Unusual Dolls: Mannequins and Amish Figures
The Question Is...
Do you find mannequins disturbing, especially when not fully dressed? How about when they have no faces, either? Sometimes they have no heads at all.
Besides my own answer in the article below, here is a listing of the entertaining answers to the HubPages Question: Do you find mannequins disturbing, especially when not fully dressed? It was asked by HubPages member ngureco.
Heads and Faces In Literature, Life and Film
A set of entertaining Old Navy commercials on television in the early 2010s featured still shots of mannequins with voice-overs for each male and female "clothes dummy." The still shots and voice inflections for each individual were so funny that the commercials proved to be better than some of the sit-coms of the day.
These mannequins all had the suggestion of faces painted on their heads and they were all clothed. Really, they seemed to have more personality than some living people.
The Old Navy dummies may have been based on a Japanese comedy show on TV called Oh! Mikey or The Fuccons, an American family living in Japan. The entire show was performed by mannequins and voice-over dubbing.
Unclothed mannequins are a bit of a freak-out exhibit, especially now that a few body details are included, like muscles in the upper arms and even nipples. When unclothed mannequins are left when customers can see them these days, the sight can be certainly disconcerting. If the dummies have no faces as well, then they can remind a shopper of a "people factory" with shells of humans waiting for personalities - creepy! This is similar to the sci-fi tale by Ray Bradbury, "The Electric Grandmother" from the book I Sing the Body Electric, which made it onto the old The Twilight Zone.
The Electric Grandmother
The filmed version of the Bradbury story showed children choosing the characteristics they wanted in an android grandmother to care for them after the death of their mom. We see the factory of mannequin parts and it's almost like a morgue or museum of body parts without the gore.
The factory can be a bit disturbing, but those scenes are much offset by the fact that while the grandma is sent back to the factory when the kids are grown, she returns to care for them when they are old. The electric grandmother is probably the most constant person they ever knew. What a comfort!
Queen Elizabeth II said recently in a tour of the wedding dress exhibit of the former Kate Middleton, that the dress was displayed in a way that was creepy. The gown was placed onto a headless mannequin with the veil and headpiece suspended above it under a spotlight. I think it looks creepy in a science fiction sort of way - a person with no personality AND no head.
The After Hours
Science fiction novels have been filled with robots and androids nearly forever. Films and television followed their lead with some frightful and some entertaining versions of mechanical humans and androids, which seem to be somewhere between robots and humans.
All of these creatures are useful for handling the question of "What is human?" -- and so they are used mercilessly. They are used on film and in print until some people are simply tired of hearing about them. Others are ever more energized by their reappearances. How about you?
Some days I'd like to have no one else around other than ST:TNG's Data.
The Twilight Zone produced two versions of The After Hours episodes about mannequins that come to life, one in 1960s black and white and one in color in 1986. I think that the black and white version gives greater feelings of eeriness.
Express elevator to the ninth floor of a department store, carrying Miss Marsha White on a most prosiac, ordinary, run-of-the-mill errand. Miss Marsha White on the ninth floor, specialties department, looking for a gold thimble. The odds are that she'll find it - but there are even better odds that she'll find something else, because this isn't just a department store. This happens to be The Twilight Zone.— Rod Serling, June 1959
"The After Hours" Clip, June 10, 1960.
The original Twilight Zone episode called "The After Hours" from June 10, 1960 is also available from CBS All Access at this time.
The Twilight Zone: Season 2, Episode 7 The After Hours (18 Oct. 1986) Pt 1
The mannequin come to life in the 1986 version is Terry Farrell, who portrayed Jadzia Dax in "Star Trek: Deep Space Nine."
Mannequins and Robots and Androids
Which Twilight Zone episode of "The After Hours" above do you prefer?
The sight of a human doll without a face is very disturbing to some people, yet to the Amish it is a part of their tradition against graven images: no faces on dolls, statues, portraits, photographs, etc.
The soft dolls do not either me, face or no face; but, rubber or plasticized human infant dolls repel me. The smell of the hard material repulses me and the stiffness of the doll reminds me of rigor mortis. I don't feel the sense of rigor about an adult mannequin, though. This is all part of a larger psychological field of study about the concept of the uncanny, or close-to-human "otherness" and the revulsion it elicits from people.
Several sources report that some Amish rag dolls do have faces, but I have not seen one. The faceless dolls originated with the Old Order Amish.
There are accounts of children wrapping a blanket around a log and carrying it ike a doll. Of course, the log had no facial features, but in the light of actress Piper Laurie in the 1990 -1991 series Twin Peaks carrying a log in the same fashion, it sounds creepy.
Faceless rag dolls are often sold in tourist shops in the Amish Country of several US States, but this disturbs some of the Amish populations as being too commercialized.
Do you like robots and similar creatures?
My favorite robot or android is:
This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.
© 2013 Patty Inglish MS