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53. Edgar Lee Masters’ "Willard Fluke"

Updated on April 19, 2017
Maya Shedd Temple profile image

Poetry became my passion, after I fell in love with Walter de la Mare's "Silver" in Mrs. Edna Pickett's sophomore English class, circa 1962.

Edgar Lee Masters

Source

Introduction

Edgar Lee Masters’ “Willard Fluke” from Spoon River Anthology is the name of the father of “Lois Spears,” the blind woman whose simple purity serves as a welcome cleansing after interacting with the many unsavory speakers the reader meets in this anthology.

Reading of Masters' "Willard Fluke"

First Movement: “My wife lost her health”

Willard begins by reporting about his wife, who “lost her health.” His wife lost so much weight that she “weighed scare ninety pounds.”

Willard does not reveal the nature of his wife’s affliction—just that this loss of her health apparently triggered breaking of his marital vows, after “that woman, whom the men / Styled Cleopatra, came along.”

Along with the other men, Willard succumbs to temptation with the woman they “styled Cleopatra.” He allows the reader to draw the appropriate conclusions about the temptress because his only point is that he sinned through his weakness.

Second Movement: “Years passed and one by one”

Time fled by as it is wont to do, and all the men involved with the cleopatrian temptress died one by one in “some hideous form.”

Willard was strangely motivated to write about “the second coming of Christ.” He wrote “reams on reams.” Spurred on by guilt, trying desperately to save his soul, he used his writing is an alternative to meditation.

Willard stresses that he was “borne along by dreams / Of God’s particular grace for [him].” Because he placed his mind so squarely on God, he was motivated to write those reams. His dreaming and writing served him as a form of worship.

Third Movement: “Then Christ came to me and said”

Through Willard’s concentration on God’s grace and intense relationship with Christ in writing about the second coming, Willard so prepared his soul for a visit from the Savior.

When Christ did honor Willard with a visitation, the Savior advised Willard to “confess [his] sin” “before the congregation.” Willard was admonished to stand before the entire church and admit his sin.

The reader will note that Willard says “sin”—not sins. This designation indicates that it is only the one adulterous sin that has rifled his life—only that one sin that motivated him to concentrate on God and write reams for Jesus.

Spoon River Anthology

Spoon River Anthology
Spoon River Anthology

This publication features the entire series of Spoon River epitaphs (246 in all).

 

Fourth Movement: “But just as I stood up and began to speak”

Willard attempts to obey Christ’s demand that he confess before the church; however, as Willard stands and begins to speak, he sees Lois, his little girl, “who was born blind!” At that point, we lose Willard, who simply reports, “After that, all is blackness!”

The reader may understand only that Willard fainted before he was able to confess. But then the reader is left wondering if Willard also died at this point.

The possibility is great because Willard obviously has taken on guilt for Lois’ blindness. He has suffered for a lifetime, and quite possibly his heart just gave out before he could confess.

If Willard did die at this point, the reader may interpret his death as God’s mercy because Willard did not have to endure the ignominy of confessing his sin to the church but was spared just as Abraham was spared of sacrificing his son, Isaac; that confession would have hurt his little blind daughter, but she, too, was spared.

© 2017 Linda Sue Grimes

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    • Mark Tulin profile image

      Mark Tulin 3 months ago from Santa Barbara, California

      This poem is a little gem. Beautiful in its explanation of guilt and how some people manage it. And how powerful sin is in that it can destroy lives. Thanks for introducing me to this poem.

    • Maya Shedd Temple profile image
      Author

      Linda Sue Grimes 3 months ago from Spring Hill, TN

      Masters' Spoon River is an American classic, well worth time and attention to its offerings. Each epitaph dramatizes a unique perspective on how people live their lives. The attitudes revealed by the individuals are both fascinating and instructive.

      Undoubtedly, Masters had a merry time creating these characters; it allowed him space to do his own complaining and bemoaning over his own lot in life.

      Thanks for your comment, Mark. Have a great day!

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