The actresses belonging to the Black and white era had the kind of magic that none of the present day actresses can hope to achieve in all their life time. They were all naturally beautiful, talented and had such an aura , that they left you spellbound.

When I am in the mood to watch a Hindi film, I automatically decide on an old black and white classic, no matter how many times I have already seen it before. Some of my favourite actresses were Madhubala, who is the most beautiful actress ever to have graced the Indian screen, Nargis, another great actress who acted in some of the most loved classics of the fifties, Meena Kumari, who in my opinion was/is the most talented actress ever. Waheeda rehman, an absolutely delightful and one of the most graceful actress with her perfectly chiselled  profile, Geeta Bali, with her impish looks, was a joy to watch on screen, and the Statuesque and the arrogantly beautiful Vyjayantimala..

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Amongst all the actresses other than the Magical Madhubala, Meena Kumari was the most talented and mesmeric . I personally feel that she has no match to this day.

She needed no words , ust her eyes and expressions conveyed much more than words. She had the perfect looks and feminine grace required for all those perfect India daughter/daughter-in-law roles so popular in the films of the fifties and sixties…

Although she was a Muslim in real life, most of her on screen roles were that of a typical Indian woman dressed in a traditional Saree with the pallu covering her head, the large red bindi on her forehead, understanding and affection enveloping all those she looked upon.

With those mesmerizing eyes she could magically change the look from that of a dutiful daughter in law to a playful sister in law, to a loving mother or a seductive lover. Her range was immense and she did justice to every single role that she played on screen.But she was known for her tragic roles and her power packed performances in films like Daaera, Dil apna…,Sahib Bibi aur Ghulam ,Kaajal, Bahu Begum,Chandan Ka Palna , Pyar ka Saagar, Sharada, Ghazal, Pakeezah…

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The two Muslim socials where she made a tremendous impact were ‘Bahu Begum ‘and ‘Pakeezah’. One can go on about her performances – She had many great films and performances to her credit.

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Meena Kumari like Madhubala died at a relatively young age having lived a life filled  with heartache, misery, depression and intoxication..

She was an alcoholic, extremely unhappy during the last years of her life suffering from liver cirrhosis . The only bright spot came towards the end when she acted  in what was probably her career best film Pakeezah which took 14 long years to make after she fell out with Kamal Amrohi, her husband who was incidentally the Producer and director of the film.

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She was second wife  to Kamal Amrohi , the talented Director. But the marriage saw many ups and downs and finally they separated , only to come together after nearly 12 years to  film the immortal Pakeezah.

Meena Kumari, after seeing a few reels of the film that was shot, was convinced that it was going to be a tremendous film, and she convinced some friends to talk to Kamal Amrohi to revive the shooting. She was suffering from her illness and knew that her end was near…The film was released to a luke warm reception .

Meena Kumari breathed her last succumbing to her illness a month after the film was released. The film by then had been critically acclaimed by all those who had seen it. This coupled with the demise of Meena Kumari generated a great interest in the film and it went on to become a super success.

But Meena Kumari never got to see the success of her last and best film. She did attend the premier show of the film, where after watching the film, she is supposed to have said to her husband  and producer /director Kamal Amrohi  “ after this film, it doesn’t matter whether I act or not…I am so completely satisfied  and happy with my role in Pakeezah…

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