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Shakespeare Sonnet 61: "Is it thy will, thy image should keep open"

Updated on December 12, 2017
Maya Shedd Temple profile image

After I fell in love with Walter de la Mare's "Silver" in Mrs. Edna Pickett's sophomore English class, circa 1962, poetry became my passion.

Edward de Vere, 17th Earl of Oxford

Source

Introduction: Blaming the Muse

In sonnet 61, the speaker wishes to blame his lackadaisical attitude on the muse. He seems to wish he could control the muse in ways that ultimately he knows are not possible or even desirable.

As the speaker muses on his relationship with the inspiring muse, he eventually comes around to the mundane fact that he alone is responsible for his actions.

The speaker knows he must take up the pen and forge ahead, with or without the supposed inspiration of the imagined muse.

Shakespeare Sonnet 61: "Is it thy will, thy image should keep open"

Is it thy will, thy image should keep open
My heavy eyelids to the weary night?
Dost thou desire my slumbers should be broken,
While shadows like to thee do mock my sight?
Is it thy spirit that thou send'st from thee
So far from home into my deeds to pry,
To find out shames and idle hours in me,
The scope and tenor of thy jealousy?
O, no! thy love, though much, is not so great:
It is my love that keeps mine eye awake:
Mine own true love that doth my rest defeat,
To play the watchman ever for thy sake:
For thee watch I, whilst thou dost wake elsewhere,
From me far off, with others all too near.

Reading of Sonnet 61

First Quatrain: “Is it thy will, thy image should keep open”

Shakespeare sonnet 61 finds the speaker commencing with an opening question: “Is it thy will, thy image should keep open / My heavy eyelids to the weary night?” He is addressing his muse, asking a yes/no question.

The speaker is attempting to ascertain if it is the muse’s desire that even though he is exhausted, he should lie awake envisioning her, instead of drifting off to much-needed sleep.

The speaker is refusing to take all the fatigue on himself, assigning it to the “weary night.” His own mental awareness streams out into the environment as he attempts to brush the muse image from his brain.

The speaker is examining his melancholy in order to determine the cause, as he explores the images that are likely sustaining his ambiguity.

The speaker then poses his second question: “Dost thou desire my slumbers should be broken, / While shadows like to thee do mock my sight?”

This query bears a strong resemblance to the first, except that the second question contains a darker estimation of the muse.

Instead of simply being an image, it turns into a bunch of “shadows,” and instead of being simply being kept awake by the shadows, those shadows “mock [his] sight.”

Second Quatrain: “Is it thy spirit that thou send'st from thee”

The third question professes scathing implications. The speaker queries his muse, whom he seems to insult by accusing her of being “far from home” when he knows intuitively that she is always within his own genuine self, even if she sends her spirit to look into his “shames and idle hours.”

The question implies that the speaker is feeling guilty vis-à-vis his own lax attitude toward his work. Nevertheless, it is much easier and also face-saving to lay the blame for his own lackadaisical attitude on the muse’s absence.

In this way, the speaker is asserting to the muse, 'if you would not flee so far from me, I would always be equipped to create; it is, therefore, the burden of your absence caused by your jealousy that makes me falter.'

Third Quatrain: “O, no! thy love, though much, is not so great”

The speaker then answers his earlier queries, as he recognizes that the liability is all his alone. He cannot permit himself to be influenced by a muse that he can reject at will.

The speaker can receive only a certain amount of inspiration from his muse because “[the muse’s] love, though much, is not so great” as his own.

The speaker then concedes that he is the only one who is responsible for his own inspiration: “It is my love that keeps mine eye awake.” He says, “Mine own true love that doth my rest defeat.”

The speaker accepts his own culpability in his lackadaisical behavior.

The Couplet: “For thee watch I, whilst thou dost wake elsewhere”

The couplet finally has the speaker again divulging that he has become too dependent on a fake image of the muse, as if she were capable of “wak[ing]elsewhere” and “with others all too near.”

By stating flatly his own absurd image, the speaker is now giving it an airing that will permit him to overcome his lame excuses and embrace his desired accountability for his own behavior.

© 2017 Linda Sue Grimes

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