and commenting. Yes, Godzilla is in the same category as the Universal Monsters. Granted many of the Universal Monsters were from older stories. Godzilla is a good argument for sequels & reboots. Had the Japanese not continued to make sequels Godzilla probably would have been in the same category as the other giant monsters that occupied Saturday afternoon television back in the day.

    • GetitScene profile image

      Dale Anderson 

      2 days ago from The High Seas

      As far back as I can remember, Godzilla has been in my life. It's weird to say that about a fictional, television character but here we are, so many decades later, and he's still here with me. My DVDs, VHS tapes, books and posters and t-shirts are a testimony to his staying power I guess.

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      9 days ago

      Thank you for reading and commenting. Yes, subtle differences in movie versions are interesting. I've been watching a couple of the Kaiju movies in Japanese with English subtitles. I've noticed they used some terms, like "Global Warming", and some foul language that wasn't in the American releases. I wonder if the translations are modern translations or literal translations.

    • DDE profile image

      Devika Primić 

      10 days ago from Dubrovnik, Croatia

      Robert Sacchi great entertainment and you shared an interesting review here. It was exciting and different versions are good creative creations.

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      5 weeks ago

      Thank you for reading and commenting. Yes, it would be nice to see movies on a large screen. If things don't settle down we might have to start wearing Vorlon encounter suits. The original King Kong vs Godzilla seems the first Kaiju movies that was made for laughs. I wonder if they'll play it straight this time.

      I didn't see the Japanese version of Godzilla or the second Godzilla movie until recently.

    • MizBejabbers profile image

      Doris James MizBejabbers 

      5 weeks ago from Beautiful South

      What a neat review, Robert. I grew up with Godzilla, King Kong, and all the teen-age monster movies. We kids would go to the Saturday afternoon movies just to be scared out of what little wits we had. When we were a little older, we went on "dates" on Friday night to see them. So much fun. It's been so long that I really don't remember the story lines of any of them. I do think I'll enjoy the remake of Godzilla v Kong when I get the chance. I just hope we can see it in person and not have it streamed.

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      7 weeks ago

      Thank you for reading and commenting.

    • bhattuc profile image

      Umesh Chandra Bhatt 

      7 weeks ago from Kharghar, Navi Mumbai, India

      Elaborate one. Nice writing.

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      2 months ago

      Yes, maybe I will see Godzilla vs Kong and compare them to King Kong vs Godzilla (1962). The original had an added scene for the American version.

    • Peggy W profile image

      Peggy Woods 

      2 months ago from Houston, Texas

      I remember seeing Godzilla as well as the King Kong movie when I was young. Your written narrative refreshed my memory of the Godzilla movie. The 2021 release of Godzilla vs. Kong should be exciting. It seems that there will always be an interest in monster movies.

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      2 months ago

      Thank you for reading and commenting. Yes, many parts are physically difficult for actors. The first Ewok suits for Return of the Jedi were so heavy the actors couldn't function with them. They revised the suits so the actors could work in them. There are lots of stories about that. Lee Meriwether once said about a scene in the TV show "The Time Tunnel" that left her with aches and bruises. The scene involved her character being a hostage and a pirate jostling her around as they ran around the station. It's not a scene that looked physically demanding. Just something to keep in mind before accepting an acting gig.

    • FlourishAnyway profile image


      2 months ago from USA

      Although I’ve obviously heard of Godzilla I didn’t know the plot which you summarized nicely. The character suit sounds awful with actors passing out and such.

      I also liked your thought-provoking and timely poll. Many implications there.

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      2 months ago

      Yes, the Japanese knew how to take the genre and run with it. There cartoons and movies are action packed. We have a station where I am, Comet, that often shows Godzilla movies. Thank you for reading and commenting.

    • lizmalay profile image


      2 months ago from USA

      Growing up, my siblings love watching Japanese cartoons or shows. One particular show we watched every week called Ultraman. I remember he has to fight a huge monster that similar to Godzilla. We loved that show. However, I never have seen the original Godzilla. The first movie franchise I've seen was Godzilla (1998).

    • Robert Sacchi profile imageAUTHOR

      Robert Sacchi 

      2 months ago

      Thank you both for reading and commenting.

      MG Singh - I also grew up with Godzilla and the other giant monsters of the '50s. Toho took the giant monster genre and made it their own.

      Pamela Oglesby - They had a lot of imagination at Toho. One of their creatures was a Titanosaurus. It featured in Terror of Mechagodzilla. It was a reptile with fishlike fins and tail. I understand monster movies aren't for everyone.

    • Pamela99 profile image

      Pamela Oglesby 

      2 months ago from Sunny Florida

      I can't imagine a cross between an ape and a whale to have a monster. Godzilla is the only think I remember from years ago.

      Larry, you wrote a good review about this movie, but I wouldn't go see it. I do not really care for monster movies.

    • emge profile image

      MG Singh emge 

      2 months ago from Singapore

      Godzilla is a character we grew up with. I don't particularly like him but he is a fascinating creation.


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