How to Draw Faces By Using Portraits of Presidents'
Learning to draw faces is one of the hardest techniques for new artist to achieve and even for old artist. New artist have a tendency to focus on details of the face instead of the overall whole or the gestalt, which is proportion, symmetry and shape. An artist has to train their selves to see and this takes practice. Practice drawing faces by using images that are easy to find. A series of portraits that is readily available is our past presidents like President Polk.President Polk was a believer in themanifest destiny and the Monroe Doctrine. The manifest destiny is the belief that the United States had a natural right to expand and control the area between the Atlantic and Pacific oceans and the Monroe Doctrine kept the Europe out of western hemisphere such as South America.
- Obtain an image of President Polk to use as reference.
- Place the image in a place that is easy to see.
- Create an outline of President Polk by drawing straight lines with a pencil. New artist should train their eyes by drawing first and then verifying what has been drawn second. Pay attention to the gestalt,symmetry and correct proportions first instead of sighting (pre-measure.)
- Compare height to the width to verify proportions. Begin with the largest area across the brow and compare it to the height starting at the chin.
- Add features of President Polk’s face such as the eyes, nose and mouth. Sketch lightly so you can erase and adjust lines as needed.
- Increase the hardness of the sketched lines to confirm what you want to keep and reinforce the lines by tracing over with a black pen.
- Artacademy.com | Drawing Lessons for Beginners - The Arabesque in Portrait Drawing. Free drawing les
Free portrait drawing lessons. In portrait drawing the arabesque is the entire positive shape, the gestalt (whole) of the head. The arabesque incorporates the proportion (height/width ratio), the shape and the symmetry. Thus within the arabesque is c
Secrets to Drawing realistic faces; Carrie Stuart Parks; 2003