Pixar Animation Studios Movies

Pixar movies are stories with emotion, adventure, heroes, relationships, energy, and humor. Disney and Pixar collaborate on producing animated family movies. But, sometimes, Pixar shorts get overlooked as family movies by moviegoers. If you have ever seen a Pixar short, you know that a lot of talent and creative craftsmanship went into making the film.

Pixar’s first short The Adventures of Andre and Wall B. released in 1984 is classic for any Pixar fan. The story involves two characters: one being a pesky bee and the other named Andre with a hat. The story first aired on the Disney Channel. The animation developed by Pixar co-founder John Lasseter, he wanted to create something extraordinary for his son. The film encouraged the industry to pursue computer-generated movies. Today, Hollywood supports high-quality animated films.

The next Pixar short, Luxo Jr., is truly the first film officially produced by Pixar, following the beginning of the independent film studio’s establishment.

The two and a half minute short film introduces the Pixar’s icon, the hopping desk lamp. Luxo Jr. chases a small ball while Luxo, a large lamp, reacts to Luxo Jr.’s escapade of chasing and balancing on the ball.

As the story goes, Ed Catmull and John Lasseter departed from Industrial. Light and Magic computer division to finish a short film for SIGGRAPH, an annual computer technology exhibition attended by thousands of industry professionals.

The future computer animators worked day and night. Their dedication proved fruitful despite the impossibility that Luxo Jr. failed as a finished film for SIGGRAPH.

As the audience watched the movie at the computer technology exhibition, they rose and applauded before the short came to an end. Animated films became a whole new fabric of the movie industry.

Red’s Dream is the next short film produced by Pixar and directed by John Lasseter. Released in 1987 and is the only short that is not attached to one of the studio’s family feature films.

On the audio commentary, Lasseter talks how Ed Catmull thought the Pixar staff could make a film using the Pixar Image Computer and the rendering software Chapreyes. Lasseter and other staff began developing a tale about a circus clown who is outshined by his very own unicycle.

Animators Eben Ostby and William Reeves worked on their unique ideas. Ostby’s idea consisted of animating the bicycle, and Reeves developed a rainy night in a city. Finally, Lasseter and the two artists pooled their creative ideas resulting in Red's Dream.

The animation studio offers a DVD called Pixar Shorts Volume One. Each short is a work of art in itself, definitely fun to watch with the whole family. Some of the movies mentioned in this article are available on the DVD. Pixar released two more Volumes that are just as delightful.

Toy Story is Pixar's signature movie. Woody and Buzz Lightyear go on adventures with Andy's motley crew of toys.

Andy gave his toys away because he grew up, and the toys belong to Bonnie. She is as delightful and cute as a button.

With four Toy Story movies, Pixar proves that a studio can produce quality sequels without dulling our imagination or running out of quality material.

Follow the career of Brad Bird, and you will see a brilliant filmmaker at work. He wrote and directed the Incredibles and Incredibles 2: Raising Son. His association with Pixar is longstanding and proves Lasseter can hire top talent.

The storyline is clever and unique. It against the law for any superhero to practice his abilities. We follow a treacherous villain connives a scheme killing or trapping superheroes from allying to protect society.

We have a family of superheroes with each member owning a specific superhero trait. The cleverness in Bird's creativity is taking real-life situations and writing them into the movie.

Incredibles 2 has the wife and mother going off to work while the father stays home caring for his infant son and angsty teenage daughter. With his grade-school son, he tries in vain to help him with common core math.

A typical family situation added to the fact that his kids' superpowers make the relationship more dynamic. Jack-Jack, his infant son, spontaneously goes invisible and turns into a ball of fire.

Andrew Stanton is another Pixar genius who brought us two box office hits: Finding Nemo and Finding Dory with actors Albert Brooks and Ellen DeGeneres.

The movie follows an overprotective father, Marlin, who is a clownfish, whose son, Nemo, is captured from the Great Barrier Reef. He befriends another fish, Dory, who is a regal blue tang fish with short term memory loss. Together they search for his son meeting all sorts of ocean life when they arrive at Sydney Harbor. They save Nemo from a dentist's office aquarium. The journey teaches Marlin to let his son take care of himself and live a little by taking risks. Just like many of Pixar’s movies, Finding Nemo won an Oscar for the best-animated feature film.

I remember Stanton talking about capturing the look and feel of the ocean water as a CGI image. Not yet mastered until this movie came out.

A sequel followed called Finding Dory with an all-star cast of voices. Ellen DeGeneres returned to voice Dory, who is in search of her mother and father and contents with her short-term memory loss.

Coming from the screenplay by Dan Fogelman, and co-written and directed by John Lasseter, Cars is the Pixar's final independent movie before Disney purchased the studio in the Spring of 2006.

Taking the audiences by surprise with a world of talking cars and vehicles called anthropomorphic, the movie voice stars included Owen Wilson and Paul Newman. Lighting McQueen learns humility while falling in love with someone other than himself. Two more Car movies followed with spin-offs about talking airplanes.

The soundtrack for the first movie is the favorite Pixar soundtracks.

The 22 songs feature musical artists and Randy Newman. "Route 66" is the catchy tune you hear throughout the movie.

With all these successful movies by Pixar, we mustn’t forget the connection to Disney. Disney distributed their movies before buying the studio in 2006. Press releases announcing the next Pixar movie is not uncommon, and film aficionados speculate the storyline for each announcement. The movies are innocuous and family-friendly. Their success will continue as long as they don’t change their formula for storytelling.