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ADDICT Scene-13

Updated on December 22, 2011

Don't get devoured...

Don't get devoured...


1 Peter 5:6-8

v6: Humble yourselves therefore under the mighty hand of God, that he may exalt you in due time:

v7: Casting all your care upon him; for he careth for you.

v8: Be sober, be vigilant; because your adversary the devil, as a roaring lion, walketh about, seeking whom he may devour:

FADE OUT: 48 HOURS LATER: INT: T JOHNSON’S OFFICE

FADE INTO a LONG SHOT reveals T sitting behind his desk, completely out of control. An extremely irritated high-ranking Philadelphia Police Official, Mike “The Irishman” Kelly sits before his “master”. T had Kelly flown back home under cover of darkness in one of his private jets.

T

(irate)

MIKE I DON’T PAY YOU MILLIONS TO BE IN HAWAII

BANGING ONE OF MY WHORES WHEN I NEED YOU

AND THE REST OF YOUR PIGS ON MY PAYROLL

TO BE WATCHING MY BACK! (beat) THE

CHINAMAN WAS LIKE A FATHER TO ME! AND

“THE WALKER” WAS MY TOP GUN!

“THE IRISHMAN”

Didn’t I warn you that Graves was nobody to mess

around with; didn’t I tell you that, YOU IDIOT!!

T

Who do you think your “poor white trash” behind is

talking to? I OWN YOU!

“THE IRISHMAN”

NOBODY OWNS THE IRISHMAN! I RUN THIS CITY!

I AM DEPUTY COMMISSIONER MIKE KELLY! I OWN

YOU! YOU STUPID BLACK NIGGER!

SFX: BANG (ONE VERY LOUD GUNSHOT)

A MID SHOT reveals T swiftly pulling out an un-silenced 357 Magnum revolver from under his desk and proceed to shoot “The Irishman” in the forehead causing immediate death.

SFX: BUZZ (LOUD CONSTANT SECURITY ALARM)

CUT TO: WE TRACK and watch T’s forty-man security force scramble throughout the warehouse.

CUT TO: One of T’s thugs drag “The Irishman’s” escort, a terrified “Peaches,” into T’s office where she sees “The Irishman’s” dead body and reacts………….

“PEACHES”

NO T! I DON’T KNOW NUFFIN’! I AINT SEE NUFFIN’!

DON’T KILL ME T! PLEASE DON’T KILL ME! TO HELL WIT’

THAT IRISH BASTARD! I DON’T GIVE A DAMN ABOUT HIM!

T

SHUT THAT WHORE UP!

The bodyguard complies with his master’s wish and shoots “Peaches” in the head.

T (CONT’D)

TAKE EM TO THE DUNGEON AND BURN EM!

DISSOLVE: ONE WEEK LATER-FRIDAY NIGHT:

DISSOLVE INTO AERIAL SHOT OF THE KIMMEL CENTER

EXT: THE KIMMEL CENTER FOR THE PERFORMING ARTS-CENTER CITY PHILADELPHIA, PA

MUSIC-OPERA-“TIME TO SAY GOODBYE” ANDREA BOCELLI: INT: THE KIMMEL CENTER

DISSOLVE INTO a CRANE SHOT of the audience then PUSH INTO

A LONG SHOT of robust man above a full orchestra pit, singing the opera “Time to Say Goodbye.”

WE THEN PUSH INTO A SHOT OF THE FRONT ROW CENTER, where we are treated

to the splendid sight of Keith, Jake and M.J., along with their lovely wives and one of M.J.’s gorgeous girlfriends.

The three couples are dressed exquisitely.

DISSOLVE: THE OPERA MUSIC CONTINUES: NO DIALOGUE:

EXT: DELAWARE AVENUE WAREHOUSE DISTRICT

WE DISSOLVE INTO AN AERIAL SHOT which reveals four snipers in all black garb, wearing ski masks, placed strategically on the roof tops of four warehouses that are approximately 200 yards from Mr. Tyrone “T” Johnson’s warehouse. T’s Place is in their “cross-hairs”. WE CONTINUE THE AERIAL SHOT IN SLOW MOTION as we observe the four snipers eliminate T’s four roof top perimeter guards with high precision marksmanship.

CUT TO: INT: T’S WAREHOUSE

CUT TO TRACKING IN SLOW MOTION as we observe eight ski masked soldiers wearing all black, equipped with back packs, hunting knives and silenced assault riffles move throughout the inside of T’s warehouse with stealth and guile that would rival any of the world’s elite fighting units. THE SLOW MOTION TRACKING reveals the remaining thirty six members of T’s security force having their throats slit, necks broken, kidneys stabbed and receiving multiple bullet wounds causing instant death.

THE OPERA MUSIC CONTINUES: CUT BACK TO: INT: THE KIMMEL CENTER

A CLOSE UP reveals the GAMETIME BASKETBALL GEAR executives and their gorgeous companions being enthralled by the powerful opera. We see they are genuinely moved by the intensity in their eyes.

OPERA MUSIC CONTINUES: CUT BACK TO: INT: T’S BEDROOM

A LONG SHOT IN SLOW MOTION reveals “Ecstasy” providing T with oral sex. He is sitting up in bed with head leaning back on the bedpost, T’s eyes are closed, he has a fine cigar in one hand, a snifter of well-aged brandy in the other. He has decided to finally relax…

WE TRACK IN SLOW MOTON as we watch “Ecstasy” dive onto the floor.

THE OPERA MUSIC CONTINUES:

WE CONTINUE TO TRACK IN SLOW MOTION as we watch four of the masked warriors kick in T’s bedroom door and commence to riddle him with bullets. The serene music plays as we see feathers from the bed and pillows filling the air, dropping in slow motion.

CUT TO: CONTINUE IN SLOW MOTION as we observe the other four soldiers place plastic explosives throughout T’s warehouse. CUT TO: NINE MASKED SOLDIERS IN SLOW MOTION sprinting out of T’s warehouse into the parking lot where the snipers/wheelmen are manning four black HUMMERS.

CUT TO: AN AERIAL SHOT IN SLOW MOTION reveals the four vehicles exiting the scene of the crime in four separate directions. CUT TO: INT: LEAD HUMMER

A MID SHOT reveals Chucky Graves removing his ski mask while sitting in the back seat of the vehicle. WE CLOSE UP TO reveal the look of grim satisfaction as he presses a detonator, and watches T Johnson’s empire crumble by the strength of his will, determination, and leadership.

CUT TO: AN AERIAL SHOT IN SLOW MOTION of T’s warehouse exploding and crumbling back down to Earth.

THE OPERA MUSIC HITS A CLIMAX CUT BACK TO:

INT: THE KIMMEL CENTER: WE SEE IN NORMAL MOTION the audience rise to their feet to applaud the finale of a grand performance. WE PUSH IN TO SEE Keith, M.J., Jake and their ladies applauding smugly with tear filled eyes. The GAMETIME boys are “Kings of the World”! Little do they know, their world and empire has just begun to crumble, hence the demise of GAMETIME.

OPERA MUSIC FADES OUT: CUT BACK TO: INT: HUMMER

CUT TO a MID SHOT IN NORMAL MOTION shows a smiling Da Da removing his ski mask while driving, “Ecstasy” removes her ski mask looking as if she is a women possessed.

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