ArtsAutosBooksBusinessEducationEntertainmentFamilyFashionFoodGamesGenderHealthHolidaysHomeHubPagesPersonal FinancePetsPoliticsReligionSportsTechnologyTravel

Whitstable Reviews: Swing Boys Swing by Nigel Hobbins

Updated on September 12, 2016
Whitstable Views profile image

CJ Stone is an author and columnist. He appears regularly in the British press. Currently he has a column in the Whitstable Gazette.

All for ourselves and nothing for other people, seems, in every age of the world, to have been the vile maxim of the masters of mankind."

— Adam Smith, The Wealth of Nations
Photograph by Neil Sloman
Photograph by Neil Sloman

Featuring:

Nigel Hobbins - vocals, guitar, mandolin, bass, percussion

Andrew Ling - lyrics

Daren Reynolds - double bass, electric bass

Neil Sloman - tenor, soprano & baritone sax

Robert Jarvis - trombone

Diane Comley - vocals

Martyn Kember-Smith - fiddle

Joe Hand - banjo

Daniel Mackenzie - electric guitar

Will Glanfield - E flat clarinet

Mastered by Robert Jarvis

Production

Swing Boys Swing is another fine collection of recordings by the Whitstable based singer/songwriter Nigel Hobbins.

There are twelve songs in all. Five of them are co-written with Andrew Ling; one of them is a traditional number and one (The Spritsail Barges) based on an anonymous poem found painted on a bit of old plywood in a boatbuilder’s yard in Faversham. The rest are one hundred percent Nigel’s.

It’s impossible to categorise Nigel’s music, it is so uniquely his own.

There are many influences in here, all of which play a part. There are African-sounding riffs, Country Music choruses, bits of Cajun, bits of Soul, Jazz phrases, Reggae rhythms, Celtic folk and, I’m sure, a whole bundle of other borrowings from music forms from around the world, but it is all wedded to a deeply English - nay Kentish - sensibility.

It is music grown from the rich soil of rural Kent, from Challock, on the North Downs, where Nigel was born and raised, and Whitstable, where he has lived and worked and raised his children, with Christine his partner, these last thirty years.

You can almost hear the roots burying themselves in the English soil as the songs waft by on the summer air.

And that, indeed, is the quality of many of these songs: a kind of breeziness, a summeriness, a lightness of touch that can nevertheless lead you to some very deep places.

It is also almost completely production free. There’s not a hint of electronics here. It was recorded in a summerhouse in Challock, just Nigel and his guitar and the birds outside, and then lugged round to various people’s houses in Whitstable, where the other musicians added their tracks. And that’s it. No more. Simple, sweet, unvarnished music, played by artisan musicians accomplished at their craft.

There are no drums on this album. That must be very rare. There are maracas, tambourines, rattles and other percussion instruments, but no drums. What this does is to make the music step back from itself a little. It is music on the back foot rather than music on the front foot. It is not driven by the hefty crash of a mad drummer sweating over his kit, but rather urged, in a kindly way, into keeping its rhythmic sway. The rhythm is still there, strongly so, solid enough to dance to, but it is the servant rather than the master of the music, which allows the listening ear more time to hear before the feet get up to dance.

Which is a good thing, given that the lyrics are so stand-out perfect in every case.

I Can’t Explain

I Can’t Explain, the opening song, co-written with Andrew Ling, is unaccompanied except by Nigel’s jaunty guitar, and is the only one on which no other musicians appear. There’s an almost painful intimacy about it, both in the way that Nigel sings, very close to the microphone, as if he’s whispering in your ear, and in Andrew’s lyrics, which evoke the shy confusion of a love that reaches beyond words.

It is a beautiful start to a beautiful album.

Head Over Heels, the next song, is one of Nigel’s own. It’s a love song, but one that is characteristically Nigel. His choice of imagery is so down to earth it’s glorious. How about “my footings have all lost their firm foundations” as an illustration of the uncertainty of love? That reminded me of his Love Sick Brickie song from another album, in which he evokes the confused preoccupations of a bricklayer in love.

Or how about this: “as helpless as a fish served upon a plate”? That would be one of Nigel’s fish, then, caught by his own hand on one of his fishing trips.

But the line that made me laugh out loud was this: “Now the postman’s delivered next door’s mail, I open it and feel real bad.”

That’s me that is. I’m the postman who delivered next door’s mail. I’m always doing it, always sticking the wrong letters into the wrong letter boxes, being far too distracted half the time to make a decent postman, and it’s great to hear a mundane detail of my daily life make it into song.

What a song like this does is to redeem ordinary life, to give it the status of poetry. It takes a proper artist to pull that one off.

Down to Ground

Back Down to Ground, co-written with Andrew Ling, made me cry. It evokes the feeling of lost love, and the craziness and confusion that can accompany that, but adds a sort of kindly reminder that the world spins on regardless of our loss.

It’s in two distinct parts. One of them, bittersweet and sad, and sung in a minor key, evokes the loss and the pain and the confusion; while the other, the chorus, is bright and lively and full of verve and reminds us of the simple joyful pleasures of our remaining days upon this Earth:

Winter came and the stars wheeled on,

And the frost broke up the clay,

Swallows flew and the sun shone on

And the summer smelled of hay.

Very simple, very poignant, and sung with heartfelt emotion by Nigel, who has obviously experienced a loss or two himself in his time.

I won’t go into every song line by line as that would probably spoil it for you. These are my thoughts, my emotions, and you will no doubt bring your own feelings to it when you listen to the album: which I heartily recommend you do.

What it does for me is to underline the absurd narrowness of contemporary mainstream culture. These are not only accomplished and wholly original songs, but they carry a depth that is all too rare in this age of prepackaged emotion.

It deserves to be heard by everyone all over the world, and not just the small audience in and around Whitstable, where it currently has its base.

Nigel and the Dreamlanders at the Whitstable Labour Club: photo courtesy of Nick Cordes: https://nicordes.wordpress.com/
Nigel and the Dreamlanders at the Whitstable Labour Club: photo courtesy of Nick Cordes: https://nicordes.wordpress.com/

Tracks:

1. I Can't Explain (3:10) Hobbins/Ling

2. Head Over Heels (4:51) Hobbins

3. Swing Boys Swing (6:52) Hobbins

4. Back Down To Ground (3:22) Hobbins/Ling

5. The Dargate Stomp (3:39) Hobbins/Ling

6. Hares on the Old Plantation (3:14) Trad

7. The Spritsail Barges (4:06) Hobbins/Anon

8) I Will Never Forget (3:38) Hobbins/Ling

9. Vic Plums (5:23) Hobbins

10. So We Owe (2:51) Hobbins/Ling

11. Far Far Away (3:41) Hobbins

12. Beautiful Day (5:57) Hobbins

Riot

I’ve saved the stand-out song till last. It is the one after which the album is named: Swing Boys Swing.

It’s not like anything I’ve ever heard before.

It’s about the Swing Riots, which began near Elham in Kent in August 1830 and then spread throughout the rest of the country over succeeding months and years.

It’s about a time of turmoil and violence in British history, the rising up of the poor against the greed and narrow-mindedness of their Masters.

It’s about Captain Swing, the fictitious person who signed the letters warning the magistrates, parsons, landowners and other worthies of the “consequences” if their demands weren’t met.

The song is very dark in atmosphere with some threatening undertones, which perfectly invoke the mood of a night time riot. There’s an eeriness about the song too. Not so much haunting, as haunted, it’s as if Nigel has channeled the grief and anger of these long-dead souls who, unable to feed their families, and incensed at the injustices bearing down upon them, took it upon themselves to do the only thing in their power to do: to smash and burn the symbols of their oppression, the threshing machines and farm equipment, the barns, outhouses and other property of the wealthy landowners who were busy enriching themselves off the worker’s backs.

It isn’t a song about history. It is history come alive.

Some things never change, it says. There are still people enriching themselves off the workers’ backs. The greed and narrow-mindedness hasn’t gone away and Captain Swing is ever on the alert for the shadow of injustice.

working

This website uses cookies

As a user in the EEA, your approval is needed on a few things. To provide a better website experience, hubpages.com uses cookies (and other similar technologies) and may collect, process, and share personal data. Please choose which areas of our service you consent to our doing so.

For more information on managing or withdrawing consents and how we handle data, visit our Privacy Policy at: https://corp.maven.io/privacy-policy

Show Details
Necessary
HubPages Device IDThis is used to identify particular browsers or devices when the access the service, and is used for security reasons.
LoginThis is necessary to sign in to the HubPages Service.
Google RecaptchaThis is used to prevent bots and spam. (Privacy Policy)
AkismetThis is used to detect comment spam. (Privacy Policy)
HubPages Google AnalyticsThis is used to provide data on traffic to our website, all personally identifyable data is anonymized. (Privacy Policy)
HubPages Traffic PixelThis is used to collect data on traffic to articles and other pages on our site. Unless you are signed in to a HubPages account, all personally identifiable information is anonymized.
Amazon Web ServicesThis is a cloud services platform that we used to host our service. (Privacy Policy)
CloudflareThis is a cloud CDN service that we use to efficiently deliver files required for our service to operate such as javascript, cascading style sheets, images, and videos. (Privacy Policy)
Google Hosted LibrariesJavascript software libraries such as jQuery are loaded at endpoints on the googleapis.com or gstatic.com domains, for performance and efficiency reasons. (Privacy Policy)
Features
Google Custom SearchThis is feature allows you to search the site. (Privacy Policy)
Google MapsSome articles have Google Maps embedded in them. (Privacy Policy)
Google ChartsThis is used to display charts and graphs on articles and the author center. (Privacy Policy)
Google AdSense Host APIThis service allows you to sign up for or associate a Google AdSense account with HubPages, so that you can earn money from ads on your articles. No data is shared unless you engage with this feature. (Privacy Policy)
Google YouTubeSome articles have YouTube videos embedded in them. (Privacy Policy)
VimeoSome articles have Vimeo videos embedded in them. (Privacy Policy)
PaypalThis is used for a registered author who enrolls in the HubPages Earnings program and requests to be paid via PayPal. No data is shared with Paypal unless you engage with this feature. (Privacy Policy)
Facebook LoginYou can use this to streamline signing up for, or signing in to your Hubpages account. No data is shared with Facebook unless you engage with this feature. (Privacy Policy)
MavenThis supports the Maven widget and search functionality. (Privacy Policy)
Marketing
Google AdSenseThis is an ad network. (Privacy Policy)
Google DoubleClickGoogle provides ad serving technology and runs an ad network. (Privacy Policy)
Index ExchangeThis is an ad network. (Privacy Policy)
SovrnThis is an ad network. (Privacy Policy)
Facebook AdsThis is an ad network. (Privacy Policy)
Amazon Unified Ad MarketplaceThis is an ad network. (Privacy Policy)
AppNexusThis is an ad network. (Privacy Policy)
OpenxThis is an ad network. (Privacy Policy)
Rubicon ProjectThis is an ad network. (Privacy Policy)
TripleLiftThis is an ad network. (Privacy Policy)
Say MediaWe partner with Say Media to deliver ad campaigns on our sites. (Privacy Policy)
Remarketing PixelsWe may use remarketing pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to advertise the HubPages Service to people that have visited our sites.
Conversion Tracking PixelsWe may use conversion tracking pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to identify when an advertisement has successfully resulted in the desired action, such as signing up for the HubPages Service or publishing an article on the HubPages Service.
Statistics
Author Google AnalyticsThis is used to provide traffic data and reports to the authors of articles on the HubPages Service. (Privacy Policy)
ComscoreComScore is a media measurement and analytics company providing marketing data and analytics to enterprises, media and advertising agencies, and publishers. Non-consent will result in ComScore only processing obfuscated personal data. (Privacy Policy)
Amazon Tracking PixelSome articles display amazon products as part of the Amazon Affiliate program, this pixel provides traffic statistics for those products (Privacy Policy)
ClickscoThis is a data management platform studying reader behavior (Privacy Policy)