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Gustav Holst: Influence of The Planets

Updated on February 19, 2010

Early Life and Works


Upon his birth in 1874 in Cheltenham England, Gustav Holst's musical direction in life was established. A long line of musicians preceded  him in his family, and his father encouraged daily piano practice at an early age. Further study by Gustav on violin and trombone enhanced his early musical  career. However, physical disabilities such as asthma and neuritis in his right arm prevented his ambitions as a pianist, but encouraged composition. Gustav was a productive composer and even though he preferred to write for voice, his symphonic score The Planets is his most enduring composition. This is evidenced by his influence on various contemporary media.


Gustav's preference for writing for voice led him to compose a great deal of material in choral music, operas and songs. These compositions outnumbered his orchestral work. His ideas for composition came from a variety of subjects such as folk songs, Tudor music, Sanskrit literature, astrology and contemporary poetry. They inspired his  imagination, and helped him produce compositions such as Choral Hymns from the Rig Veda, The Cloud Messenger, This I Have Done for My True Love, plus many other choral works. This love  for composing  for voice also led him to create operas including Savita and The Wandering Scholar.  Although he wrote these many choral pieces, he was far less prolific in writing  for orchestra, yet his most remembered compositions today are The Planets, a seven part symphony based on our solar system, and St. Paul's Suite.

Gustav Holst. Image credit:
Gustav Holst. Image credit:

The Planets


The seven movements of The Planets comprise a wide range of moods, and include a touch of chorus in the last movement of Neptune. Power and brutality describe the opening movement of Mars, The Bringer of War. Mars embodies the idea of mechanised war and achieves this through a faster than normal march tempo. In contrast, Venus, The Bringer of Peace creates a gentle atmosphere where love and appreciation of beauty is apparent. Mercury, The Winged Messenger, picks up  the tempo again by using  alternating 3/4 and 6/8 rhythms, and is free and light in mood. Slowing down the pace slightly is Jupiter, The Bringer of Jollity which has been described as "more plodding  and persevering than brilliant and active" ( Felts). In contrast to Jupiter's joviality, Saturn, The Bringer of Old Age adds sagacity with a slow and steady pace which begins in the distance, and creates a feeling of acceptance and serenity. To lighten Saturn's heavy atmosphere, Uranus, the Magician enters with magic and the metaphysical where wisdom and knowledge are infinite. Finishing this suite of variety is Neptune, The Mystic  where a choir of angels sing a wordless and mysterious universe as they fade into the cosmos.


Despite his ability to write an enduring and insightful symphonic score, it took  Holst four years from the time he finished the composition in 1917until  it brought him any fame or monetary value. The  times didn't allow for royalties or performing fees, and neither later fame nor continuous dedication to his love of composing and performing earned him a living. In 1904 he accepted a Musical Director position at the St. Paul's Girls' School as a singing teacher. This post he kept until his death in 1934. Gustav was well loved by his students, and he truly enjoyed the position. On two  visits to the United States he also lectured at the University of Michigan, and held a six month term as lecturer in Harvard. His desire to serve his country in WWI was rejected due to his neuritis and bad eyesight, so be became conductor of the military band and toured  Europe  aiding in the war effort through  music. Throughout the period of WWI he continued to write The Planets, starting Mars just prior to the war .

The Planets. Image credit: ArthurSulit/images
The Planets. Image credit: ArthurSulit/images

Influence of The Planets

Little did Holst realise how far reaching his efforts of composition during the Great War would stretch. Haunting references from The Planets can be heard in many science fiction movie themes today  such as Star Wars and particularly in The Man Who Fell to Earth starring David  Bowie. The Progressive Rock Era owes a great deal to the efforts of classical composers such as Mussorgsky and Holst. These seventies composers pushed the limits of rock by emphasising composition over basic song structure, and in fact added the classics to their repertoire. King Crimson used Holst's Mars as  a regular feature in their concerts. A BBC production  entitled The Planets owes most of its music background in its eight part study of our planetary system to Gustav's composition. From modern day poetry inspiration, to TV documentaries, various artistic disciplines have been influenced by Holst's symphonic work.


Holst's slow  but eventual international recognition after 1921 earned him more financial stability, yet he remained somewhat uncomfortable and suspicious of it. When asked for autographs he would reply by giving out a tiny slip of paper stating that he did not give autographs. If not for the efforts of  his daughter Imogen  after his death, the world may have missed the inspired visions this composer offered. Thanks to her his visions continue to inspire many in their varied fields of artistic expression.



Works Consulted


1.      Lorin Maazel/ Orchestre National de France/ 1984 CBS Records/ Holst: The Planets /CD Jacket

2.      Biography by David L Felts/ Gustav Holst (1874 - 1934)/ Online/ Feb.22,2002           


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    • Frances Metcalfe profile image

      Frances Metcalfe 

      3 months ago from The Limousin, France

      Just found your excellent hub after writing mine this month on composers inspired by the solar system. Of course I included Holst's The Planets, but talked in depth on just two of them, Saturn and Uranus. I think he is a remarkable composer, far too much in the shadows. I knew some of his background from radio programmes and some information I picked up on the internet, and it was so complementary to find more on your article.

    • profile image


      8 years ago

      i think mars is very... unique, im doing course work on it, this has helped me a LOT!! but i need to no when holst composde mars imparticular!

    • allpurposeguru profile image

      David Guion 

      8 years ago from North Carolina

      I don't suppose anyone will ever rank Holst among the giants of 20th century composition, but everything I've heard of his is at least attractive. I would love to get a chance to play The Planets in orchestra. (Like me, Holst was a trombonist.) Ironic, but after the discovery of Pluto, someone just had to add a "Pluto" movement. Then, of course, Pluto was demoted. It's a nice movement, and I'm glad to have it on my recording. I'm also glad I can program my CD player to ignore it and hear Holst's ending.

      Nice work on this hub

    • E. Nicolson profile imageAUTHOR

      E. Nicolson 

      8 years ago

      Thank you, Kendall H. It's amazing how often his music is used. I've recently heard Mars being used on a documentary series -- but can't remember what series ... age I guess :)

    • Kendall H. profile image

      Kendall H. 

      8 years ago from Northern CA

      Very nice hub! I had a music in film class where the professor used Holst's planets music mainly Mars quite often. This was fascinating and now I can put a name with a face whenever I listen to the music.

    • E. Nicolson profile imageAUTHOR

      E. Nicolson 

      8 years ago

      You're quite right, Rose West. There have been many through the ages that seem to thrive in spite of difficulty. Alexander Pope and Beethoven pop into my head.

    • Rose West profile image

      Rose West 

      8 years ago from Michigan

      Thank you for your informative article! It's interesting that a man can contribute so much to culture even when (or maybe because of) the struggles he's been through, like neuritis.

    • E. Nicolson profile imageAUTHOR

      E. Nicolson 

      8 years ago

      Thank you Jane, tobey100, and jayjay40. I have been a great fan of The Planets for many years. I first heard the score back in the 70s and have run through several copies in vinyl, cassette, and CD. While I enjoy all the movements -- Mars is the favourite!

    • tobey100 profile image


      8 years ago from Whites Creek, Tennessee

      Ditto that. Mars does it!!!

    • jayjay40 profile image


      8 years ago from Bristol England

      I love the planets especially Mars it gives me goose bumps,thanks for sharing your knowledge on this interesting man

    • tobey100 profile image


      8 years ago from Whites Creek, Tennessee

      Incredible hub. An amazing man, amazing work. Best description of Holst's work I've read. Just excellent. thanks

    • Jane Grey profile image

      Ann Leavitt 

      8 years ago from Oregon

      Excellent article; well researched and informative! I have always enjoyed the music of The Planets, but did not know anything about Holst, or what the message of each of the planets signified. Great work!



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