Revisiting Death Note Anime (Episodes 13-15)
Episode 12: Confession
Manga chapters: 28-29
Original air date: January 09, 2007
I think I might be one of the few Death Note readers who actually likes Misa, faults and all. Given the paucity of
good female characters in the series, I'd say she is probably the least
negatively portrayed woman in Death Note, aside from Naomi,
perhaps. Like Naomi, Misa's storyline is focused on a man. She has a lot of power, and she's prepared to give it up for a
man. She's clever and talented, but she resorts to using these skills in
the pursuit of romantic love.
L
and the task force appear briefly in the first part of the episode. L
tells Matsuda to keep an eye on Light when they go to Aoyama to look for the second Kira. Oddly, we
never see Light socialise unless it's part of a death note-related ploy,
so how did he suddenly get all these friends? Maybe he has a reserve of them just
for situations like this.
Light's
idea of travelling in a pack (to make it hard to determine who Ryuk's
haunting) is a good one, but Misa identifies Light right away as Kira. This
brings us to Misa and Light's first face-to-face meeting. Her appearance
at the Yagami residence is just like in the manga; Sachiko and Sayu's expressions turn to nervous shock
when Misa goes to Light's room.
Misa's characterisation is retrograde on many levels, such as when she tells Light she wants to be used by him and will work to make him love her. How can a character with so much potential can be afflicted with so many annoying traits?
As Light embraces Misa, they are
illuminated in a shaft of light. We see Misa's radiant
face, which is not shown in the manga.
But, before you start thinking that this is a(n) (un)holy allegiance of
the new world's god and goddess, the camera circles round to show
Light's devious smirk. Another shot, from a wider angle, shows the
shinigamis watching them.
Episode rating: B
Episode 14: Friend
Manga chapters: 30-31
Original air date: January 16, 2007
I
remember absolutely hating Misa when I first read the manga,
especially in the way she tells Light that she's be happy to be used by
him. Since re-reading the series, I've come to regard Misa with more
sympathy. She's a little silly and emotional, but those aren't really
negative traits. Would people be less likely to think ill of her were her outbursts not juxtaposed with Light's supreme annoyance?
Along the same lines, would people be less irritated by Matsuda if he
wasn't always being told off by the NPA or ignored by L?
Misa's
seiyuu is great when she's supposed to sound angry. When she tells
Light she'll kill any other girls he dates, her voice is the perfect
blend of girlish petulance and rage. Light is also much more
sinister here than in the manga when he threatens Misa with
the fact that he has both death notes. Too bad Rem has to rain on his parade, but he
should have known. Misa is a shinigami magnet.
Meanwhile, at Aoyama, when Takada says that she's uncomfortable
with being called "Miss To-Oh or whatever," is Light surprised because
he thinks she's not as shallow as he first thought, or is he smirking
because he knows she's faking it? Judging by what we know of Takada,
it'd seem appropriate that he's smirking because she's being falsely
modest.
I don't always agree with the
mangaka about the motivations of some characters, especially L.
He's easily the most inscrutable character in the manga; yet Death Note Volume 13: How to Read defines L as a liar. True, he lies by
telling untruths and also through acts of omission, but Isn't Light more of a liar than L?
This
brings me to the comment that L makes (it's also the name of this
episode) about Light being his "friend." I always took this at face value; I
believed that L has no friends--just like Light, I might add--and that
he has no real experience with or understanding of personal relationships. Thus it makes sense that Light is the one person
he'd most likely call a friend. What Volume 13 says--that L made that
comment just to disarrm Light--in retrospect seems inconsistent. Would L really think something like that would have an
effect on Light?
Episode rating: B
Episode 15: Bet
Manga chapters: 32-33
Original air date: January 23, 2007
This
was easily one of the more amusing episodes of late. We start immediately after Light thinks
incredulously, "L will die this easily?" Ha, not as easy as you think,
Light. Then, he kisses Misa when she starts fussing about romantic phone calls and dinner dates. Yup, he gave her a shut-up kiss.
The use of cityscapes in this episode is surreal yet effective. It
overcomes some of the challenges that the manga presents in
its excessive number of internal monologues: how many times can
you watch Light or L just sitting and thinking? Thus, a
few times in this episode when our two geniuses have internal
monologues, they are shown against a sepia-hued city, with discoloured
eyes and hair. Light falls off a building, then stops in mid-fall,
floating. It's all rather dreamy.
This episode tweaked a few things to make the university scenes work
very well. Like the movie, this part is played for laughs, but the anime
does it much better than The Last Name. L's faux-happy hailing
of Light is one of the funniest things I've seen in this anime. And it's
not out of character, because he is obviously acting: he has an unnatural smile when
he calls Light over, but reverts immediately to his deadpan expression
when he mutters, "Konnichiwa." So Light gets rid of Takada, only to be
accosted by--Misa! It's a great scene, in the manga and in the
anime.
A few words on the anime soundtrack now. It's neat, if
self-reflexive, that Nightmare's song "Alumina" is Misa's ringtone.
Also, "Light's Theme" (probably my favourite track on the OST) plays
when we first see Misa in restraints, and its subtly dramatic,
melancholy tone works well. It underscores Misa's suffering, as well as
L's capacity for cruelty. Although it's
been used before, Rem's theme plays in the background during the
flashback to Misa's confinement. It's a nice link to Jealous, the other
shinigami who loved Misa, because the same tune played a few episodes back
when he killed her stalker. Misa's
seiyuu captures Misa's desperation perfectly when she begs Rem to
kill her.
I wonder why a particular detail was added to the Misa scene. When she
wipes her memories, Rem brushes Misa's face and hair, startling
L, who sees Misa's hair seemingly move by itself. This was never touched upon later, so it might have been the start of something that the writers decided not to continue.
Oh, and one more thing. Why
on earth would L do a backwards dive onto the couch when he has to
scramble off his back, then get into a crouching position? I guess that
might have been for the cute factor, and it is nice to see him being
active and all...but I am more amused by
Matsuyama Kenichi's (movie!L) effortless chair leaps.
Episode rating: B+