In 1958, Disney created a Christmas special for ABC using classic shorts with new bridging animation. This same special has gone on to be a well beloved Christmas tradition in Nordic countries.
It had been four years since Rankin/Bass produced a Christmas special, but with a bit of Animagic and two Miser Brothers, they would usher in a silver age for the studio.
Between when Santa came to town and that year without him, Rankin/Bass produced two lesser-known, but still memorable, Christmas classics.
While Heat Meiser and Snow Meiser duked it out in the Year Without a Santa Claus, five more lesser-known Christmas specials slipped in under the radar.
While Mickey Rooney was putting one foot in front of the other, the rest of television was treated to two nativity scenes, an encounter with Santa, and a classic Christmas Carol.
Frosty and Rudolph both showed that Rankin/Bass could turn popular Christmas tunes into beloved specials. But could they do one about the big man in red himself?
Still in the infancy of television animation, experimental series emerged, including television's first color cartoon and TerryToons first foray off the silver screen.
With the start of a new year, we venture back to the dawn of television to take a look at some little-known cartoons from the era of the Baby Boomer.
Five years after Rudolph, Rankin/Bass would recapture the Christmas spirit with a new special based on another popular song, Frosty the Snowman.
In 1966, MGM brought the world of Dr. Seuss to the screen for the first time with an animated adaptation of How the Grinch Stole Christmas.
In 1967 and 1968, Rankin/Bass adapted a Charles Dickens classic and another popular contemporary Christmas song, making two more Christmas classics to add to their repertoire.
Mr. Magoo! Popeye! Gumby! Rocky and Bullwinkle! Beetle Bailey! Check out some of the earliest animated Christmas specials and episodes from the early 60's!
In 1965, Charles Schulz's Peanuts finally made its way to television screens with "A Charlie Brown Christmas". 50 years later, we look back to this iconic holiday special.
Rudolph the Red-Nosed Reindeer has become perhaps the most popular Rankin/Bass special of all. But how did the story of a small reindeer with a glowing nose go down in history?
From Calvin and the Colonel, to Davey & Goliath, to Underdog, take a look at the animated Thanksgiving specials of the 1960's.
Among their numerous holiday specials, Rankin/Bass only made one Thanksgiving special: 1968's "The Mouse on the Mayflower"
Rankin/Bass produced Mad Monster Party (starring Boris Karloff) in 1967, coinciding with a resurgence in the popularity of movie monsters.
In the late 1960's, two pop culture icons (King Kong and Smokey the Bear), as well as the works of Hans Christian Anderson and other fairy tales got the Rankin/Bass treatment.
You may know Rudolph and Frosty, but do you recall Willy McBean and his Magic Machine? Take a look into the early works of Rankin/Bass before they became synonymous with the Christmas season.
In 1966, Charles Shultz's Peanuts aired its third animated special, and so the legend of the Great Pumpkin was born.
CartoonHistorian returns with a trip into the future to take a look at the continuing adventures of Doc Brown and Marty McFly
Clutch Cargo used the Syncro-Vox technique, which cut down on the animation costs by inserting real lips onto animated faces. This is the tale of the studio behind those lips, Cambria Productions.
Following the success of the Flintstones, Hanna-Barbera tried to make lightning strike twice in 1962 with The Jetsons. Meanwhile, three new funny animal cartoons made an appearance in syndication.
After the financial flop of their only feature film, United Productions of America (UPA) set their sights on television, bringing both Mr. Magoo and Dick Tracy to the small screen for the first time.
Yogi Bear proved to be a popular character on the Huckleberry Hound Show, so Hanna-Barbera gave him his own show in 1961. At the same time, HB produced a new series for prime-time called Top Cat.
Alvin & the Chipmunks were a popular novelty act during the late 1950's. Looking to expand the characters beyond records, creator Ross Bagdasarian put them in an animated variety show: The Alvin Show
In 1960, Hanna-Barbera was offered the chance to create a series for prime-time television. What they came up with was The Flintstones, one of the most iconic cartoons to ever air on TV.
Saturday morning cartoons were a major staple of US television, but which cartoon started this trend? In 1960, General Mills opened the gate with the first Saturday morning cartoon: King Leonardo
Stop-motion animation using clay had been experimented with almost as long as film itself, but it was thanks to Art Clokey's Gumby in 1955 that clay became a mainstream form of animation.
Hanna-Barbera was on a roll in 1959 with two hits already under their belt. That year, they came out with two more series, one on TV and one in theaters: Quick Draw McGraw and Loopy de Loop
Rocky & Bullwinkle were not alone, being joined by characters such as Mr. Peabody, Sherman, and Dudley Do-Right. Despite ending in 1964, the legacy of these characters still endure to this day.
Jay Ward, following his success with Crusader Rabbit, began planning his next hit series. It would be a long ten years, but it eventually bore two iconic characters, Rocky and Bullwinkle.
Hanna-Barbera took a risk in 1958 making television's first original half-hour cartoon, The Huckleberry Hound Show. This would soon open the doors wide for countless animated series to come.
Hanna-Barbera, the creators of Tom & Jerry, found themselves at a crossroad in a changing time. What would follow led to the birth of one of animation's most famous studios.
Crusader Rabbit, created by Alex Anderson and Jay Ward, was television's first original cartoon and an important milestone, shaping the groundwork for how we view TV animation today.