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Megadeth - "Th1rt3en" (2011) Review

Updated on December 30, 2017
FatFreddysCat profile image

I've been an obsessed hard rock/heavy metal fan and CD collector since the early 1980s. If it's got a good guitar riff and attitude, I'm in.


Is the 13th Time the Charm?

Megadeth - Thirteen (Roadrunner Records, 2011)

13 tracks, 57:33 / Grade: B-

Megadeth and their main man, guitarist/vocalist Dave Mustaine, have definitely been on a roll lately. 2009's Endgame album was an absolutely crushing example of the classic old-school speed metal that Megadeth has always excelled at, with Mustaine snarling out some of the angriest, most politically pointed lyrics of his career over a bed of never-ending shredding guitar playing. Since that release, Mustaine has penned a best selling autobiography and has mended fences with numerous old friends. He welcomed his long time partner and original Megadeth bassist David Ellefson (aka "Junior") back into the band in 2010, ending a vicious split between the two that had occurred in the early '00s, and most surprisingly, even buried the hatchet with his former Metallica bandmates before Megadeth joined them on a run of dates with the "Big Four" retro-thrash metal package tour (along with Anthrax and Slayer). With Ellefson back in place and Megadeth's profile higher than it's been in quite a while, fans were anxious to see where the band would go on their 13th studio album, cleverly titled Thirteen (stylized as "Th1rt3en"), which was released on November 1, 2011.

While I think I preferred the swift-n-savage Endgame by just a smidge over this new disc, Thirteen is still a solid platter with more peaks and valleys than its predecessor. While Endgame was a throwback to Deth's unhinged So Far...So Good...So What? speed-for-speed's sake period, Thirteen seems intent on recapturing the mid-paced groove of Megadeth's early '90s Countdown to Extinction era. The album starts off on a fine note with the chugging opener "Sudden Death" and the ode to Al Capone, "Public Enemy #1." When Mustaine snarls "I'm might say despicable " in the latter, you have to wonder if he's referring to the gangster that inspired the track, or about himself. "Whose Life (Is it Anyways?) is another quality track (which would make a decent single) featuring a twisting battle of guitar riffs between Mustaine and Chris Broderick.

After those three tracks, Thirteen becomes something of a mixed bag. "We the People" picks up the anti-government/secret conspiracy lyrical ideas that permeated nearly every song on Endgame, but without that album's intensity, while "Guns, Drugs & Money" starts out promising but is let down by an irritating chorus. Things pick up again with the crunchy "Never Dead" and "New World Order," both of which thrash along at a pleasing pace, till another dip with the sub-par "Fast Lane," which by my count is the third cheesy "drivin' a fast car" Megadeth song (joining 1988's "502" and 2001's "Moto Psycho"). Fortunately the haunting melodies of "Black Swan" and the slamming "Wrecker" kick things up a few notches and lead into the album's satisfying closing hat trick of "Millennium of the Blind," "Deadly Nightshade," and the album-ending title track.

The 2012 "GIGANTOUR" U.S. tour package in the U.S. featured Megadeth, Motorhead, Volbeat, and Lacuna Coil.
The 2012 "GIGANTOUR" U.S. tour package in the U.S. featured Megadeth, Motorhead, Volbeat, and Lacuna Coil. | Source

Much critical ink has been spilled about the fact that three tracks from this album - "Black Swan," "Millennium of the Blind," and "New World Order" - are technically not "new" songs at all, but simply newly recorded versions of older tracks that were demoed for past records. The original "Black Swan" was a digital bonus track from 2007's United Abominations, while "Millennium..." and "New World Order" were written during the 1990s and appeared as bonus tracks on the 2004 remastered version of the Youthanasia album. While my inner cynic wonders if these songs were re-tooled simply to pad out Thirteen to full album length, I'm personally fine with their inclusion here because until now all three were unheard by me. Thirteen happened to be the last album on Megadeth's contract with RoadRunner Records, with whom Mustaine had been at odds with for several years, so if he wanted to dust off some little-heard oldies in order to complete the album a little quicker and get the hell out of Dodge, who can blame him?

To sum things up, Thirteen may not be as face-rippingly awesome as Endgame was (and still is) but barring a few duff tracks it's still a suitably Dethly platter to my ears. Those of you who were hoping for another balls-out speed fiesta like Killing Is My Business or So Far, So Good, So What may feel disappointed, but fans of their '90s work in particular should enjoy Thirteen immensely.

On a somewhat humorous note, Thirteen's November 1st, 2011 release date just happened to coincide with the release of Lulu, the controversial double-album collaboration between Mustaine's former Metallica bandmates and the late, legendary art-rocker Lou Reed. Both albums were released on the same day in the U.S. and the clear winner on the charts was Megadeth. Thirteen clocked first-week sales of 42,000 copies and debuted at #11 on Billboard, whilst the Metallica/Reed album shifted a mere 12,000 copies for a position of #36. Even though the Metallica and Megadeth camps have apparently settled their differences over the past couple of years, I can't help but wonder if Mustaine did a happy dance when those numbers came in ("WOO HOO! I FINALLY OUTSOLD THOSE @#$%'s!")... and if so, I hope he sent Lou Reed a thank-you card.

"Public Enemy No. 1"


Mustaine & Megadeth welcome Dave Junior Ellefson back into the fold for another classy platter of speed metal.


MEGADETH select discography

Killing Is My Business...and Business is Good! - Combat, 1985

Peace Sells...But Who's Buying? - Combat/Capitol, 1986

So Far...So Good...So What! - Capitol, 1988

Rust In Peace - Capitol, 1990

Countdown to Extinction - Capitol, 1992

Youthanasia - Capitol, 1994

Hidden Treasures - Capitol, 1995

Cryptic Writings - Capitol, 1997

Risk - Capitol, 1999

The World Needs A Hero - Sanctuary, 2001

Rude Awakening (live) - Sanctuary, 2002

The System Has Failed - Sanctuary, 2004

United Abominations - Roadrunner, 2007

Endgame - Roadrunner, 2009

Th1rt3en - Roadrunner, 2011

Super Collider - Tradecraft/Universal, 2013

Dystopia - Tradecraft, 2016

© 2011 Keith Abt


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    • FatFreddysCat profile image

      Keith Abt 2 years ago from The Garden State


    • FatFreddysCat profile image

      Keith Abt 3 years ago from The Garden State


    • FatFreddysCat profile image

      Keith Abt 4 years ago from The Garden State


    • FatFreddysCat profile image

      Keith Abt 6 years ago from The Garden State

      Thanx Skurvy. Megadeth has been on a roll these past few years for sure.

    • ScurvySkalliwag profile image

      ScurvySkalliwag 6 years ago from Judith River, Montana

      I dig 13 cause it visits a lot of megadeth eras that personally find myself having a vested interest in. The speed, the atitude, the melody, and actually wanting to hear what MegaDave has to say about things.

      Thumbs up Freddy

    • FatFreddysCat profile image

      Keith Abt 6 years ago from The Garden State

      Thanx Joker - I dunno, everybody seemed to complain about 'Endgame' being all speed, all the time, but that's exactly what I LIKED about it!!! So I was hopin' for another one like that this time out and didn't quite get it, but it's still a decent disc either way.

    • theJOKERiv profile image

      theJOKERiv 6 years ago

      Great album!!!! I like it better than Endgame. And I liked Endgame better than UA. MegaDave seems to have upped his game on each of the past three releases.

    • FatFreddysCat profile image

      Keith Abt 6 years ago from The Garden State

      Thanx for stoppin' by Steve. I'm mostly a member of Team Megadeth nowadays so I'd favor Dave and the boys in the event of a throwdown, but even I'll admit that they seem to be coasting on their past glories on this new one somewhat.

    • Steve Orion profile image

      Steve Orion 6 years ago from Tampa, Florida

      I'm a Metallica fan before a Megadeth fan, but there's no doubt Mustaine has got the 'tallica boys beat on this one, hands down.

      A problem I had with this album is a problem I have generally with this band, as a whole: the few great songs are outnumbered by songs that, I feel, aren't worth listening to. As in, they aren't worth my time and attention due to repetition (either in the same songs or reusing other tired old concepts) or lack of originality. I have a 3-CD compilation of their "Best Hits" which have, in my opinion, all that is worthwhile from Megadeth's releases.

    • FatFreddysCat profile image

      Keith Abt 6 years ago from The Garden State

      Thanx Sandy... as you can probably tell, I'm a bit of a Megadeth fanboy, and comparing it to other discs in their catalog is usually helpful to non-fanboys. Glad you liked it.

    • sandy1973mypetdog profile image

      sandy1973mypetdog 6 years ago from the south

      Great hub, I like the way you were able to incorporate the different albums into the hub, easy read.


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