The art history of Ancient Greece is divided into different periods. While most believe there were three major eras, - Archaic, Classical, and Hellenistic, there were more. Find out what they are and what influenced the way the Greek produced art forms.
There is no doubt that the history of the transatlantic slave trade still leaves a bitter taste in our mouths. What were its short-term effects on African society and how do we feel its effects today? What good or bad has slavery done to the black race and what lessons have we learned from it?
Debates on whether Britain should be sorry for their conquests in Africa is still on. While many are demanding apologies, others remain kind of indifferent. But should the British feel remorseful about their role in colonization or not? What do you think?
The 19th-century designs of William Morris (textiles and wallpaper) and Michael Thonet (bentwood furniture) are still popular today.
In early 19th-century America, a group of landscape painters, led by English-born American artist, Thomas Cole, came together to form a school of art called the "Hudson River School of Art".
Folk art painters were amateurish and simple everyday people with creative flairs and passionate urges to draw and paint. Their drawings lacked proportion and were primarily characterized by a naïve style where the traditional rules of perspective were non-existent.
Art can't be evaluated without historical information about the works of famous Renaissance artists who influenced the philosophies, activities, and thoughts of mankind over the centuries.
Metal art is practical and decorative works of art made from metals like bronze, silver, gold, tin, copper, lead, brass, and iron. They are crafted as ornamental and functional objects that are both aesthetically pleasing, and useful to us all.
Metals have a variety of physical traits that limit the shapes and forms into which decorative metal works can be fashioned.
Art styles of the medieval period (Middle Ages) were highly influenced by the church because religion was the mainstay of life.
The technical perfection of ancient Greek pottery shows us that the handmade earthenware pieces they crafted required an unusual kind of concentration and deft hands to be able to fashion such perfect works of ceramic/pottery art.
The purpose of prehistoric art and ancient cave drawings and symbols is still unclear, but they must have possessed some decorative or ritualistic value. Probably they were not really meant to 'pretty up' their enclaves but rather, have some sort of religious significance.
Early American pottery was not made for decorative purposes. They were created for functional everyday-use objects in the home environment. They lacked finesse and style, neither did they have any known value.
The 9th and 10th centuries saw an interested Spanish Caliphate yearning for the pottery objects and styles of the Islamic clay potters who were known experts in the field of ceramic ware production.
Artwork discoveries show that pottery and ceramics production goes way back. Even the cave men made similar objects with basic painted designs, crudely inscribed etchings, and inscriptions...
The late 19th century ushered in the American Eclectic period, a time when America became a ready market for Parisian decorators who promoted antiques and Louis style art and furniture reproductions.
Victorian-era home styles evolved in the 19th century and were built during the reign of Queen Victoria (1819-1901) of Great Britain. The style evolved at a period in American history when the Greek revival styles no longer reflected wealth, strength, and art consciousness of the nation.
The Greek Revival Period of the United States started around the 1820s, at a time when America was looking up to Greece for art inspiration. The passion for ancient Grecian structural forms and designs soon grew to the point where it was adopted as the national style.
Post-Colonial art of European Neoclassical period design and styles largely influenced much of America’s Federal period’s art and architecture. About thirty years after the declaration, it brought about a frenzied interest in the creative arts and the art of furniture crafting.
The Georgian Period. A time of great social change. The era that saw the onset of the Industrial Revolution. One that ushered in awakening and love for the beautiful things of life, expressed through lavish lifestyles and beautiful home interiors.
What is the Eyo Festival? Also called the Adimu Orisa Play, it is a grand masquerade with a display of pomp and pageantry. It is a tradition with deep historical roots in Nigeria.
Eyo masquerades don’t speak to anyone; apparently, it is a ‘no-no’. However, they do have a strange way of communicating with observers and spectators. Throaty short words, almost inaudible but uttered in strange eerie-like sounds. What is the message they give and what does it mean?
There may now be an overwhelming number of Eyo masquerade groups that take part in the Lagos cultural festival, with claims of as many as a hundred, but the top and most prominent of them all are the 5 Senior Conclaves. They are the most cherished and respected. Who are they?
Spectacular costumes worn by the Eyo masquerades on the festival day are brilliant-white flowing, sweeping robes which conceal them from head to toe and colourful hats with bold conclave insignias. In their thousands, they first visit the Oba's Palace to pay homage, before all activities commence....
Looking for a unique tourist attraction deep-rooted in history, culture, and tradition? Well, the grand Eyo festival which holds in Lagos, Nigeria is what you need to experience. With a dramatic and splendid display of white-clad masquerades, this cultural event is held as a tribute to the past.
Early American furniture of the 17th century was limited to the bare essentials required for everyday life. Comfort was rarely an option, and furniture pieces were usually limited to tables, chairs, and beds.
The very early Colonial homes were spartan structures with interiors barely decorated, except for functional furniture items and furnishings that were an absolute necessity.
The homes of the first American settlers were crude structures built not for aesthetics or comfort, but strictly for functional purposes. They were simple sturdy homes; just enough to meet the demands of a people who required only the basics. Aesthetics were non-existent; a non-essential luxury.
A notable influence on the development of the styles of the American art periods has always been due to the varied origins and culture of its early settlers.
What is the meaning of the Renaissance, when and how did it begin in England, and how did it differ from the Italian Renaissance?