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Review of Zombie-Horror Film [REC]

Updated on June 21, 2012


REC (stylised as [●REC]) is a 2007 Spanish horror film co-written and co-directed by Jaume Balagueró and Paco Plaza. It served as the original for the American remake, "Quarantine" and its sequel, as well as three direct sequels of its own. It follows a young female reporter who follows, with her faithful cameraman, Pablo, some firefighters for the purposes of making a tv special on the jobs of said firemen. Shot in the "found footage" style, the viewers see exactly what Pablo films.


The film starts with our "heroine", Angela, introducing her tv special in which she will take the viewer on an exciting adventure through the job of local firefighters (If only she knew the excitement about to occur!). She does cutsie little activities like try on a firefighter's outfit, visit the men in the dining hall, and play basketball. The alarm sounds and Angela and Pablo rush to a nearby truck to hitch a ride to a nearby apartment complex where, apparently, a woman is in need of emergency assistance.

The people inside, your average citizen nobody's, are all up and discussing the events in excitement while the policeman inside tries to get these morons under control. The firemen, with the crew, are lead up to the apartment where they break in in order to assess the situation. The suspense builds a bit as the men travel slowly toward the blood soaked overweight elderly woman. The policeman tries to calm the woman, to no avail, before she vicously rips into his flesh with her teeth. Angela, as helpful as she will be throughout the film, screams as the men try and pry the hungry lady off the policeman.

Gushing blood, the policeman is carried to the lobby where, it is discovered, the building has been sealed and no one is allowed out. Another, less bitten, policeman tries to communicate with people outside, but is told to remain calm and inside the building. In all the stress, the policeman requests Pablo to stop filming, but Angela refuses. While the residents freak the hell out as the policeman fails to calm them, the body of a firefighter falls from the stairwell above to the lobby floor. The men go up to investigate and shoot, as they should have a long time ago, the infected lady.

At this point in the film, the residents find all potential exists to the building have been sealed and all communicative measures severed. A mother with a sick child, apparently tonsillitis, claims she needs immediate medical attention. The panicked atmosphere of the film has built, at this point, as the residents feel helpless to escape and endangered to stay. Angela, the reporter she is, interviews the residents and their very insightful commentary on the situation thus far. Something of value we do learn, however, is that the child's who is sick, dog, Max, is not here because he was taken to the vet. This connection is completed once a health inspector enters the building and, after the two injured men turn and are blocked off, says the infection originated with a suspicious dog, named Max, whose aggressive behavior lead to this investigation.

Coincidentally, the girl, who turned out to not quite have tonsillitis, turns at that moment and throws up blood in her mother's face. She shrieks and runs upstairs. The policeman and last remaining firefighter chase her and attempt to restrain her in order to give her a shot of some sort of vaccine or suppressor the health inspector gave them.

She loves her Max!
She loves her Max! | Source

Review concluded

The policeman is bit by this little cutie, and Angela and Pablo run back downstairs where the mother is handcuffed to the rails. This naturally proves to be a problem as the two infected men attempt to break through the door which blocks them from the lobby. The survivors are forced to leave her behind as the "zombies" break though and take refuge in a resident's apartment, where the inspector, who had abandoned the efforts, as also hidden. Angela, Pablo, and the last firefighter must flee from there as well due to the inspector turning and attacking the resident.

As a last resort, the trio flee through the now zombie-infested stairwells to try one last avenue of escape, the penthouse which is owned by a Madrid man and is always vacant. Angela and Pablo are cut off from the firefighter, who unrealistically break a zombie's neck and is quite handy with a mallet. Angela finds the keys needed and rushes to the penthouse with Pablo, as the firefighter was not handy enough.

In the penthouse, they discover creepy newspapers and medical equipment decorating the walls and tables. The papers all read of a girl who was suspected of being possessed by a demon. Using only the camera flashlight for visibility, the two search around to find further disturbing religious items and newspapers. While sorting though documents detailing the same girl, Angela comes across a tape recorder, which has records of a man detailing an experiment and infection dealing with the girl. Apparent complications were made and the man states he must seal off the room, as per orders.

Losing the light when an infected boy strikes at it from above, Pablo uses night-vision to see his way around. What he sees, however, is the physically demented girl-creature that was used and held in captivity. They both remain silent in fear as the blind monster feels its way around the room. To the dismay of poor Pablo, someone was clumsy and knocked over a table, which alarmed the creature to attack them both with a hammer. Pablo is beaten to death while Angela flees, in vain. She falls to the ground, camera just beyond her reach, groping around in the darkness just before letting out a high-pitch scream as she is pulled into the darkness.

Conclusion: A unique and entertaining, not to mention scary, films that delivers fright both in the forms of zombies and evil governments. The combined threat of being devoured and being sniped makes for a great story and scary atmosphere throughout the film. As helpless as our main character is, running around in the dark screaming "Pablo! Pablo!," she is still valuable enough for the viewer to care about her. A great film, especially if you don't care about subtitles.

SPOILER (Ending of film)


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    • profile image

      Nattira 3 years ago

      I'm going to be back in NM Sept 27-Oct 9. Are you having any clsaess? I would be willing to pay for a private lesson. I have a canon rebel and also a basic Kodak point and shoot.Would like to learn before the balloonsJoanie

    • Steve Orion profile image

      Steve Orion 5 years ago from Tampa, Florida

      Ha! It certainly is unique in its quality and nature. Thanks for the comment.

    • nickgreen00 profile image

      nickgreen00 5 years ago from Appleton

      Best horror movie I've seen in years. I traumatised the missus with it!

    • Steve Orion profile image

      Steve Orion 5 years ago from Tampa, Florida

      Indeed, I think the Spanish originals trumped both remakes. I can hardly remember Quarantine but I don't remember being impressed.

    • Steve Orion profile image

      Steve Orion 5 years ago from Tampa, Florida

      @Grim Master

      Well, they were "zombies" to the extent that they lost their minds and feasted on flesh. It was revealed more so in the sequel that they were actually demons, but strongly hinted at in this one. Thanks for the comment!

    • Der Meister profile image

      Der Meister 5 years ago from Virgo Supercluster

      I agree with Grim Master. There wasn't a need for a remake because the original is so good.

    • Grim Master profile image

      Grim Master 5 years ago from Below the Earth

      One of my favorite found footage films. The original is much better than the American versions. I like the whole zombie infection epidemic, giving it that feel where you're at the edge of your seat just horrified and fascinated by all that's happening.