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Review of A Game of Thrones

Updated on April 21, 2020
satomko profile image

Seth Tomko is a writer, college-level educator, and adventurer.

Courtesy of Follow That Raven: A Fantasie Blog
Courtesy of Follow That Raven: A Fantasie Blog

Though slow moving and intricate, A Game of Thrones successfully marries old and new elements of fantasy writing.

Most of the book focuses on the noble House Stark as the king summons his old friend Lord Eddard “Ned” Stark to be his new advisor. As the Starks leave the simplicity of their home in the north, they are drawn into a complex network of shifting alliances and rival houses in King's Landing all vying for the chance to sit their heir on the Iron Throne. As betrayal and disaster strike, the Starks are scattered across the Seven Kingdoms, seeking justice or simple survival.

A secondary plot concerns the remaining two children of the deposed royal family as they attempt to raise an army to reconquer their former lands and retake the Iron Throne. Similarly, the guards along the Wall—the barrier that protects the Seven Kingdoms from the wild lands—find themselves facing supernatural foes and barbarous refugees coming in the vanguard of a monstrous winter.

The Size of the Throne

What first might appear to be the novel’s weakness—its enormous size—becomes a strength. The high page count gives Martin the time he needs to develop many of his characters and allow the plot to unfold slowly. Much of the novel is spent in pursuit of a few key mysteries that lead to the climactic violence of the last book’s last quarter. This development builds enough tension to maintain a reader's interest the whole time.

Although there are a host of characters, Martin focuses on a few—most of the Starks—to tell the story from their perspective with limited third person points of view. This development humanizes the characters and their actions, allowing the reader to care about the characters when it would be easy to lose them in the shuffle of so many others. In a similar manner, this point of view style binds a reader to particular characters, so he or she is invested as these narrative characters encounter triumph and tragedy.

George RR Martin at the Comicon, photo by Bree Chan
George RR Martin at the Comicon, photo by Bree Chan

Martin’s Fantasy Forbearers

The size of the novel is meant to signal the author’s intention of creating an epic storyline to rival The Lord of the Rings and The Once and Future King. Since there is so much about political maneuvering, statesmanship, and ambitious power plays, the novel actually has more in common with the Dune Series, political thrillers, and history books about the Middle Ages than it does with most fantasy novels. In fact there are only a few instances where anything magical happens. The bulk of the novel deals more with human interactions and the ways they use and misuse their authority, intellect, or physical power to help and hinder one another all while grasping to hold onto their own interests. The ethical actions of the characters are rarely black and white.

The most fantastical element is the setting itself. Winters and summers can last decades in the Seven Kingdoms, and this magical relationship of the seasons affects everything that happens in the novel. Readers who come to A Game of Thrones looking for orcs and wizards in pointy hats will be largely disappointed, but keeping an open mind about what constitutes a fantasy novel will make the book a rewarding experience. The ending, however, suggests the rest of the Song of Ice and Fire will see and increase in elements of the fantastic.

Return of the Long Winter

A Game of Thrones makes for an engaging if somewhat lengthy read. Martin not only keeps readers interested and caring about what happens over the course of the long novel but also convinces them to read the rest of his Song of Ice and Fire whenever he gets around to finishing it.


Martin, George R. R. A Game of Thrones. New York: Bantam Spectra, 1996.

© 2010 Seth Tomko


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    • satomko profile imageAUTHOR

      Seth Tomko 

      9 years ago from Macon, GA

      Thank you for commenting, JSAlison. The HBO production is quite good, and I do recommend the novels to any fans of the television series, especially if you enjoyed the quiet, character moments because the novel has many and frequently expands upon them with the greater freedom allowed in print.

    • JSAlison profile image


      9 years ago

      I was wowed by the HBO production but I'm not so sure about the novels.

    • satomko profile imageAUTHOR

      Seth Tomko 

      10 years ago from Macon, GA

      Thanks, Tina V, I'm glad you stopped by to comment.

    • TINA V profile image

      TINA V 

      10 years ago

      I may not be a fan of George Martin, but I believe that he is a good author. This is a well written hub. You made a great book review. Thumbs up!

    • satomko profile imageAUTHOR

      Seth Tomko 

      10 years ago from Macon, GA

      Thank you, Kaie Arwen. My own summer reading usually takes me to November, so I think extended summer breaks would be the way to go.

    • satomko profile imageAUTHOR

      Seth Tomko 

      10 years ago from Macon, GA

      Thanks for stopping by, Chasuk. I've heard that from several other reader's as well. Also, many fans become irritated when Martin ignores or eliminates characters that readers have come to enjoy; they wonder whether an emotional investment in these characters and their lives is worthwhile if they're simply going to suffer cruelly and come to unfortunate ends.

    • Kaie Arwen profile image

      Kaie Arwen 

      10 years ago

      I like this series............ and you are ever adding to my summer reading list! Think the kids would mind an extended summer break........... I'd love it! Kaie

    • profile image


      10 years ago

      Martin certainly writes well, but I am not fond of his characters in the series. I much prefer his earlier works, before he decided to compete with Robert Jordan.


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