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Writing Ideas and Inspirations (10)

Updated on August 20, 2016
FatBoyThin profile image

Colin's novels, story collections and stage plays are available as eBooks and paperbacks.

For the tenth in this series on writing, I thought I'd focus on novels - looking at where my ideas come from, getting started, keeping going and all the other bits in between that get in the way before I reach the end.


What to Write

I've no doubt said this before but I'll say it again for anyone out there who still doesn't know: that old adage about everyone having a book in them is a crock of crap.

Yes, I know there are folks who've had fascinating and exciting lives, but that doesn't mean those lives will make interesting reading. It also doesn't mean the person who had that life possess one ounce of talent when it comes to putting it all down on paper.


A good few years ago, I had a close friend who'd had a bit of a rubbish life - he'd been through some of the worst experiences a human being can endure - abuse, illness, homelessness, the lot, but he'd come through it still smiling. As he got older, he decided he'd like to share those experiences and maybe pass on a sense of the hope and optimism that had grown out of his situation.

In theory it sounded great. However, when he gave me some of his early drafts and asked for feedback, it was all I could do to keep my opinion to myself. It was drivel: random, confused, badly written, with no discernible structure or storyline whatsoever. It was also incredibly boring.

I made a few suggestions, but the painful truth is that writing isn't one of those things anyone can do 'if they put their mind to it', Writing requires discipline, common sense and above all, talent. (Though, it's worth pointing out that talent is one of those slippery wee creatures that has to be worked at, practised, honed).

My Incredibly Boring Life

— Lackluster Jack

Of course, I'm not saying no-one should ever write about their own experiences, since personal experience is a great way to inform your writing - showing how it felt, how it affected you and how it impacted on your life. The problem - and this applies to all novel writing - is that unless you have some talent for storytelling, the chances are it's going to end up sounding a bit like my friend's writing.

But - good writers don't have to go through painful, exciting or scary situations to be able to write about them. My characters face all sorts of terrible scenarios including murder, kidnapping and torture, but I've never done any of those things. It's all about using our imaginations.

"Abandon the idea that you are ever going to finish." John Steinbeck
"Abandon the idea that you are ever going to finish." John Steinbeck | Source

What Should I Write About?

While it's true that many writers need a bit of a push in the ideas department, it's also true that most writers have the ability to take something - a phrase, a place, an object - and run with it. We use our imaginations - we don't expect Madame Muse to hop along with a blueprint detailing every paragraph. But of course, we still need that starting point.

Better the Devil You Know

The first novel I wrote was a middle-grade kids adventure which eventually became known as 'The Devil's Porridge Gang'. For many months, the only thing I had in terms of inspiration was the original (shorter) title: 'Devil's Porridge'. The idea of a 'gang' came later. So, to begin with...

  • I didn't know who the characters were
  • I didn't know what the novel was going to be about
  • I didn't know when of where it was going to be set

For a long time, I simply let the title float around in my head, gathering momentum. But even when I did start to write, I still only had a vague idea of where it was going. However, I did make two decisions:

  • Start at the end
  • Set it in 1969

Starting at the End

Strictly speaking, I didn't start at the end, but I did start close to the end. In technical terms this is called 'in media res', meaning 'in the middle'. The idea is to hook the reader in with something that causes them to wonder what happened to the characters to bring them to this point in time. Although to be fair, I didn't deliberately think to myself "I know - I'll hook the reader in with a bit of 'in media res..." It was simply a decision that would enable me to have one of the main characters killed off right there in the prologue.

Yeah, I know what you're thinking - killing off a character in a children's book? And right at the beginning? But it seemed like a good idea at the time, and I still think it works.

Third version of the cover for 'The Devil's Porridge Gang'
Third version of the cover for 'The Devil's Porridge Gang' | Source

The Land of Not Planning

Regular readers of my scribblings will be familiar with this concept, but just to clarify:

  • I am not a planner

I can't see the point of knowing the ending of my novel before I write it, so I try as far as possible to stay marginally ahead of my characters. I think this gives me that spark of spontaneity that all novels need and helps to maintain an element of surprise.

Of course, I have to know something about the story, but ideally, the cliffhangers, the unexpected twists, and the final outcome will come to me shortly before they happen in the story. The only problem with writing in this way is that it can mean I end up doing a massive chunk of re-writing in order for the later chapters to make sense with the earlier ones. But that's fine.

The Time, the Place

The original idea behind setting the story in 1969 was twofold: firstly, I wanted to have an element of my own childhood in there, and that particular year always stands out in my memory. However, I certainly wasn't intending the novel to reflect my own life - rather, the feeling of how I remember childhood, the places I played, the friends I had and so on. The novel was to be the sort of adventure I'd read about in Enid Blyton's books and the Hardy Boys stories. In short, the sort of adventure I never had.

The second reason for setting it in 1969 was because of the moon landings. I had a vague idea of having a scene set early in the morning on the day of that momentous event, when the villains would be sat there watching TV and the kids would manage to escape. (I think this was inspired by a similar scene in '101 Dalmatians'). However, the timeframe didn't work and I ended up doing something else. But I still liked the idea of somehow blaming Neil Armstrong for what happens in the story.

The Land of Not Planning (Again)

'The Devil's Porridge Gang' wasn't a new experience for me in terms of the lack of planning, since I had pretty much always written that way. Nevertheless, because it was a novel (rather than a short story) and obviously had to be more than a couple of thousand words, I wasn't completely sure I'd be able to 'wing it' for the whole distance.

In the event, I did occasionally grind to a stop, wondering if I should work out the ending (so I could work out how to get there), but thankfully, I resisted and the novel got to the finish line in its own sweet time.

So What Did I Learn?

I imagine that all first novels must leave their creators with a sense of accomplishment - passing the 50,000 word mark was a bit of a thrill for me - as well as recognizing a few things that perhaps might be best avoided the next time I embarked on such a project.

Things not to do:

The regular breaks I took between chapters due to lack of inspiration was difficult, as it meant I needed to generate greater momentum each time to get started on the next chapter. I now know that instead of puzzling over how to continue, I should've just ploughed on and the story would (somehow) work itself out. I do still have to work at the ploughing-on thing, but I've found that it's better to write and not be sure what the hell's happening, than not to write.

There's a section in the novel that I now see is completely irrelevant to the story, and in fact is almost a short story in itself. I puzzled over this for a long while, but eventually left it in as I think it tells us something about the relationships between the characters. Even so, it gave me an awareness of the particular way I'd begun the novel and how it kind of winds its way into the story, taking time to establish characters, rather than starting with a scene that's more dramatic.

Another thing I learned was that leaving any kind of prolonged gap in my writing schedule - whether I'm working on a novel, a story or even a Hub article - is that I really do need to write every day. And it doesn't really matter what I'm writing, so long as I'm creating something.

Whenever I don't write for a day or two, getting started again is always that much more difficult - like not riding a bike for a few weeks then getting on it again and wondering why you've got a sore butt. Writing is like a muscle and it needs exercise.

So What's Next?

The day after I finished writing 'The Devil's Porridge Gang', I started writing another novel - 'The Architect's Apprentice'. With that one, I got into the action much quicker, avoided anything that wasn't relevant to the story and I worked on it every day. And, as Susan Orlean says:

"You have to simply love writing, and you have to remind yourself often that you love it."


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    • Coffeequeeen profile image

      Louise Powles 

      23 months ago from Norfolk, England

      I wish I could write a book, but I find it difficult to find the words sometimes. I do love reading though and have always got a book on the go.

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      2 years ago from Inverbervie, Scotland

      It's a hard habit to get into but it's worthwhile.

    • Rangoon House profile image


      2 years ago from Australia

      So many worthwhile pointers in this article Colin - thank you. The one that resonates with me most is to write every day. I don't always do that and when I fall out of the habit, I fall heavily. Thank you for the reminder!

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      Thanks for dropping by, Surabhi, much appreciated.

    • profile image

      Surabhi Kaura 

      3 years ago

      Thank you for sharing this, Colin. Great read!

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      That's a very good point, Mel, and if Steinbeck doesn't know what he's talking about, I've got no chance! I read Cannery Row a couple of years back , but have obviously forgotten its significance, but I suppose the thing I worry about is going off on one of my tangents (which I've done a few times), and then not being able to judge if it should stay in the novel. Oh, well, we live and learn. Cheers for reading.

    • Mel Carriere profile image

      Mel Carriere 

      3 years ago from San Diego California

      Like you, I am not a planner. I am now working on and off on a massive work of prose that has a beginning and an end, with only a sketchy outline in my head about what is going to happen in the middle. It's funner that way. If I sat down and wrote out a detailed outline I would hate the project before it ever got off the ground. A writer cannot hate his own children.

      I disagree with you about excluding parts of novels that seem irrelevant to the story. Everything is ultimately relevant, if it was given by the muses. To paraphrase Holden Caulfield in Catcher, digressions are often the most interesting parts.

      Thanks for including the photo of John Steinbeck, one of my favorites. He wrote two books in particular, Tortilla Flat and Cannery Row, that were nothing but digressions, and still wonderful. Great hub, it is always nice to know how other writers think.

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      Hi Dianna, thanks for reading. Yes, imagination is a great thing and sometimes we forget that all we have to do to create characters, scenes and stories is just make things up!

    • teaches12345 profile image

      Dianna Mendez 

      3 years ago

      This is good information to have as a writer. I like your advice on not having to experience what your write... we have creative imaginations!

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      Indeed - patience is a necessity, since nothing happens quickly! Thanks for reading, Lawrence, much appreciated.

    • lawrence01 profile image

      Lawrence Hebb 

      3 years ago from Hamilton, New Zealand


      Fascinating view on the art of writing. One thing I'd say is that we often forget the art of storytelling!

      Everyone can put a few sentences together, but telling a story is an art form and always has been

      Some really good pointers here on 'how to let it flow'

      Thank you


      It also takes patience and work

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      Thanks for dropping by, Larry - as always we learn from each other.

    • Larry Rankin profile image

      Larry Rankin 

      3 years ago from Oklahoma

      Great examples and ideas.

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      Ah, the voice of experience. Couldn't agree more, Bill. Cheers for reading.

    • billybuc profile image

      Bill Holland 

      3 years ago from Olympia, WA

      I love your example at the beginning of the friend who wrote drivel. It is so true...not everyone can do what we do, and we need to remember that AND cherish that fact. This is a craft and we are craftsmen. :)

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      Thanks for your comments Patricia, but I stand by my words - I've worked with enough would-be writers to know that some of them will never produce anything worthwhile. Not having the talent is one reason, but it's also because some people cannot, or will not, recognize that a lack of skill requires, as you say, consideration, persistence etc and the need to keep at it to make it better. Writers are the people who understand this. Look forward to your 'long story'.

    • pstraubie48 profile image

      Patricia Scott 

      3 years ago from sunny Florida

      Interesting points, Colin.

      I do respectfully disagree...I do think we all have a novel within...some just need a co-writer or excellent advisor to help it come to fruition.

      Writing takes work, consideration, persistence, a willingness to not become to enchanted with the first, second or third times we try to construct the story or piece we are sharing... and by golly, a Muse.

      At some point I will put down into words a 'long story'....trying to settle on it now.

      thank you for sharing your helpful thoughts.

      Angels are on the way to you this morning

    • FatBoyThin profile imageAUTHOR

      Colin Garrow 

      3 years ago from Inverbervie, Scotland

      A novel is really just a long story - more detail, more depth. By all means come up with a plan, but I reckon it's more exciting to just do it. Thanks for reading, John - your comments are always appreciated. Have a good day.

    • Jodah profile image

      John Hansen 

      3 years ago from Queensland Australia

      Colin, it was very interesting to hear how you approach writing a novel and your advice to try to write something everyday. I agree the longer I go without writing the harder it seems to be. I never plan my fiction writing, it just develops as I go along. That being said, I have never attempted a novel. So I am sure I would need some type of plan in place for such an undertaking. Thank you for sharing you always helpful tips and advice.


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