World of Morrissey
Steven Patrick Morrissey (born 22 May 1959), known primarily as Morrissey, is an English singer and lyricist.He rose to prominence in the 1980s as the lyricist and vocalist of the alternative rock band The Smiths. The band was highly successful in the UK but broke up in 1987, and Morrissey began a solo career, making the top ten of the UK Singles Chart in the United Kingdom on ten occasions. Widely regarded as an important innovator in indie music, Morrissey has been described by music magazine NME as "one of the most influential artists ever," and The Independent has stated "most pop stars have to be dead before they reach the iconic status he has reached in his lifetime."Pitchfork Media has called him "one of the most singular figures in Western popular culture from the last twenty years."
Morrissey's lyrics have been described as "dramatic, bleak, funny vignettes about doomed relationships, lonely nightclubs, the burden of the past and the prison of the home."He is also noted for his unique baritone vocal style (though he is known to sometimes use falsetto for emphasis),his quiff haircut and his dynamic live performances. His forthright, often contrarian opinions, especially on the subject of race, have led to a number of media controversies, and he has also attracted media attention for his advocacy of vegetarianism and animal rights.
Early life: 1959–76
Morrissey was born on May 22, 1959 at Park Hospital (now Trafford General Hospital) in Davyhulme, Urmston, Lancashire to Irish Catholic immigrants (who had emigrated to England with his only sibling, elder sister Jackie, a year prior to his birth). His father, Peter Morrissey, was a hospital porter and his mother, Elizabeth Dwyer, was an assistant librarian. Morrissey was predominantly raised within inner-city Manchester; his family first lived at Harper Street in Hulme before moving to Queen's Square, near Moss Side, in 1965. In 1969, when many of the old streets and tenements were facing demolition, Morrissey's parents moved to a three-bedroomed house on King's Road in the suburb of Stretford.
As a child, Morrissey developed a number of interests and role models that distinguished him from his peers, including female singers and pop stars like Dusty Springfield, Sandie Shaw, Marianne Faithfull and Billy Fury. He was also interested in the "kitchen sink"-style social realism of late 1950s and early 1960s television plays, Coronation Street's Elsie Tanner, actor James Dean, along with authors Oscar Wilde and Shelagh Delaney. The Moors Murders—which involved a young working-class couple, Ian Brady and Myra Hindley, who had abducted, raped and killed three children and two teenagers from the Manchester area between July 1963 and October 1965—devastated and scandalised the city when the matter came to trial in April–May 1966, and this collective trauma is said to have made a profound and lasting impression on Morrissey growing up.
In adolescence, Morrissey has said his athletic ability saved him to a large degree from bullying. Still, he has described this period as a time when he was often lonely and depressed. As a teenager, he began taking prescription drugs to help combat the depression that would later follow him throughout his life. He attended St. Mary's Secondary Modern School and Stretford Technical School, where he passed three O levels, including English Literature. He then worked briefly for the Inland Revenue, but ultimately decided to "go on the dole."
Of his youth, Morrissey said, "Pop music was all I ever had, and it was completely entwined with the image of the pop star. I remember feeling the person singing was actually with me and understood me and my predicament."From 1974, he frequently wrote letters to music magazines like Melody Maker and the NME, giving his forthright opinions on various bands. Morrissey would sometimes venture out to see bands at local Manchester venues; the first such occasion being T. Rex at Belle Vue in 1972.He was taken there by his father, fearing for his safety in the notoriously rough district. Morrissey has described the occasion as "messianic and complete chaos."
Early bands and published books: 1977–81
Throughout the 1970s, a teenage Morrissey acted as president of the UK branch of the New York Dolls fan club. He articulated his love for the group in the documentary New York Doll: "Some bands grab you and they never let you go and, no matter what they do, they can never let you down... the Dolls were that for me."This New York Dolls influence made Morrissey an early convert to punk rock. Morrissey, then still with forename, briefly fronted The Nosebleeds in 1978, who by that time included Billy Duffy on guitar (Duffy went on to form the post-punk band The Cult). They played a number of concerts, including one supporting Magazine, which resulted in an NME review by Paul Morley. Morrissey also founded The Cramps fan club, the Legion of the Cramped, with another enthusiast for their music, Lindsay Hutton, but he progressively scaled down his involvement in the club over time because of the increasing amount of time he was devoting to his own musical career.
Morrissey wrote several songs with Duffy, such as "Peppermint Heaven," "I Get Nervous" and "(I Think) I'm Ready for the Electric Chair," but none were recorded during the band's short lifespan, which ended the same year. After The Nosebleeds' split, Morrissey followed Duffy to join Slaughter & the Dogs, briefly replacing original singer Wayne Barrett. He recorded four songs with the band and they auditioned for a record deal in London. After the audition fell through, Slaughter & the Dogs became Studio Sweethearts without Morrissey.
The singer interrupted his music career at around this time, focusing instead on writing on popular culture. He published two works with Babylon Books: The New York Dolls (1981), about his favourite band; and James Dean is Not Dead (1983), about actor James Dean's brief career. A third book, Exit Smiling, which was actually written first (in 1980) and which dealt with obscure B movie actors, was initially rejected and remained unpublished until 1998.
The Smiths: 1982–87
In early 1982, Morrissey met the guitarist Johnny Marr and the two began a songwriting partnership: "We got on absolutely famously. We were very similar in drive."After recording several demo tapes with future Fall drummer Simon Wolstencroft, in autumn 1982 they recruited drummer Mike Joyce. They also added bass player Dale Hibbert, who provided the group with demo recording facilities at the studio where he worked as a factotum. However, after two gigs Marr's friend Andy Rourke replaced Hibbert on bass because neither Hibbert's bass playing nor his personality "meshed" with the rest of the group. Signing to independent record label Rough Trade Records, they released their first single, "Hand in Glove", in May 1983. It was championed by DJ John Peel, as were all their later singles, but it failed to chart. The follow-up singles "This Charming Man" and "What Difference Does It Make?" fared better when they reached numbers 25 and 12 respectively on the UK Singles Chart. Aided by praise from the music press and a series of studio sessions for Peel and David Jensen at BBC Radio 1, The Smiths began to acquire a dedicated fan base. In February 1984, they released their debut album The Smiths, which reached number two on the UK Albums Chart.
In 1984, the band released two non-album singles: "Heaven Knows I'm Miserable Now" (their first UK top-ten hit) and "William, It Was Really Nothing". The year ended with the compilation album Hatful of Hollow. This collected singles, B-sides and the versions of songs that had been recorded throughout the previous year for the Peel and Jensen shows. Early in 1985 the band released their second album, Meat is Murder, which was their only studio album to top the UK charts. The single-only release "Shakespeare's Sister" reached number 26 on the UK Singles Chart, though the only single taken from the album, "That Joke Isn't Funny Anymore", was less successful, barely making the top 50.
During 1985, the band undertook lengthy tours of the UK and the US while recording the next studio record, The Queen is Dead. The album was released in June 1986, shortly after the single "Bigmouth Strikes Again". The record reached number two in the UK charts. However, all was not well within the group. A legal dispute with Rough Trade had delayed the album by almost seven months (it had been completed in November 1985), and Marr was beginning to feel the stress of the band's exhausting touring and recording schedule. Meanwhile, Rourke was fired in early 1986 for his use of heroin. Rourke was temporarily replaced on bass guitar by Craig Gannon, but he was reinstated after only a fortnight. Gannon stayed in the band, switching to rhythm guitar. This five-piece recorded the singles "Panic" and "Ask" (with Kirsty MacColl on backing vocals) which reached numbers 11 and 14 respectively on the UK Singles Chart, and toured the UK. After the tour ended in October 1986, Gannon left the band. The group had become frustrated with Rough Trade and sought a record deal with a major label, ultimately signing with EMI, which drew criticism from the band's fanbase.
In early 1987, the single "Shoplifters of the World Unite" was released and reached number 12 on the UK Singles Chart. It was followed by a second compilation, The World Won't Listen, which reached number two in the charts – and the single "Sheila Take a Bow," the band's second (and last during the band's lifetime) UK top-10 hit. Despite their continued success, personal differences within the band – including the increasingly strained relationship between Morrissey and Marr – saw them on the verge of splitting. In July 1987, Marr left the group and auditions to find a replacement proved fruitless.
By the time the group's fourth album Strangeways, Here We Come was released in September, the band had split up. The breakdown in the relationship has been primarily attributed to Morrissey's annoyance with Marr's work with other artists and to Marr's growing frustration with Morrissey's musical inflexibility. Strangeways peaked at number two in the UK, but was only a minor US hit, though it was more successful there than the band's previous albums.
Solo career: 1988–97
In March 1988, a mere six months after the Smiths' final album, Morrissey released his first solo album, Viva Hate. To create the album, Morrissey teamed up with former Smiths producer Stephen Street, Vini Reilly of Durutti Column (and formerly of the Nosebleeds), and drummer Andrew Paresi. Viva Hate reached number one upon release, supported by the singles "Suedehead" and "Everyday Is Like Sunday". Viva Hate was certified Gold by the RIAA on 16 November 1993.
Morrissey initially planned to release a follow-up album entitled Bona Drag after releasing a few holdover singles from the Viva Hate sessions. As such, he released "The Last of the Famous International Playboys," "Interesting Drug," and "Ouija Board, Ouija Board" over the course of 1989. The first two of these became top ten hits. However, by the end of 1989 it became apparent that he would not be able to put out an album of new material soon enough. Morrissey decided to scrap the idea of a full-length LP and release Bona Drag as a compilation of singles and B-sides instead. The album collected these early singles along with further non-album cuts such as "November Spawned a Monster," "Piccadilly Palare," "Disappointed" and the B-side "Hairdresser on Fire."
After a falling out with Stephen Street, Morrissey recruited the production aid of Clive Langer and songwriting services of Mark E. Nevin, of Fairground Attraction, for the studio follow-up to Viva Hate, entitled Kill Uncle. The album peaked at number eight on the UK charts. The two singles released in promotion of the album, "Our Frank" and "Sing Your Life," failed to break the Top 20 on the singles charts reaching number 26 and number 33 respectively. Morrissey released two non-album singles, "Pregnant for the Last Time" and "My Love Life." The band Morrissey assembled in 1991 for his Kill Uncle tour went on to record 1992's hit album Your Arsenal. Composition duties were split between guitarists Boz Boorer and Alain Whyte, who have been the core of Morrissey's band until the later stages of his comeback period. Your Arsenal was produced by former David Bowie guitarist Mick Ronson, and earned a Grammy Award nomination for Best Alternative Album. The album peaked at number four on the UK charts, with two of its three singles, "We Hate It When Our Friends Become Successful" and "You're the One for Me, Fatty," both debuting in the Top 20 in the UK.
By 1994, Morrissey had suffered the loss of three people close to him: Mick Ronson, Tim Broad and Nigel Thomas. Channelling his grief, Morrissey wrote and recorded his second number one album in the UK, Vauxhall and I. Years after the release, Morrissey acknowledged that he felt at the time that it was going to be his last album, and that not only was it the best album he'd ever made but that he would never be able to top it in the future. One of the album's songs, "The More You Ignore Me, the Closer I Get," reached number eight in the UK and number 46 in the US. That year, he also released a single "Interlude" in duet with Siouxsie Sioux of Siouxsie and the Banshees. Following the success of Vauxhall and I Morrissey began work on Southpaw Grammar in early 1995. When released in August, the album was a hit, reaching number four in the UK. However, both of its singles failed to chart in the Top 20. The nature of the album was different to past Morrissey releases. Musically, the inclusion of two tracks which surpass the ten minute mark, the near two and half minute drum solo courtesy of Spencer Cobrin which opens the track "The Operation" and the sampling of a Shostakovich symphony have led some to dub the album as 'Morrissey's flirtation with prog-rock.' Some critics were impressed by this apparent attempt at progression, while others dismissed the longer tracks as mere self-indulgence. With the exception of the single "Sunny" in that December it would be another year before Morrissey released a new album or single.
In 1996, Joyce took Morrissey and Marr to court, claiming that he had not received his fair share of recording and performance royalties. Morrissey and Marr had claimed 40% each of the Smiths' recording and performance royalties and allowed ten percent each to Joyce and Rourke. Composition royalties were not an issue, as Rourke and Joyce had never been credited as composers for the band. Morrissey and Marr claimed that the other two members of the band had always agreed to that split of the royalties as they had consented to an account of the royalties sent to Joyce during the band's existence, but initially the High Court and then the Court of Appeal found in favour of Joyce and ordered that he be paid over Â£1 million in back pay and receive twenty-five percent henceforth. As Smiths' royalties had been frozen for two years, Rourke settled for a smaller lump sum to pay off his debts and continued to receive ten percent. While the judge in the case described Morrissey as "devious, truculent and unreliable," he did not state that the singer had been dishonest. Morrissey claimed that he was "...under the scorching spotlight in the dock, being drilled..." with questions such as " 'How dare you be successful?' 'How dare you move on?'" He stated that "The Smiths were a beautiful thing and Johnny [Marr] left it, and Mike [Joyce] has destroyed it."Morrissey appealed against the verdict, but was not successful.
Morrissey returned on a new record label in 1997 with the single "Alma Matters" in promotion of his album Maladjusted. Though the single was hailed by some as a return to form for Morrissey, the resulting album is considered both a commercial and critical disappointment. The album peaked at number eight in the UK album charts and its further two singles, "Roy's Keen" and "Satan Rejected My Soul" both peaked outside the UK Top 30. Morrissey would not release another studio album for seven years.
Despite the absence of any record deal, Morrissey undertook a world tour throughout 2002, with dates across the US, Europe, Australia, and Japan. Setlists consisted of material from his Smiths and solo years, and new songs that would later be recorded for his seventh studio album. It was during this time that Channel 4 filmed The Importance of Being Morrissey, a documentary which eventually aired in 2003. In June 2003, it was revealed Sanctuary Records had given Morrissey the one-time reggae label Attack Records to record new material and to sign new artists. You Are the Quarry was released in 2004. The album peaked at number two on the UK album chart and number 11 on the U.S. Billboard album chart. Guitarist Alain Whyte described the work as a mix between Your Arsenal and Vauxhall and I, and the album received strong reviews. The first single, "Irish Blood, English Heart," reached number three in its first week of sales in the UK singles chart. This was the highest placing chart position for Morrissey in his entire career at that point. Three other hit singles followed: "First of the Gang to Die," "Let Me Kiss You," and "I Have Forgiven Jesus." With the release of "I Have Forgiven Jesus," Morrissey along with McFly became the only artists to score four top-10 hits in the UK singles chart that year. The album has since sold over a million copies, making the album his most successful one, solo or with the Smiths. To coincide with the release of the album, Morrissey embarked on an accompanying tour spanning several continents from April to November. In August 2004, Morrissey was slated to headline a week-long set of shows on Craig Kilborn's The Late Late Show. Morrissey did not perform every night of the weeklong series due to a throat illness. He did, however, perform the following week. The performance at the Manchester Evening News Arena on Morrissey's 45th birthday was recorded and released on the DVD Who Put the M in Manchester? in 2005.
Morrissey's eighth studio album, Ringleader of the Tormentors, was recorded in Rome and released on 3 April 2006. Upon release, it debuted at number one in the UK album charts and number 27 in the US. The album yielded four hit singles: "You Have Killed Me," "The Youngest Was the Most Loved," "In the Future When All's Well," and "I Just Want to See the Boy Happy." Originally Morrissey was to record the album with producer Jeff Saltzman, however he could not undertake the project. Producer Tony Visconti, of T.Rex and David Bowie fame, took over the production role and Morrissey announced that the album was "the most beautiful-perhaps the most gentle, so far." Billboard magazine described the album as showcasing "a thicker, more rock-driven sound." Morrissey attributes this change in sound to new guitarist Jesse Tobias. The subsequent 2006 international tour included more than two dozen gigs in the UK, including concerts at the London Palladium. Morrissey was scheduled to appear at the 2005 Benicassim festival in Spain but pulled out at the last minute. In January 2007, the BBC confirmed that it was in talks with Morrissey for him to write a song for the 2007 Eurovision Song Contest. If an agreement could be made, Morrissey would be writing the song for someone else, rather than performing it himself, a BBC spokesperson claimed. The following month, the BBC ruled this out, and stated Morrissey would not be part of Britain's Eurovision entry.
In early 2007, Morrissey left Sanctuary Records and embarked on a Greatest Hits tour. The tour ran from 1 February 2007 to 29 July 2008 and spanned 106 concerts over 8 different countries. Morrissey cancelled 11 of these dates, including a planned six consecutive shows at the Roundhouse in London, due to "throat problems." The tour consisted of three legs, the first two encompassing the U.S. and Mexico were supported by Kristeen Young from February to October while the remainder featured Girl in a Coma. The final leg was a small scale European tour that saw Morrissey headlining the O2 Wireless Festival in Hyde Park, London on 4 July and culminated in Morrissey playing at the Heatwave Festival in Tel Aviv, Israel on 29 July.
After a show in Houston, Texas, on the first leg of the tour Morrissey rented out the Sunrise Sound Studio to record "That's How People Grow Up." The song was recorded with producer Jerry Finn rather than previous producer Tony Visconti for a future single and inclusion on an upcoming album. In an interview on BBC Radio 5 Live with Visconti, the producer stated that his new project would be Morrissey's next album, though that this would not be forthcoming for at least a year. However, in an interview with the BBC News website in October 2007, Morrissey said that the album was already written and ready for a possible September 2008 release and confirmed that his deal with Sanctuary Records had come to an end. In December he signed a new deal with Decca Records, which included a Greatest Hits album and a newly-recorded album to follow in autumn 2008. Upon signing with Decca, Morrissey released "That's How People Grow Up" as the first single off of his new Greatest Hits album. Despite lukewarm reviews, especially in the NME, the lack of airplay on British radio (except on XFM), and even the incredulity of fan sites, "That's How People Grow Up" reached the Top 15, reaching number 14 on the British charts. Reviews for the Greatest Hits compilation were very mixed; reviewers noted that the album only includes songs which reached the Top 15 in the charts, putting the emphasis on new songs, making the CD more suitable for new listeners than for old fans. The album charted at number 5 in the British album chart on its week of release. A limited edition of the Greatest Hits album also featured an eight-track live CD which was recorded at the Hollywood Bowl in 2007. A second single from the Greatest Hits, "All You Need Is Me," was released in March. In May 2008, Morrissey parted ways with his manager of five years, Merck Mercuriadis, in favour of a new contract with IE Music, however by September Morrissey left the group and acquired the services of Irving Azoff.
On 30 May 2008, it was announced that Morrissey's ninth studio album, Years of Refusal would have 12 tracks and be produced by Jerry Finn. On 5 August 2008 it was reported that, although originally due in September, Years of Refusal had been postponed until February 2009, as a result of Finn's death and the lack of an American label to distribute the album.
On 15 August 2008, Warner Music Entertainment announced the upcoming release of Morrissey: Live at the Hollywood Bowl, a DVD documenting the live performance that took place at the historic Hollywood Bowl in Los Angeles, California, on 8 June 2007 on the first leg of Morrissey's 2007/2008 Greatest Hits tour. Morrissey greeted news of the DVD's release by imploring fans not to buy it. Originally due to be released 6 October 2008, the DVD has subsequently been delayed until 1 March 2009 by Warner Music according to HMV.
In November 2008, Rolling Stone magazine named Morrissey one of "The 100 Greatest Singers of All Time." The list was compiled from ballots cast by a panel of 179 "music experts," such as Bruce Springsteen, Alicia Keys and Bono, who were asked to name their 20 favourite vocalists. Morrissey was ranked 92.
In February 2009, following persistent rumours over preceding months of an imminent Smiths reunion, Morrissey was once again forced to deny that any such reunion would take place. In an interview with BBC Radio 2, he remarked that "people always ask me about reunions, and I can't imagine why... the past seems like a distant place, and I'm pleased about that." In a separate interview, with London radio station Xfm, Morrissey also stated that "chances were slim" that he himself would continue performing past the age of 55.
Years of Refusal was released worldwide on 16 February 2009 by the Universal Music Group. Upon release, it reached third place in the UK Albums Chart and 11 in the US Billboard 200. The record was widely acclaimed by critics, with comparisons made to Your Arsenal and Vauxhall and I. A review from Pitchfork Media noted that with Years of Refusal, Morrissey "has rediscovered himself, finding new potency in his familiar arsenal. Morrissey's rejuvenation is most obvious in the renewed strength of his vocals" and called it his "most venomous, score-settling album, and in a perverse way that makes it his most engaging. "I'm Throwing My Arms Around Paris" and "Something Is Squeezing My Skull" were released as the record's singles. The song "Black Cloud" features the guitar playing of Jeff Beck. Throughout 2009 Morrissey toured to promote the album. As part of the extensive Tour of Refusal, Morrissey followed a lengthy US tour with concerts booked in Ireland, Scotland, England, Russia. He had never before performed in Russia.
In April 2009, remastered editions of 1995's Southpaw Grammar and 1997's Maladjusted were released in the UK. These both featured a rearranged track listing with the inclusion of B-sides and outtakes, resulting in albums quite different to the original. They also featured new artwork and liner notes written by Morrissey. The reissues were available in the US from June that year.
October 2009 saw the release of a 2004-2009 B-Sides collection, named Swords. The album peaked at 55 on the UK albums chart, and Morrissey later called the compilation 'a meek disaster.'On the second date of the UK tour to promote Swords, Morrissey collapsed with breathing difficulties upon finishing the opening song of his set, "This Charming Man," at the Oasis Centre, Swindon. He was discharged from the hospital the following day.
Following the completion of the Swords tour it was announced that Morrissey had fulfilled his contractual obligation to Universal Records and was without a record company. Shortly after this announcement, it was also revealed he had split with Front Line Management.
In July 2010, it was announced that EMI will reissue the 1990 album Bona Drag on its Major Minor imprint, resurrected specifically for the release. The release features six additional previously unreleased tracks, and was released on 4 October, entering at number 67 in the UK charts. The 1988 single "Everyday Is Like Sunday" was also reissued to coincide with the release on both CD and 7" vinyl formats.
2011 and future
In February 2011, EMI announced a brand new compilation - The Very Best of Morrissey - would be released in April that year. The press release stated both the tracklist and artwork were chosen by Morrissey himself, and the single "Glamorous Glue" would also be reissued the same week with two previously unreleased songs.
In March 2011, it was announced Morrissey was now under the management of Ron Laffitte and would be headlining the Hop Farm Festival in July that year. Shortly after this announcement, a UK tour was unveiled - mainly consisting of small venues in the North of Britain plus Glastonbury Festival - taking place in June 2011. In July and August he is also touring venues in Europe. Only two exclusive festival dates, namely Hultsfred Festival in Sweden and Lokerse Feesten in Belgium, are announced.
Morrissey has stated that he has completed a 660 page autobiography which he intends to offer to publishers.
On June 14th Janice Long premiered three new Morrissey songs in session on her BBC Radio 2 program. Those songs are titled: "Action Is My Middle Name", "The Kid's a Looker" and "People Are The Same Everywhere".
Image and politics - Music industry feuds
Morrissey has criticised singers like Madonna, Elton John and George Michael, generally claiming their lyrics are pointless and they are more interested in being celebrities than in their music. He has also had disagreements with The Cure's Robert Smith, who stated "If Morrissey says not to eat meat, then I'll eat meat; that's how much I hate Morrissey." Lol Tolhurst, another founding member of the Cure, has claimed he likes Morrissey's music; however, he also said Smith is "quite justified in his ire", alleging their feud was instigated by Morrissey:
"We had never met Morrissey or the Smiths at that point and Morrissey made a very uncalled for remark concerning Robert in the English press. I never understood why as we or Robert had done nothing to upset him that I could think of, but after that it kind of snowballed.... Especially as journalists love feuds!!"
Morrissey also once openly wished Morrissey & Marr: The Severed Alliance author Johnny Rogan "ends his days very soon in an M3 pile-up." Neil Tennant of the Pet Shop Boys co-wrote two songs inspired by Morrissey's public stereotyping as miserable and unlovable ("Getting Away with It" and "Miserablism").
In 1994, Morrissey was criticised by Manic Street Preachers' bassist and lyricist Nicky Wire, in regards to comments Morrissey had made about immigration and national identity in NME. Other targets of his disapproval have been Band Aid, rap and rave music, and teenage pop stars. He once stated he disapproved of reggae - a criticism he later retracted, stating he was being facetious and he grew up partly on the classic singles released by the British reggae label Trojan in the early to mid-1970s.
Attitude towards political leaders
Morrissey has always been politically outspoken, directing his criticism at figures ranging from Oliver Cromwell, the British Royal Family, former British Prime Ministers Margaret Thatcher and Tony Blair and former U.S. President George W. Bush. He has criticised both the two main political parties of the United Kingdom, the Labour Party and the Conservative Party.
In a 1984 interview, Morrissey spoke of the then-Prime Minister, Margaret Thatcher: "She is only one person. She can be destroyed. It is the only remedy for this country at the moment." Morrissey's first solo album, Viva Hate, included a track entitled "Margaret on the Guillotine", a tongue-in-cheek jab at Thatcher. British police responded by searching Morrissey's home and carrying out an official investigation, while Simon Reynolds, who had interviewed Morrissey for Melody Maker, was questioned about the tone in which Morrissey had made certain remarks about Thatcher.
At a Dublin concert in June 2004, Morrissey caused controversy by announcing the death of former US President, Ronald Reagan and stating that he would have preferred it if the then current President, George W. Bush, had died. In October 2004, Morrissey released a statement urging American voters to vote for Democratic Party candidate John Kerry for President, calling this vote a "logical and sane move". Morrissey opined that "Bush has single-handedly turned the United States into the most neurotic and terror-obsessed country on the planet."
In February 2006, Morrissey said he had been interviewed by the Federal Bureau of Investigation (FBI) and by British intelligence after having spoken out against the American and British governments. Morrissey said that "They were trying to determine if I was a threat to the government, it didn't take them long to realise that I am not." During a January 2008 concert Morrissey remarked "God Bless Barack Obama" and ranted against Hillary Clinton after a performance of "The World Is Full of Crashing Bores."
In December 2010, he publicly supported Johnny Marr, who had stated that he forbade British Prime Minister, David Cameron, from liking the Smiths. Morrissey added "I would like to, if I may, offer support to Johnny Marr who has spoken out to the media this week against David Cameron. David Cameron hunts and shoots and kills stags - apparently for pleasure. It was not for such people that either Meat Is Murder or The Queen Is Dead were recorded; in fact, they were made as a reaction against such violence". In his statement, he also lambasted the British Royal Family, noting their continued violence toward animals (in their pursuit of hunting and their use of bearskin to make the hats of the British guards) and their utter irrelevance in British life. He referred to Prince William and his then fiancÃ©e Kate Middleton as "so dull as people that it is actually impossible to discuss them".
Morrissey - Alma Matters
Music video by Morrissey performing Alma Matters. (C) 1997 The Island Def Jam Music Group
Notes and References
- Morrissey - Glamorous Glue
Morrissey, Glamorous Glue, Glamarous, Glue, EMI, morrissey, morissey, morrisey
- "Hello, Cruel World"
^ Maconie, Stuart. "Hello, Cruel World". Q (April 1994). Retrieved 26 February 2010.
- "This charming man"
Anderman, Joan. "This charming man". The Boston Globe. 3 October 2004. Retrieved on 23 August 2009.
- "This Charming Man: Making It As Morrissey"
Sturges, Fiona. "This Charming Man: Making It As Morrissey". The Independent. 18 February 2007. Retrieved on 23 August 2009.
- "You Are the Quarry album review"
DiCrescenzo, Brent. "You Are the Quarry album review". Pitchfork Media. 19 May 2004. Retrieved on 23 August 2009.
- "Morrissey: the musical"
Gatti, Tom. "Morrissey: the musical". The Times. 25 June 2005. Retrieved on 23 August 2009.