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The Timeless Elegance that is the Cartoon House Mailbox
Bold and Unprecedented - A Mailbox that Redefines America
In a world overrun by the traditional and pre-modern beauty of decorative curbside mailboxes, the Cartoon House Mailbox by Pinehill Woodcrafts boldly goes where no mailbox has gone before. If you painted it brown, it could pass for a stack of turds fastened to a wooden post -- that’s how bold and unprecedented this mailbox is for modern American living.
Truly, it looks out upon a world defined by superficial standards of beauty and shouts, “I’m a mailbox crafted to look like a house from some 1920’s cartoon, but for copyright reasons I can’t be too specific. I may be from the Flintstones, but I can’t legally make that claim. And if you paint me brown, I look like a piece of human excrement with a flag.”
Are you bold enough to defy your HOA and mount this mailbox outside your post-post-modern assembly-line house with its three-car garage and thirty-year variable rate mortgage? Do you have that kind of daring?
Pinehill Woodcrafts dares you.
The Evolution of the Cartoon House in Contemporary Culture
To fully grasp Pinehill’s bravery in taking what is undeniably a half-ass approach to contemporary mailbox design, we need to look at how the Cartoon House has evolved over the past century in isolation from mailboxes.
In the late 1920s, when cartoons were still in their formative years and pioneers like Walt Disney were still in the midst of defining the medium’s standards for decades to come, a lesser known animator by the name of Onda Fritz created a six-minute short titled, The House that Eats Your Soul and then Vomits Dark Matter (1929).
While Fritz’ avant-garde masterpiece did not achieve critical success, it showcased the earliest rendition of a cartoon house that would set the standard for all cartoon houses to come.
Yet, the Pinehill Woodcrafts Cartoon House mailbox looks nothing like any of them. Indeed, Fritz’ creative vision likely did not comprehend a house that might pass for a cold, gray turd.
So, one could reasonably argue that Pinehill's rendition of the cartoon house represents an inexplicable break in the evolutionary scheme of art itself -- a break which threatens to unravel the creative structures that have long kept the forces of Chaos at bay in our universe.
Again I say, Pinehill Woodcrafts dares you.
Conclusion - A Mailbox for the Post, Postmodern World
Did you like the pun? A mailbox for the post… because you mount mailboxes on posts. Get it?
I’ve spent much of my life trodding this mysterious globe with the sole purpose of engaging its limitless opportunities, sights, sounds, spectacles, and last but certainly not least of all, its plethora of novelty mailboxes. To find them, you have to know where to look. But they’re out there, waiting to be cherished, used, handled, maintained, and exploited for profit.
But in all of my travels, I’ve never seen anything quite like this mailbox. Indeed, mailboxes like Pinehill’s Cartoon House are few and far between, which makes them special. Think about it: a mailbox like this one can’t be linked to any specific era of American history, nor can we attach it to any known cultural trends of the modern age. I hesitate to call it an abandoned outpost of American architecture because that would at least imply it had at one time been part of something truly American, if only in its infancy.
It resists our efforts to classify or, for that matter, to comprehend.
Unless you liken it to a turd, in which case it all comes together quite nicely.
The Cartoon House Mailbox Poll
Does Cartoon House Mailbox have any place in our society?
The Cartoon House Mailbox Fact Sheet
The House that Eats Your Soul and then Vomits Dark Matter is released in the US.
The first hot air balloon is shown in a cartoon.
Matthew Jordan F.
The Cartoon House Mailbox is manufactured in the US.
Bo Bridges, founder of Pinehill Woodcrafts